Chirimen (crepe) silk kimono imprinted with Okinawa bingata design of irregular bands of flowers and plants of the seasons, in roundels, on waves, on vines etc. The outlines and basic forms are in brown, ochre and brown-red, while the flowers and leaves are colored in the red, yellow, green, and purple. Along the bottom is a band of stylized waves in red and brown.

On the inside white silk or rayon lining in top half. The bottom half, the inside of the lower part of the lapels and along th...

Chiura Obata
Rainbow Falls, Inyo National Forest
Series: World Landscape Series - America.
Date: 1930.
Size: 17.5 by 13 inches.
Publisher: Takamizawa Color-Print Studio, Tokyo.
Medium: Woodblock print.
Condition: A conservator has reconstructed missing paper of the upper right corner margin. Other margin edge tears and losses repaired. Toned paper.

A lid for an urn vase, coffee or chocolate brown glaze with Famille rose enamels in leaf-shaped reserves. Chinese so-called Batavia or Capuciner brown ware, early 18th century. Diameter 3¼" / 8 cm, the inner rim to fit a vase or urn opening with a diameter of 1½" / 3,9 cm or more. Condition: fine.

A large North African Red-Ware Oil Lamp, late Roman ca. 4th-5th Century AD.

The lamp with a Gladiator or Soldier depicted hurling something on the discus, heering pattern around. Knob handle and two filling holes. Makers mark on the back

Condition: Choice and intact, even wear to all decorations and fine patination and discolouration from ancient use.

Size: 11,8 cm. long.

Ex. Old Danish Private Collection

13 x 12.5 x 6 inches, 33 x 32 x 15 cm

Ivory manju netsuke depicting Chok'aro, a character from Japanese tradition, trying to catch a miniature horse that is running away from its gourd. This netsuke shows Chok'aro in a dynamic pose, his eyes intent on catching the fleeing horse. The details are finely engraved and carved in low relief, allowing you to appreciate his determined expression and traditional clothing. The back of the manju is enriched with an engraving of a horse running looking back. The netsuke is signed Ippô...

CHOPPING BOARD

Massive and fatty wooden chopping board once used at an ordinary household in Korea, mid-late 20th century, 40 x 20 x H 8.8 cm (15.74 x 7.87 x 3.46in). Aesthetically appliable to a display stand for the tea utensils or flower arrangement as well. Some scratches and stains due to using and aging as is as seen.


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Chosen karatsu is one kind of Karatsu wares, used iron galze and glaze made from straw ashes. It has carved pattern of shinning sun. it's beautiful the border line that the iron glaze and straw ashes glaze are mixing with each other. This plate is suitable for not only Japanese cuisine but also western cuisine or desert. Size : 20.0cm(S) 2.5cm(H)

This compote has modern sense with traditional work. Potter Dohei is one of the masters in Karatsu that is famous traditional pottery area in Japan. YouTube movie: https://www.youtube.com/watch?v=unPsXnEkcl0 Accessary: wooden box signed by artist. Size: 23.5cm(D) 6.0cm(H)

Splendid and absolutely rare double vase of old Karatsu-yaki. It has a vivid Chosen-Karatsu glaze, and the grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion.

This very decorative vase was made around the mid 19th century (late Edo Period).

Very good antique condition with only a light crack of glaze on the back of the white top, which enforces the all over wabi-sabi look.

Size: 23 cm height x 25 cm w...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with chosen karatsu glaze (black&white) trditional glaze in Karatsu. It would...

A dark charred Chosen Karatsu kamahen Mimitsuku Mizusashi by Nishioka Koju (b. 1918) enclosed in the original signed wooden box. All is deeply coated in thick burnt ash. Red shows through rivulets of dark olive burnt to the side of the body. The raw clay is visible through the thick ash drips on one side. It has a custom black lacquered wooden lid and is in fine condition but for the handle on the lid, which was broken and repaired. It is 6 inches (15.5 cm) tall, 7 inches (17.5 cm) diamete...

A cultural treasure - our oldest and most important mizusashi: wonderful Chosen Karatsu Tataki Mizusashi from the Momoyama Period (1573 - 1603). It was perfectly thrown first into a cylinder shape and then squeezed and paddled into a distorted pear. Iron oxide glaze has been poured inside and out.

On the rim a blueish rice straw ash glaze has been applied in the typical Chosen Karatsu fashion. The mizusashi is supplied with a tailor made lacquer lid of a somewhat later date. The lid...

This compote has also modern sense with Japanese traditional pottery technique to fire pine fire wood in Karatsu that is famous pottery area in Japan. Dohei is one of famous masters in Karatsu. This plate is suitable for not only Japanese cuisine but also western cuisine. Size: 20.0cm(square) 3.0cm(height)

This pieces is large vase with tokkuri shape. It has covered by ashes in anagama and gold trimming at the mouth, very beautiful contrast. YouTube movie: https://www.youtube.com/watch?v=Jyxmiceoz4c Accessary: wooden box signed by artist

Japanese stunning cast iron Choshi (Sake kettle) from the Edo Period around 1750.

It is designed with a great relief, showing an Ebisu. Ebisu, also transliterated Yebisu or called Hiruko or Kotoshiro-nushi-no-kami, is the Japanese god of fishermen, luck, and workingmen, as well as the guardian of the health of small children. He is one of the Seven Gods of Fortune, and the only one of the seven to originate purely from Japan without any Hindu or Chinese influence.

The l...

Antique Korean bowl from the Chosun Bunchung period, 16th century. The bowl has a spiral like pattern left in the clay showing the bowl was done on a wheel. It measures 5.5" wide 4" tall. This bowl came from the collection of George C. Heikes and Myung-ja Heikes. Their collection was assembled from 1963-1964 when Mr. Heikes was working as a mining engineer and geologist for the US Government in Seoul, Korea. "George Conrad Heikes, Mining Geologist on Four Continents" book at the UC Berkeley...

Chrysanthemum Fan Painting by Jeon Yeong Suk aka Yeo Cheong (1960 - ). The chrysanthemum's many petals is an ancient symbol of an abundant life or fertility. 21 x 6.5 inches, 53.5 x 16.5 cm. This, along with our Stock Numbers 1318 and 1320, is part of a set of three fan flower paintings by Jeon Yeong Suk.