A Very Fine Korean Mother of Pearl/Shagreen Inlaid/Phoenix/Dragon Low Table-19th C.: Korea, Joseon dynasty, late 19th century. The rectangular low table is lacquered with dark brown lacquer over all, and top decorated with a confronted large four-clawed dragon and a long-tailed phoenix inlaid in tortoise shell, twisted wire and mother of pearl, and amid clouds enclosed in a floral-form border, on the rectangular section cabriole legs ending in hoof feet, joined by a scrolling apron de...

The shallow dish with a roundel containing a very finely painted coiled dragon, Danryū mon, within a double circle. The cavetto is decorated with a stenciled trellis or Chinese lie-wen design against a pale ruri background. Within the foot-rim is found an apocryphal Chinese Ming Chenghua reign mark.

See Shibata vol II #612, for another example, dated to 1690-1710.

Approximately 17.4 cm diameter. In perfect condition.

Please study the photographs.

Within...

An early Arita porcelain bowl made for export to the Far East. The decoration is based on a Ming Chinese dragon & phoenix bowl, the interior with a fish rising from waves. Fuyoyama or Tengudani kilns. See Impey, ‘The Early Porcelain Kilns of Japan, Arita in the First Half of the Seventeenth Century. Clarendon Press, Oxford.1996’ where several sherds are illustrated. Circa 1650 - 1680. Found in Cambodia. Must be of the earliest wares specifically made for export.

Approximately ...

Chinese Neolithic Qijia Culture Cord-Impressed Pottery Jar

This jar was made some 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes. This particular example is made from a coarse gritty clay and has a wide flaring mouth. Below the neck the surface of the body is decorated with cord impressions that were repeatedly pressed ...

A Korean Inlaid Celadon Oil Pot. Inlaid in dark and light slip with floral sprays. Probably Koryo 12/13thC. Condition; restoration to underside of rim. Glaze on shoulder missfired.

Antique Japanese Bronze Dragon and Phoenix Pedestal Stand, beautifully modeled and unusual with dragon encircling diameter of the neck with the phoenix above him. key lappet border at base. Good overall condition. Some wear to finish on top.

Size: 31"H x 10.75" Diameter at top and 12.5" Diameter at base.

Age: Meiji Period (1868-1912), circa 1900

Group of three vintage household woven cane baskets acquired in Kandy, Sri Lanka in the 1990s. These were old at the time of acquisition so I would date them to around 50 years of age. Very sturdy and good condition. Dimensions: 1# 19in/48cm x 15/40cm, 2# 15in/38cm x 8in/20cm, 11in/28cm x 5.5in/14cm. Two have wood bases and tops while the the midsize one is covered in skin (I am guessing goat).

A roll of asa (hemp) kaya cloth whose wefts and warps are hand-plied and dyed with vegetable indigo. In excellent condition. The first half of the 20th century. Approx. 34cm x 18m35cm

Antique Japanese unusual funa tansu (funa-dansu, ship merchant's safe box). Rare side-by-side configuration with a safe on the right and a compartment with sliding panels on the left. The right side safe box opens with a hinged door heavily decorated with iron work. A ivy leaf in circle mon (Itowa-ni tsuta) in the center with a ring for opening and a fan motif on the lock itself. The interior has 3 drawers in a vertical row, all with square handles and the bottom drawer with a lock. To th...

KOREAN PILLOW

Traditional Korean pillow made of wood and embroideries with the idiom of Chinese character which stands for "Peacefulness". Mid 20th century. approx. 23 x 12 x 9cm (9.05 x 4.72 x 3.54in). Fine original vintage condition overall as is, but partially repaired and attached with a white pillow slip in the later years.


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Exceptional and very important Edo period chawan by legendary master potter Hirasawa Kuro (1772-1840), a famous Samurai and potter who produced tea ceremony ware for the Tokugawa clan in Nagoya. His work is rare and mostly exhibited in Japanese museums.

The bowl comes with the original silk shifuku and its antique fitted lacquered box.  It does present a couple of aesthetic repairs and a very fine hairline running from the mouth rim, but that is not unusual for that kind of fragil...

Ohara Koson
White Eagle On Pine Branch During a Heavy Storm
Size: O-tanzaku. Approximately 13.5 x 7.375 inches.
Date: ca. 1900s-1923.
Koson signature and seal at upper right.
Publisher: Daikokuya
Reference: K13.10 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print on heavy paper.
Condition: Some darker areas near edge from former adhesive. Toning. Pencil notes on back. Mottled area at lower l...

Antique Japanese scroll painting of a noble courtier on horseback. He wears a green robe with swirling gold details and his horse is adorned in red tassels. His younger attendant hurries behind on foot. Both figures hold their long sleeves over their heads as they make their way through the snow. A tree in the background is partially obscured by a low mist. Painted in sumi ink and mineral colors on silk. Signed: Kiyohara shi onna Harunobu hitsu. Seal: Harunobu, Provenance Indianapolis M...

Antique Japanese scroll painting of a mountain scene. A pagoda rises in the distance, behind it, a misty mountain range. In the foreground a small figure crosses a bridge. Signed by Kano Tsunenobu (1636-1713). Sumi ink on silk. Provenance Collection of Vlasheslav Batov, Illinois

Age: Edo Period (circa late 1600's to early 1700's)

Dimensions: Total: 51 1/4" high x 29 3/4" wide (32 1/2" wide including rollers). Size of art: 15 3/4" high x 25 1/2" wide.

Antique Japanese biwa, a plucked string lute instrument. Made of hardwood with kiri (paulownia) wood front, inlaid with bone and bamboo details. The four strings (missing) are struck with a wooden plectrum. This instrument is often used in narrative story telling. The biwa is the chosen instrument of Benten, the goddess of music, eloquence, poetry and education.

Age: Taisho Period (1912-1926)

Dimensions: 35 1/2" long x 12" wide

Japanese Meiji Period "okubi-e" (literally "big head") woodblock print depicting a modestly dressed woman from the Horeki Era (1751-1763) from the series "Mirror of the Ages" ("Jidai Kagami") by Yoshu Chikanobu (1838-1912) published by Matsuki Heikichi in 1896. The upper inset portion of this print illustrates the facade of the Nakamuraza Kabuki theater in Edo. This series features bust portraits of beauties representing various eras from the 16th to 20th centuries. This image is described and i...

Japanese Meiji Period "okubi-e" (literally "big head") woodblock print depicting a beauty from the Meireki Era (1655-1658) from the series "Mirror of the Ages" ("Jidai Kagami") by Yoshu Chikanobu (1838-1912) published by Matsuki Heikichi in 1897. The upper inset portion of this print illustrates a group of people playing handball. 14 1/8" x 9 1/4." The series features bust portraits of beauties representing various eras from the 16th to 20th centuries. This series is described and illustrated on...

Japanese pair of shrine figures depicting two Lucky Gods, Ebisu and Daikoku. On the left is Ebisu, a popular god of business prosperity and abundant crops as well as the patron of fishermen. Carved from wood, he stands with a fish under one arm and a smile on his face. On the right is Daikoku, who represents prosperity and is the protector of crops. He is the patron of cooks, farmers and bankers. Carved from wood, he stands on bales of grain with a big bag slung over his shoulder. Ebisu an...