Arita molded hard porcelain dish. This is one of the first productions for export which were made in small quantities around 1650. It was at this time that the ceramicists of Arita began to cover the edges of some of the porcelain with brown enamel, it is not a trivial gesture because the addition of this brown which is an overglaze enamel alone requires additional firing, which represented an additional cost and above all an additional risk of breakage. The spontaneity of these decorations, typ...

An underglaze blue and polychrome enamelled Arita bowl and saucer with panels of chrysanthemums supported by canes that suggest crucifixes, separated by panels of bird and trellis design. Early 18th century.

The cup is approximately 8cm diameter, the saucer is 14.8cm diameter. Perfect condition.

Please study the photographs.

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A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

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A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

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Hard porcelain box from the Arita kilns decorated in the Imari style with stylized flowers and scrolls in underglaze cobalt blue and iron red. Gilded details. It is rare to find a box from this period in good condition. Japanese work from the Edo period, end of the 17th century. Diameter 15cm. Good condition.

Arita hard porcelain dish. The decoration is painted with stylized flowers in underglaze cobalt blue and enamelled with medallions. The edge is coated with a thick chocolate brown enamel, typical. Japanese work from the end of the 17th century or the beginning of the 18th. It is a rare artistic model. Below a mark drawn in blue and traces of pernettes. Good condition. Some enamel skids. Diameter 195mm.

Japanese polychrome enamel Arita porcelain dish. Decoration in blue underglaze and green, red, black, buff, aubergine and gold enamel of cranes among the three friends of winter (pine, bamboo and prunus) and Spring flowers. Stylized character in center, karakusa on verso. Good condition. 8 5/8 inches diameter

An unusual Arita enamelled wall-vase, kakehana, circa 1750. The seed-shaped hollow body is moulded with trailing vines supporting a dragonfly. The painter has used two different greens, aubergine, yellow and black. The unglazed back is pierced for suspension. It is probable that this kakehana was made for the home market.

Approximately 16.7cm long. Perfect condition with only a little wear to the enamels from use.

Please study the photographs.

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A high quality Arita porcelain dish decorated with an auspicious pattern composed of a central motif made up of three shippo or cash symbols bound together by a stylised Peony leaf vine; a variant of the more usual ribbon tied cash see EW3193. The cavetto decorated with a Tako-karakusa ground and the rim with a diaper band. The reverse is meticulously painted with a band of stylised lotus pattern to the base of the footrim. A design typical of higher quality porcelain of kenjo presentati...

So rare and beautiful: Arita Tenmoku Tea Bowl by greatest Living National Treasure Inoue Manji. Most of his work is made of white porcelain, and only very few have the wonderful Tenmoku glaze. We are very proud to present one of his rare masterpieces. It comes with the originally signed and sealed wooden box, a sealed cloth and a profile of him. He named the tea bowl "Tenmoku Macchawan".

All his items are very high priced, a lot of them higher than 20.000 USD (please see last photo...

A Hizen-yaki, Arita kilns dish in the Kakiemon style. Probably after design examples from the latter kiln. The cavetto with delicate shironuki decoration of sakura blossoms on waves of water. The center undecorated save a single chrysanthemum blossom. Brown rim induced by iron oxide. The exterior with karakusa around the unglazed ring foot centering a spurious mark suggesting the Chinese Ming dynasty. Early 19th century. Good condition. Diameter about 7 3/4 and a little more in places.

A good Hizen-yaki, Arita kilns octagonal blue and white porcelain bowl. Shonsui ‘three friends if winter, decoration in roundels among shape patterns. A single Minogame decorates the interior center. A Fuku mark appear center of the bottom, inside the unglazed ring foot. 19th century. Good condition. 5 inches at widest points. Little more than 3 inches at highest points.

CILICIAN ARMENIA- HETOUM I AND ZABEL, 1226-1271 CE, silver tram, OBV. ZABEL & HETOUM; REV. LION AND CROSS. Diameter : 17mm and 3 grams. Free shipping.

A tea bowl or maybe, rather, a wine bowl. The front with the combined crest of two families from the rural nobility, one is symbolized by a harrow, the other by a bunch of grapes. The back with the intertwined initials of the families joined together in marriage, surrounded by vines and grapes. China, mid or late 18th century. Diameter "3¼/ 8 cm, height "1¾/ 4,5 cm. Condition: a very small glaze flake to the mouth rim.

Description:

A rock crystal carving was well depicted as a Guanyin holding a baby.
By characteristically dated features on the faces of the deity and the baby, the figures were well carved on the robes with affluent lines.
The benign facial expression of the Guanyin and the smiling face of the baby were well rendered by excellent traditional craftsmanship.
The rock crystal here was not in pure transparent look. But it was what we can only expect of a pie...

One of the finest, most daring, and well-crafted works I have seen by this legendary artist who is known for his non-conformist and bold style. Suzuki Goro has outdone himself with this Rose Oribe ceremonial tea bowl. Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). The most common types in this genre are Oribe-guro with jet-black glazes and feldspar ornamentation, Ao-Oribe with dark-green glazes, followed by the somewhat rarer type of Oribe known as...

Japanese lithograph print by Toko Shinoda (born 1913) entitled "Arrived Wind". Signed in pencil. Undated. Edition number 27 of 35. Frame: 33" high x 27" wide Inside archival mat: 23 1/2" high x 17 1/2" wide

An unusal tri-legged bronze incense burner with finialed dome pierced top signed on the underside. It is 6 inches (14.5 cm) diameter, 7 inches (18 cm) tall and in fine condition, dating circa 1935. Hori Joshin was a student of Oshima Joun and was active from the early to mid 20th century.