A thick glazed tokkuri and chokko cup by Koyama Kiyoko enclosed in the original signed wooden box. The Tokkuri has a playful stance, slightly cocky and leaning, as if it wants to pour. Both are covered in thick, dripping ash glaze, a product of her legendary long firings, sometimes lasting ten days. It is 5 inches (13 cm) tall and in fine condition.
Kiyoko was the subject of the film Hi-Bi (2005) and is the pioneering female wood firing artist in Japan. Born in Sasebo, Nagasaki in 1938,...

Blue glaze fills in the embedded patterns in this Tokkuri by Living National Treasure Shimaoka Tatsuzo enclosed in the original signed wooden box titled Gosu Zogan Jomon Tokkuri. The vibrant blue is a bit of a departure for this artist whose work is often sedate, relying on the texture and patterns of the Jomon rope design over dependence on colorful glazes. It is 15 cm (6 inches) tall and in excellent condition.
Shimaoka Tatsuzo (1919-2007) was born in Tokyo and enrolled in the Tokyo K...

Tokkuri (alccol bottle) made of hard porcelain. Mikawachi kilns. Japan early 19th century. The bottle has an unusually elegant, typically Japanese shape, it was created for the Japanese market and not for export. The porcelain, immaculately white, has a very fine grain similar to that of marble, which is typical of Hirado clay. A lake landscape decor subtly drowned in mist is painted in a luminous cobalt blue. The quality is superb, the technique is flawless and the drawing is artistically trace...

A quintessential work showing the decorative aesthetic of Ichino Masahiko enclosed in the original signed wooden box titled Senmon Tokkuri. It is 13.3 cm (just over 5 inches) tall and in excellent condition.
The youngest winner ever at the 13th National Ceramic Exhibition (Nihon Togeiten), Ichino Hiroyuki is a powerhouse in Tamba, bringing that long forgotten corner of Japan’s ceramic realm back into the limelight. He was born in Sasayama, heart of Tamba, in 1961, and studied in Kyoto ...

A superb pair of Tokkuri sake flasks by LNT Tokuda Yasokichi III (Masahiko, b. 1933) enclosed in the original signed and stamped wooden box. The slightly belted form seems to imitate a gourd, with glaze fading up from rich purple to green to deeply crackled white. Each piece is 6-3/4 inches (17 cm) tall, signed on the base in a traditional Kutani cartouche Masahiko. Masahiko was trained under both his grandfather and father, succeeding the family name in 1988. He has been awarded at the Nitt...

This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom of the mind to envision and to create. Wood-fired in a small-batch ana-gama, the techniques used to produce such works stretch back over 500 years and were only recently revived in the first half of the previous century by a dedicated group of artists.

The potter who created this piece (Kato Kozo) was born in 1935 in Gi...

A mid 20th century Tokoname vase with dragon decoration. This example is a red ware production from the historic tile kilns. A dragon is depicted in low relief among stippled clouds. Extensive gilding remains on the dragon's scales and other places. Bamboo form handles. Key borders outside the foot and mouth rims and floral border under the mouth rim. Good condition. Anonymous. Height about 8 1/2 inches (21.59 cm)

Toko Shinoda (1913-2021)
Title: Discovery
Size: Approximately 14.125 x 10.5 inches.
Date: 1980s or earlier.
Edition: 33/35.
Medium: Lithograph with red and black sumi-e brushstrokes.
Condition: Slight toning to former matte edge.

Toko Shinoda (b. 1913)
Title: Autumnal
Size: Approximately 28.5 x 20.5 inches.
Date: 1990s-2000s.
Edition: 16/38.
Medium: Lithograph with brushstrokes.
Condition: A very slight difference in the tone of the white outside the image area. The print was once matted.

A superb example of the work of this Living National Treasure, 8 inches (21 cm) diameter, 7-1/2 inches (19 cm) tall and in excellent condition.
Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi, born Masahiko, has gone a step further than many National Treasures by broadening his spectrum with a new style of Kutani ware. Masahiko graduated from the Kanazawa school of arts, and took up apprenticeship under his father Yasokichi II. His work...

A striking wide dish in crystal clear colors by celebrated female artist Tokuda Yasokichi IV enclosed in the original signed wooden box titled Sekirei Akari (Red Light). Th inclusion of red is quite unusual for this artist. The dish is 27.5 cm (11 inches) diameter, 4.5 cm (just less than 2 inches) tall and in excellent condition.
Tokuda Junko (Yasokichi IV) was born the first child of future Living National Treasure Tokuda Masahiko in 1961. While on a trip to the United States in her mid-...

Just as the coldest depths of winter are reached, after the chrysanthemum has given up and before the red or white plum is even consideration, the Ro-bai (yellow plum) is the first to step up and say the cold will not last forever, opening its dusty yellow blossoms to the harsh winter sky. This dainty looking five lobed sake cup embodies that spirit, appearing frail, but built of sturdy Seto clay with thick, hardy petals. It is by Tokugawa Hiroshi and comes enclosed in the original signed woode...

A little warmth on a cold winter day, lets have a look at cheerful works of Tokugawa Hiroshi. Here is a deep “Apple Shaped” tea bowl covered in lightly crackled Ki-Seto (Yellow Seto) glaze fired upside down so that the glaze coalesces at the rim into a thin bead of yellow glass. It is 12.5 cm (5 inches) diameter and comes enclosed in the original signed wooden box titled Ki-Seto Chawan with Shiori and Shifuku.
Tokugawa Hiroshi graduated the Gifu Prefetural Industrial High School in ...

Rarely encountered Japanese pencil-signed limited edition sosaku hanga woodblock print by Tokuriki Tomikichiro (1902-2000) titled “Loquat Tree” dating circa 1950. The white title is set against the cobalt blue background at the upper right. The print is pencil signed "T. Tokuriki" and numbered 11/200 at the bottom. Narrow format print measuring 16” x 7” (paper); image: 15” x 4 7/8.” Very good color and overall condition with large margins. Two tiny paper hinges are at the top ba...

Tokuriki Tomikichiro
Sanjo Bridge
Date: Likely 1940s-50s.
Size: Tanzaku (pillar) 14.25 x 3 inches.
Signed "Tomi" at lower right.
Medium: Japanese woodblock print on decorative board as originally issued.
Condition: Slight toning near bottom.
Note: This is the only example of this wonderful design that we could locate.

An unusually elaborate pottery figure of a female Attendant, Ming Dynasty (1368-1644 AD.), dating to late Ming periodc. 1550-1600 AD.

The lady is clad in a large thick robe, with an imposing hairdress and she is wearing a basket with red flowers and is standing on a round plint. She is glazed in torquise and dark blue colours.

Nicely painted facial details, careful thick glazing and a fine expression.

Size: c. 22,5 cm. tall.

Condition: Extremely fine f...

An unusually elaborate pottery figure of a female Attendant, Ming Dynasty (1368-1644 AD.), dating to late Ming period c. 1550-1600 AD.

The lady is clad in a large thick robe, with an imposing hairdress and she is wearing a mirror in front of her chest, and is standing on a round plint. She is glazed in torquise and dark blue colours.

Nicely painted facial details, careful thick glazing and a fine expression.

Size: c. 22,5 cm. tall.

Condition: Extremely...

An beautifully detailed pottery figure of a MNother with her child, Ming Dynasty (1368-1644 AD.), dating to late Ming period c. 1550-1600 AD.

The lady is clad in a large thick robe, covering the most of her head, and she is holding a newborn chikd to hear breast. She is standing on a round plint, and the glaze is torquise and dark blue colours.

Nicely painted facial details, careful thick glazing and a fine expression.

Size: c. 22,5 cm. tall.

Condition...