Comprised of solid forged steel head, cut-out stencil family crest of Sada-uji and Matamasa clans.
Ya used in war by the samurai had a variety of tips called yajiri or yanone; these arrowheads were forged using the same steel (tamahagane) and methods as traditional Japanese swords. There are many different kinds of arrowhead and they all have their own special name.
These YaNoNe are very elaborate with saw-cut patterns like Sakura (cherry blossom), Inome (heart shape or boars...

A collection of arrowheads, pierced with the single cherry flower of the Sada-uji and the double cherry flower of the Matamasa family crests. The central arrow with the Sanskrit character for protection by the deity Hachiman, signed Minamoto no Mitsumasa, Nobokuni of Chikuzei. Both clans Sada-uji and Matamasa were in support of the Tokugawa clan.

Yanagi-Ba (Willow Leaf) These YaNoNe are very elaborate with saw-cut patterns like Sakura (cherry blossom), Inome (heart shape or boars ...

Japanese collection of 23 arrows with various shaped heads and a rare set of 8 Ageha swallowtail tips. Forged steel, mounted on steel plates and armature wire. Ya used in war by the samurai had a variety of tips called yajiri or yanone; these arrowheads were forged using the same steel (tamahagane) and methods as traditional Japanese swords.

18th c. Edo p. (1868 - 1912)

Dimensions: 12" x 4" x 12" Height

A ceremonial presentation of Japanese yan one (arrow heads) to the Hachiman deity, performed by the Iwashimizu Hachimangu Temple.
These arrowheads are made the same as swords and other edged weapons as they are folded steel and most are tempered. Yanone were used for battle, hunting, gifts or rewards and for presentations as shown here. There are many different kinds of arrowhead and they all have their own special name. Togari-ya is a simple pointed design. The yanagi-ba, also known ...

A collection of 14 piercing tip arrows, forged iron, mounted on steel plates and armature wire. Ya used in war by the samurai had a variety of tips called yajiri or yanone; these arrowheads were forged using the same steel (tamahagane) and methods as traditional Japanese swords.

Edo p. (1603-1868)

Dimensions: 8" x 3" x 9 1/2" Height

Japanese set of 12 flathead piercing tip arrows. Polished, forged steel tips. Mounted on a circular presentation base. Ya used in war by the samurai had a variety of tips called yajiri or yanone; these arrowheads were forged using the same steel (tamahagane) and methods as traditional Japanese swords. There are many different kinds of arrowhead and they all have their own special name. Togari-ya is a simple pointed design.

Edo p. (1603-1868)

Dimensions: 7" x 2 1/2" x 13" H...

A Chinese porcelain gourd-shaped vase in coral-red glaze. "Daqing Jiaqing Nianzhi" six characters mark inside the foot rim, and of the period. The vase is in excellent condition: no chip, no crack, no restoration, but just a few glaze scratches. Height: 6".

Height: 9.5 cm (3.7 in)
Width: 4.7 cm (1.9 in)

Fine Japanese Satsuma vase; two main scalloped panels, one depicting a gathering of individuals the other shows two travellers in a mountain setting; signed Kozan; good condition

Height: 3.4 cm (1.4 in)
Width: 4.2 cm (1.8 in)
Depth: 1.2 cm (0.5 in)

Quality early Chinese toggle of an old Sage resting; natural material; possibly converted to a netsuke in Japan; good patina and condition

A Chinese porcelain vase in flambe glaze, with two lug handles on its shoulder, 18th century. Condition: one chip on foot rim; glaze cracks; foot rim has been ground. Height: 6-5/16".

A picturastic painting was done very well on wood in 19th century.
It was painted with mineral pigments and was kept nicely in aged mood.
No cracks or restorations were found.
It still needs a frame work to be as a hanging piece.

Date : Qing Dynasty.
Dimensions : 42cm x 40cm

A rare opportunity to pick up a perfect condition Mingei pot from the former Yonezawa Clan's Narushima-kiln of Imaizumi on the border between Yamagata and Fukushima prefectures, one of the Edo period Daimyo feudal kilns, dating from the later 19th to opening years of the 20th century. It is 7-1/2 inches (19 cm) diameter, 6-1/2 inches (16 cm) tall and in fine condition with no chips, cracks or repairs. Very similar in appearance to nearby Tsutsumi-yaki of Sendai, the lesser lip between the gla...

Kawase Hasui
Heirinji, Nobidome
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1952.
Hasui signature and seal at lower left corner.
Publisher: Watanabe Shozaburo. Watanabe 6mm seal in lower left margin, indicating a first edition.
Reference: Hotei No. 574.
Medium: Japanese woodblock print.
Condition: Original drying pinhole in corner margin. Back margins have tape residue.

Incredible Japanese 2 section isho tansu (clothing chest) constructed of Keyaki (elm) wood, with natural Keyaki quartered sawn burl front drawers. With hand forged iron handles and plates. Stunning clear lacquer original finish, overall in very good condition.

Early Meiji period (1868-1912)

Dimensions: 35"L x 16 1/2" D x 50" Height

Antique Japanese single section isho tansu (clothing chest) made of kiri (paulownia) wood. Iron hardware includes warabite shaped drawer pulls and round lock plates. There are two large exterior drawers. In the bottom right hand corner is a safe box with hinged door and two small interior drawers.

Meiji Period (1868-1912)

Dimensions: 20" high x 37" wide x 16 1/4" deep.

A Tenmoku Hanging vase by the living master of that genre, Kimura Morikazu, enclosed in the original signed wooden box titled Tetsuyu Kohen Kake-hana-ike. The lozenge form features two lug handles in the shape of a traditional Waniguchi Japanese Shrine Gong. It is 7-1/2 x 6-1/2 x 2 inches (19 x 16.5 x 5.5 cm) nd in excellent condition, retaining the original shiori and wrapping cloth.
Kimura Morikazu was born to the house of a Kyo-yaki potter and studied under Ishiguro Munemaru, He esta...

Antique Japanese red lacquer trunk. Hardware is made of copper and ornately incised. Papered on the inside.

Meiji Period (1868-1912)

Dimensions: 14" high x 24" wide x 16 1/4" deep.

A beautifully carved and gilt boxwood figure of Guan Yin / Guanyin. The goddess is holding the holy Buddhist scripture and has placed her hand between the open pages. China, Republic period, c 1920. The surface of the carving is covered with a thin layer of red that mixes with the gilt. The figure can be fixed to an oval wooden stand. Height (the stand not included) "4 ¾ / 12.3 cm. Condition: fine.