SEATED BUDDHA FROM KYUSHU

First half of Edo period (1603-1868), Oita, Kyushu region, Japan, approx. H 53 x W 29 x D 20 cm (20.86 x 11.41 x 7.87in). Carved from a single wood (though with the insertion hands), with slight remains of original paint (so possibly it will comes off little more) and aged cracks (but it's stable and won't splits more). No major wormholes.


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Wild chrysanthemum rise along a brief poem on the cream-colored sides of these Tokkuri by Seifu Yohei enclosed in the original signed wooden box titled Seizan Sakabin. They are 15 cm (just under six inches) tall and in excellent condition. There is a pre-firing imperfection in the rim of one of the Tokkuri.
Seifu Yohei I (1803-1861) founded the Seifu dynasty in Kyoto. He was born in powerful Kaga-kuni, modern day Kanazawa prefecture. After apprenticing with the second generation Dohac...

An exquisite vase decorated with crashing waves and plovers in blue by Seifu Yohei dating from the Taisho era. It is 12 inches (31 cm) tall and in excellent condition. Quite large for a work by Seifu, it is marked on the base with an incised signature. Either the work of the third or fourth generation, according to the definitive book "Kyoto Ceramist Seifu Yohei III", pieces from this era with this signature are impossible to differentiate between the two generations, as they worked side by s...

A large Mimitsuki Vase covered in deeply fissured celadon glaze by Suzuki Sansei (b. 1936) enclosed in the original signed wooden box. The translucent glaze is like that of an agate, shattered with heat, the crackling wide in the thick pale bluish green fog. The vase is 11 inches (28 cm) tall, 5-1/2 inches (13.5 cm) diameter and in perfect condition.
Mitsunari began with a six year apprenticeship under Kawamura Seizan and has received innumerable awards over his 40 year career. He has ...

Seiji Fujishiro 藤城清治 (born 1924)
Fairies in a Tree (Playing Instruments) 木の上の妖精たち
Size: 9.5 x 6.25 inches (24 x 16 cm)
Frame size: 17.5 x 15.75 inches (44.5 x 39.5 cm)
Not dated.
Signed and numbered in pencil by the artist.
Edition 119/500. With certificate of guarantee on back.

Okuhara Seiko (1837-1918; female)
Cherry Blossoms Under the Full Moon
Date: 1900s-1910s
Publisher: Daikokuya.
Unsigned. Signed examples exist.
Size: Shikishiban. Approximately 9.75 x 9.5 inches.
Medium: Japanese woodblock print.
Condition: Slight toning. Left and right edges bumped.

A Japanese bronze okimono of a walking elephant with the trunk raised finely engraved in the details, signed Seiya under the base. Meiji period late 19th century Sizes: 23 x 36 x 25 cm. Condition report: Good condition

Yu-Peng (1955-2014), very famous Taiwanese painter.

It was his original work in fossil pencil from 1970s.

44cm x 32cm with framework.

Semi-antique tribal hand knotted wool carpet, Azeri, Fachralo, in rust and blues

Age: circa 1900

Size: 3.2' x 4.8'

Dramatic waves are combed into the clay surface of this large Toban Platter by Living National Treasure Suzuki Osamu (Kura) covered in glass-like copper green; unusually signed and dated on bottom 1957 and enclosed in an artist signed wooden box. This has the wow factor in truckloads! A quintessential piece by this influential artist showing not only the innovation early in his career, but the consistency with which he approached Mino pottery, Museum quality, sure to become a centerpiece of an...

An unprecedented musuem quality seventeen piece Sencha Tea Set, each piece decorated by Zen Preist Hashimoto Dokuzan, each piece of pottery made by ceramic master Miura Chikusen I, the others made by masters in their felds, all enclosed in their original signed wooden boxes. The set consists of a Ryoro brazier, Ryoro dai tile for under the brazier, Kogo for incense, Fukin Tsutsu for a towel, Kensui for spent tea or water, two bisque fired teapots, a porcelain tea pot, a set of 5 tea cups, a set...

Seo Byung Ho was the recipient of the top prize in the 2009 World Ceramic Biennale, the highest paid ceramic art prize in the world. With this lovely pair of sculptural vases, Seo has combined the shape of a traditional vessel with the form of a fish, a symbol of eternal vigilance because the fish never closes its eyes. For the same reason, the fish is also a symbol of diligence that has long been a source of inspiration for Korean scholars, and is a common motif employed in scholar's implements...

Seo Kuk Jin Korean Contemporary Marbleware Bottle

Hand carved Buddha from a single piece of wood, seated and subduing Mara on a cinnabar colored throne, statuette shows nice gilding and very serene expression, good condition, size H. 16cm x 8cm x 5 cm

Very fine Burmese wooden praying monk-disciple in adoration with high quality gilding. 18th Century, very good condition, beautiful serene expression. Size: H. 32cm x W.15cm x D. 16cm

Very fine wooden monk/disciple in adoration. Serene expression and nice gilding in 24K., natural aged patina, 18th Century, Burma,Shan State. Good condition, no restorations, Size: H. 32 cm. W. 15 cm. x D. 16cm.

Serene large Shan State Lacquer Buddha, 19th Century, body shows worn brown patina and hands are missing. Due to age there is evidence of wear and a minor area showing some fissure. Very unusual and attractive. Sise: H. 57 cm. x W. 32 cm. x D. 20 cm.

Smooth and serene Marble Shakyamuni Buddha subduing Mara. Robe and base are brown with some fine details and gilding. The head of the Buddha is covered with a multitude of small pointed hairlocks called "Shwebo-thorns" on top of which is the stupa shaped flame. The Buddha is clad in a nice robe showing overlapping folds and decorated bands, which also cover the right shoulder and left arm. This is a unique piece of art showing unusual details, refined carving skill and craftsmanship. 18/19th Cen...