Extremely rare. Thinly potted six lobed body, covered with a thin glaze of ivory tone. Northern Song Dynasty, 10th - early 11th century. Diameter : 13,9 cm. Condition: Perfect.

Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pair of capped posts rising from the rim. This ceramic jue cup is done in fine porcelain with underglaze enamel and is described on the tomobako as being a jue-shaped incense burner (korou). One of Chikusen’s finest works, the painting shows a pastoral scene in the countryside in Japan.

Miura Chikusen (1854 - 1915) was an exc...

A very beautiful QING DYNASTY CHINESE ANTIQUE wedding box, with a carved handle depicting figures and a metal latch/fitting around the base. Good condition overall considering the age. Gorgeous color! Size: height 33 cm x width 34 cm.

An attractive and rare group of rootwood ducks. Partly carved from the natural root with the legs attached. The gander with a natural stone around which the root has grown. Meiji, ca. 1850. Size: . H 15 cm, H 12,5 cm., H 10 cm . Condition: Excellent and with great age patina.

Description:

A wood mountain alcove was carved from a block of precious sandalwood.
Nice aroma is the characteristic of this rare wood.
By great patina and well-shaped form, this wood mountain can be the focusing view on your desk.
The small cave can be an ideal alcove for a figurine of about 5-6cm in height.

Date: Qing Dynasty, 19th century.

Height: 17.8cm

A CUSTOM-MADE SILK BOX IS INCLUDED.

Description:

Rare stone bust from the Sui Dynasty (581-618 CE). Piece is in fine condition, with its original whitish coating preserved. The bust depicts a solemn image of a devoted pupil or perhaps a slave, with head dress. Facial features are well carved and very effective in communicating the mood of the piece.

Minor wear and abrasion caused by age, but these do not distract from the beauty of the piece. These are, if anything, exaggerated by the shadow in the phot...

Description:A beautiful and rare imperial famille-rose crane-medallion porcelain bowl and saucer, the bowl decorated to the exterior with seven roundels of crane-medallions in purple red enamel, between bands of crosshatched pattern around the rim and blue and green breaking sea waves above foot rim, centre of the bowl finely painted with a single peony flower and leafy branches enclosed within blue-circles. The interior of the saucer was decorated with the same patterns of the roundles. Both of...

In Asian folklore, the peach is said to represent long-life for mortals and immortality for the gods. According to legend, the moon goddess—a powerful alchemist—can make an elixir from peaches that grow in the garden of the western paradise with miraculous revitalizing properties. Here we have an exceptionally rare set of sake cups by Suwa Sozan, one of only 5 Imperial Court Artists from Meiji. Sozan spent his life perfecting techniques for celadon production first used in the Souther Song D...

The body of pear shape with a faux bois ground. The front face and the reverse – medallion superbly enamelled. The interior and the base of the vase white glazed. Iron-red Shengdetang – Mark to the base of the vase. Exactly written iron red Shengdetang – marks were common during the Daoguang period ( 1821 – 1850 ) and were used until the Republican period. The Shengdetang marks of the Republican period. were written in a poor quality. This vase is probably from the Republican altho...

A Very Rare Korean Silver Bar Hairpin/Enameled Bamboo, Bird, plum -19th C.: Korea, Joseon dynasty, 19th century. The long terminal cast with bamboo leaves, flying cranes and plum flower head with a roundel coral inserted into the plum flower-head on the either side of the bamboo head-end, and enameled in blue, red, green, and yellows, the cylindrical silver bar ends with a point tip. It’s in good condition but some enamels gone due to age and use, and two small coral jewels missing, ...

A VERY RARE SONG PERIOD, SAWANGKALOKE-SISACHANALAI, SIAMESE-THAI, IRON BROWN GLAZED SMALL MEDICINE BOTTLE. 14-16th Century. Has 2 intact loops as well as incised ringed ribbing. Good overall condition, no cracks, hairlines nor restorations. One inconsequential nick on the lip. Size: height 8cm. VERY RARE ITEM!

From our Early Chinese Collection, a rare glazed buddhist offering vessel with Oxford TL test from Yunnan Province, Song Dynasty China (960-1279 AD). The reddish-tinged and heavily potted buff body is decorated with a carved lotus leaf pattern in high relief, signifying “purity,” with the entire vessel covered in a rich emerald-green glaze with a few areas of slight iridescence from burial.

This offering vessel is one of the best examples we have seen from a group of highly obscure a...

Ewer of gourd form and curving spout. Porcelain body covered with transparent, finely crackled glaze, tinted slightly bluish-green. Jingdezhen or Fujian. Song to Yuan Dynasty, twelfth to fourteenth centuries. H: 11,3 cm. Condition: Broken at the outermost end of the spout. Otherwise in absolutely perfect condition ( please have a look at the images ). IMPORTANT AND HIGHLY UP-TO-DATE INFORMATION REGARDING ALL OUR ANNOUNCED PRICES FOR CHINESE CERAMIC ITEMS : SINCE I`M NOW ENJOYING MY RETIREME...

Rare vase with a nice Qingbai ( Yingqing ) glaze over a well potted porcelain body. H : 9cm. Jingdezhen or Fujian ware, Song - Yuan Dynasty. Condition : Some faint glaze crackles - nice original condition.

Finely cast unusual statue of Hindu god Kartikeya, wearing jewels and a loincloth, standing on a stylised lotus.The right hand of this statue is poised as if holding a staff and the left hand rests on his thigh. He is seen as a mendicant with just a loincloth on. This form of Kartikeya is also called Dandayudhapani (the one who holds staff in hand).Bronze, with nice age patina. India, early 19th century, maybe earlier. Height: 19.3 cm. Very good condition. A rare piece. NOTE: Kartikeya is the e...

A unique and rare stone seal was found in perfect condition.
It was made in simple and characteristic stone-coffin form (石函型制）and the YuZi(魚子紋）marble stone which was usually found in the ancient times.
Manually maneuvered carving was done excellently on this object.
Translations are as follows :
On top of the seal, 雙溪寺製,Made by XungXi Temple.
Printing side, 佛法僧寶,The Treasurable Three Cores.

It was obviously used as a religious object w...

In the world of Japanese ceramics, Tamamizu-ware has almost a mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of the Tam...

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of the Ta...