A Famille Rose Saucer Dish. Brightly decorated with flowering peony. Qianlong C1750. Diameter; 8 5/8″ (21.8 cm). Condition; excellent, one shallow frit in the brown rim

A Famille Rose Teapot and Cover. With applied carnations, other flowers and leaves. Decorated with strong enamels. Yongzheng C1722/36. Height; 4 5/8″ (11.6 cm). Condition; very good, one chip to one leaf.

A Famille Verte Gu Vase. The flaring neck and base decorated with precious objects between borders of scrolling lotus in iron red. Kangxi 17/18thC. Height: 7 3/4″ (19.6 cm). Condition: Good, a firing flaw at the corner on the luting join and a chip in the rim glazed. Slightly warped, minor frits

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then acts as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

Typical of Mino pieces of the time, this Oribe chawan is made of coarse, unrefined clay. The brilliant green color is the result of copper...

A refined and elegant work of Hagi-ware done by a master potter who is not only a direct descent of the Hagi forebears, but who also credited with having revive the tradition when it fell out of practice. This piece features a well-formed kodai (foot), an exceptionally nice Hagi glaze and several “ishi-haze” or marks from small stones that partially explode in the kiln. Judging by the box and the signs of aging on the work itself, this appears to be an early work by this potter.

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A relatively new term, “Oni Tamba” is used to describe works of Tamba-ware fired using carbon trap and ash glazing techniques modeled after those pioneered by Tsukigata Nahiko in the 1950’s. This piece in particular displays a bold and innovative ceramic landscape that seems quite impressive for such a young artist as Onishi. One side of the bowl resembles charred igneous rock while the front shows a warm soft orangish glow—like an ember in a fireplace. An unglazed patch on the front of ...

Nice antique bags from Afghanistan with exquisite silk embroidery. Bought these in Peshawar in the mid 90s. There is red satin on the larger bag is new and can be removed the smaller bag has a stain but may wash out (never tried so no guarantees). Small bag 10.7cm/4.2in x 10.cm/4.2in, larger bag is 14cm/5,5in x 16cm/6.3in.

A Fine Korean Buncheong White Slip Inlaid Bowl-15th C.: Korea, Joseon dynasty, 15th century. The deep bowl on short raised ring foot with everted rim, decorated in inlaid white slip with a central medallion of floral heads surrounded by a narrow band of stylized flower petals, a wide band of “rope curtain” design, the exterior decorated en suite beneath a pale brown celadon glaze. It’ in good condition but has two tiny chips to rim, it measures 18.5 cm d. x 7.8 cm h. ***A ...

From our Japanese Collection, a fine and large mid-to-late 18th century blue and white porcelain dish, circa 1740-1780, painted in the Chinese style depicting a home with people on an embankment, a treed outcrop in the distance with geese flying overhead, and some unidentified structures in the foreground. The entire scene is surrounded by a border of characters, and all executed in a greyish blue on dense grey porcelain paste, typical of 18th century Japanese Arita ware. The back of the dish is...

From our Indian Subcontinent Collection, a fine 19th century Lahore carpet featuring wool on wool construction, utilizing a vibrant palette dominated primarily by various blue on blue hues, accented with burgundy, taupe, cream, lilac and green.

Size and Condition: 11 3/4 feet x 8 3/4 feet. Great pile throughout, strong coloration with only slight oxidation. Remains of original fringe still present, but trimmed. This carpet features some wonderful abrash, which is the natural variation...

A Very Fine/Beautiful White Glazed High Footed Bowl-19th C.: Korea, Joseon dynasty, 19th century. The bowl, set on a slightly flared high ring footed and with slightly everted mouth rim, decorated in a beautiful white blue-tinged, warm and clear glaze applied overall evenly, with sand traces on the foot rim. It’s in very fine condition, it measures 13 cm d. x 10 cm. h. ***An almost identical white glazed high footed bowl see at Horim Art Museum collection, Seoul, published by Hori...

A fine and large Arita export octagonal jar, 1680 ~ 1700. The jar has similar painting around the neck and shoulder as those produced at the Kakiemon kilns.

Approximately 40 cm high. In fine undamaged condition. I have shown some very shallow flakes on the inside of the neck, this appears to have occurred before the firing.

Please study the photographs.

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Customers resident in China must make arrangements...

From our Japanese Collection, a fine and large eight-sided imari charger, Meiji Period 1868-1912, depicting a flower basket beautifully executed in traditional palette of iron red, orange, blue, and gilt on a white porcelain body, and as a lovely extra on this particular piece, the addition of Kakiemon-style greenish turquoise enamel highlights in the corners and tastefully interspersed throughout the design. Floral and cloud motifs appear on the reverse, along with 6 spur marks from the kiln s...

From our Southeast Asia Collection, a fine and very large Khmer (Cambodian) handmade silk textile now framed as a wall hanging, executed in traditional Khmer palette using a combination of natural vegetal dyes and synthetic colors, depicting various animal and geometric motifs. A very striking and dramatic piece not commonly encountered.

Size and Condition: 94 1/2 inches wide, 40 1/2 inches tall. Some minor thread pulls here and there but overall excellent condition.

From our Early Chinese Collection, a large Machang Phase jar from the Majiayao Culture (2300 - 2000 BC), originating from what is now Gansu province, China. Of well-known and documented form, this fascinating vessel is approximately 4,000 years old and comes with an Oxford TL test. Larger and better potted than is usually found, it is painted with anthropomorphic designs in purplish-black mineral pigments typical of these wares. The meaning of these designs is still the subject of scholarly deba...

From our Early Chinese Collection, a fine and large Ming Dynasty lead-glazed pottery ridge (roof) tile, 15th-16th century, Hongzhi through Jiajing Period (1488-1566), depicting a guardian-demon ferociously modeled with bulging eyes, protruding fangs, pointed horns, thick musculature, and standing in defensive posture astride a cloud-swirl with fists clenched around what would have been a weapon made of wood or iron, now since rotted away and lost to time. This cloud-swirl between the demon and t...

From our Southeast Asia Collection, a fine and large pair of ornamental bronze Burmese gongsmen, early 20th century, crisply cast depicting two gongsmen carrying a large circular gong known as a "maung" suspended beneath a pole. During Burma's Konbaung Dynasty (1752-1885), official announcements were made to the townspeople by a King's Representative accompanied by two gongsmen, who would customarily alert the town to their announcement by striking the maung. Later, in the subsequent era ...

From our Southeast Asia Collection, a fine and large Thai Rattanakosin bronze Buddha, early-to-middle 19th century, depicting Buddha with both hands raised shoulder level with palms forward in Ham Samut mudra, also known as "Calming the Waters" or "Calming the Ocean" mudra. Buddha is wearing regal attire here with traditional tall crown and body jewelry that is elaborately inset with lacquer and glass adornments. Gilding retention is relatively high on this example. Buddha's crown is removable...