Description:

A Ming bronze buddha was finely cast.
In serene mood, the bronze buddha was preserved in very good condition by enduring old patina.
The old gilt had been transformed into darken metal coatings.
There're three casing holes were found within the pleats.
They were rather than defects but were used for fastening to a base.
The holes were overlooked from the frontal view.
It was a fine good piece in small size but presented in grandeur look.

Date:...

Description: A fine bronze casting work of a sage riding on a standing deer. By dark patina, the figure and the deer were depicted in details by great craftsmanship. They were hollow cast and sealed and being reserved no casting holes. In a perfect condition, the bronze piece would be a joyful addition to your collection of Chinese bronzes. Date: Qing Dynasty, 19th century. Height: 16.7cm

A Fine Bronze Seated Buddha Sakyamuni Figure, U'Thong Style, Early 16th Century. Seated in Sattvasana, his hands in Bhumisparsa and Dhyana mudra. Wearing a sanghati with long sash. His face with meditative expression, downcast eyes under incised arched eyebrows, broad triangular nose and outlined lips, elongated earlobes. His hair arranged in rows of small curls. Measurements: Height - 43 cm (17 In) Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for ...

A Fine Korean Bucheong White Slip Inlaid Buncheong Tea Bowl-15th C.: Korea, Joseon dynasty, 15th century. Set on a high circular foot, the body round with high walls tilting inward, and inlaid on the exterior in white slip with stylized patterns and four floral head medallion, the interior inlaid in white slip with a central medallion of chrysanthemum, surrounded by a wide double band. It’s in very good condition, it measures 16.5 cm d. x 9.3 cm d. ***A very similar shape of Bunche...

From our Southeast Asia Collection, a very fine gilded Burmese hsun-ok or offering vessel, late 19th to early 20th century. Gilded offering vessels such as this present example would have been owned by wealthy Burmese families, and used exclusively for bringing food gifts to the monastery. They are constructed of bamboo and turned wood bodies, and decorated with scrolling floral designs called "chupan." Crafting the chupan design is actually a deceptively meticulous and laborious process, one t...

From our Southeast Asia Collection, a fine and complete Burmese Kammavaca Manuscript, late 19th - early 20th century, containing all 16 leaves and the original teak wood covers.

Kammavaca manuscripts are a quintessentially Burmese artifact that reflect the general reverence afforded to the monastic system in that country. To Western eyes, they are usually just highly decorative ethnic handicrafts from an isolated and exotic culture. But to the Burmese, they are a rather important and quit...

From our Southeast Asia Collection, a fine and complete Burmese Kammavaca Manuscript, late 19th - early 20th century, containing all 16 leaves and the original teak wood covers.

Kammavaca manuscripts are a quintessentially Burmese artifact that reflect the general reverence afforded to the monastic system in that country. To Western eyes, they are usually just highly decorative ethnic handicrafts from an isolated and exotic culture. But to the Burmese, they are a rather important and quit...

From our Southeast Asia Collection, a fine and complete Burmese Kammavaca Manuscript, late 19th - early 20th century, containing all 16 leaves and the original teak wood covers.

Kammavaca manuscripts are a quintessentially Burmese artifact that reflect the general reverence afforded to the monastic system in that country. To Western eyes, they are usually just highly decorative ethnic handicrafts from an isolated and exotic culture. But to the Burmese, they are a rather important and quit...

From our Southeast Asia Collection, a fine original Burmese watercolor of a solitary young monk at prayer. From memory we think the scene depicts one of the many alcoves at the massive Ananda Temple complex in Pagan, though in all candor we cannot be entirely certain. In any event, it is a stirring and highly evocative portrayal which in its simplicity, captures a deep and genuine sense of reverence and serenity. Much of this comes from something as subtle yet masterful as the artist's depictio...

From our Chinese Monochrome Collection, a fine carved jade image of Guanyin, late 19th- early 20th century, depicting the deity with a wonderful serene expression in a variation of Royal Ease mudra while sitting upon a rockwork base, and cradling a ruyi sceptre in her right arm. The jade is of pale olive tone with russet colored highlights and is rather substantial in heft, weighing almost 1.4 pounds.

Size and Condition: 5 inches tall, 4 1/4 inches wide, 1 1/2 inches thick. There is a sm...

A work of perfection by one of Japan’s most admired ceramic artists. This piece by Nakajima Hiroshi demonstrates his mastery of the art of celadon pottery.

Born in 1941 in Hiroshima prefecture, at the age of 28 he established his own kiln and became an independent potter. 1n 1977 he received honorable mention in the Japan Tradional Applied Fine Arts Exhibition. In 1983 he received the Prime Minister’s Award at the first annual Western Japan Ceramic Fair and later in 1983 he was ...

A Fine Chinese Carved Blue Overlay Glass Snuff Bottle, 1800~1850. The bottle of opaque white glass with snow-like inclusions, cased in blue glass. The blue glass is carved away to leave the Eight Horses of Mu Wang in a continuous landscape. The carving is very fine indeed. The stopper is hardstone with an ivory collar and spoon.

A bottle of the same design from perhaps the same workshop was sold at Christie’s “The Art of China: Online Winter Sale” Dec. 2017. Lot 36. The colour comb...

DESCRIPTION: A rare and beautiful Chinese daybed or opium bed (also referred to as a lady's couch bed, lohan, or "ta" bed), the black lacquered wood back and side panels shaped as an unfurled scroll with elaborate decorations including figural scenes, animals, flowers and birds, Chinese poetry and pierced gilt carvings. These surround a rectangular support frame topped with a woven mat seat. Below the seat an elaborately carved skirt stretches between thick, boldly carved legs.

This well-pre...

From our Chinese Polychrome Collection, a fine Famille Verte porcelain dish, Kangxi Period (1662-1722), well-painted with a figural scene of three people, two of which occupy an outdoor pavilion while a third looks on from the inside. Floral sprays, butterflies, and twin-fish are represented in the cavetto, while the border is executed in classic piecrust form.

While Kangxi era plates of this style and shape are by no means uncommon, this particular example was selected for the excell...

A well potted rouleau vase finely decorated with famille verte enamel, depicting Zhongkui gathering with his younger sister in a garden, not far from them under a sycamore tree, a goblin is taking care of Zhongkui's nephew. Late 19th century, Guangxu period. The vase is in excellent condition, the only flaw is some old chips inside the foot rim. Height: 43 cm.

The reliquary monument, the drum finely carved with flower patterns. stylized lotus petals on the dome. The inserted finial consisting of a four-tiered umbrella superstructure. This fine piece is 1 Ft (31 cms) tall. Acquired by the gallery in late 2012 from an HK auction house. Estimated value U$D 3000 / 3700

From our Southeast Asia Collection, a fine gilt bronze Thai Reliquary, 19th century Rattanakosin Period (Thailand), consisting of a two-tiered bronze structure that houses a hollowed compartment for storing relics, with each tier elegantly cast with Buddha images in various poses and mudras. On the bottom tier, these include four Reclining Buddhas, four Standing Buddhas, and four Cambodian-influenced Cobra-Hooded Buddhas. On the top tier, four Sitting Buddhas are situated within open windows f...

A fine gourd-shaped bottle decorated in Chinese Transitional style. Arita 1660 – 1680.

The bottle is decorated in late Ming style with the enjoyment of nature. These bottles are not uncommon but are seldom encountered with such fine painting.

The Catalogue of the Shibata Collection exhibits two similar bottles.

Approximately 20.4 cm high. The bottle is in perfect condition with only a couple of small areas of glaze evacuation on the neck, noted in the photographs. ...