Adorable and whimsical antique baby's hat in the image of a Chinese lion, made of teal silk with golden stitched flowers and swirled designs, side panels in black silk with stitched koi fish in bright multicolors, black back panel with embroidered butterflies, a beautiful, deep purple back flap with gold stitching and an embroidered bird sitting under flowers. The hat's interior is bright red silk...

Late 19th century
Guangxu period, Qing Dynasty
Porcelain with ge-type glaze and famile verte enamels
H: 29 cm
From a Denver, Colorado estate

A late Qing zun of elegant "guanyin" form, pairing overglaze famille verte decorations of birds, flora, and rockwork against a creamy ge-type glaze. Two springs of slip-covered Prunus branches compliment the neck.

Condition report: perfect antique condition...

19th century
Late Qing dynasty
Porcelain with underglaze cobalt blue
H: 35.7 cm
From a Bedford, Ohio private collection

A wonderful 19th century blue and white vase, painted fully with continuous landscapes of mountains and pavilions, with the cliffs and trees rendered in bold calligraphic strokes.

Condition report: tiny chip to mouth rim, bottom drilled (with two glazelines radiating from hole)...

ca. 1890-1920s
Late Qing - Republic period
Porcelain with overglaze famille verte enamels
H: 31 cm
From a Northern California estate

Condition report: a nearly invisible 8.5 cm hairline from rim, otherwise very good.

Ca. 1750-60s, early 18th century
Qianlong period, Qing dynasty
Porcelain with overglaze famille rose enamels
D: 22.7 cm, h: 3.8 cm
From a NYC area estate

A charming matched pair of Qianlong export soup plates, with scalloped edges decorated with fleur-de-lis like border, and carefully enameled with floral sprigs in the Meissen fashion...

Ca. 1700-1720, early 18th century
Kangxi period, Qing Dynasty
Porcelain with underglaze cobalt blue
D: 27.6 cm, h: 4.7 cm
From a Dutch collection

A Kangxi blue and white charger, of lobed form, with floral panels encircling a central field featuring a scene from The Romance of the Western Chamber...

Ca. 1880 – 1900
Late Qing Dynasty
Porcelain with transmutation flambé glaze
H: 28.7 cm
From an English private collection

An elegant late Qing “Hu” vase, tight and compact in form, and covered with flambé glaze of an intense red...

ca. 1860-90s, latter half of the 19th century
Tongzhi-Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
H: 36 cm
From a Greenwich, CT estate

This vase is lavishly painted with a young wife and nine sons in a garden, and flanked with landscape scenes, dragons in relief, and faux cloths.

The number of boys painted–nine in total–symbolizes “eternity” or “everlasting-ness”...

Ca. 1700-1720, early 18th century
Kangxi period, Qing Dynasty
Porcelain with overglaze famille verte enamels
D: 20 cm, h: 8.6 cm
From an English private collection

A large and gorgeous Kangxi famille verte / wucai bowl, of lobed shape, and decorated with panels of seasonal flowers to exterior, while floral sprays cover the interior. The quality of the enamels is bright and intense, while the glaze is a nice creamy white...

Chinese Celadon plate with Even coloring and glazing overall. Ming Dynasty 16th century. Dimensions: 11 3/4'' Wide X 2" Tall

Late 19th century
Guangxu Period, Qing Dynasty
Porcelain with overglaze famille verte enamels
H: 44.6 cm / 17.6 in
From a Marine County, California estate

An extremely finely painted 19th century rouleau vase, enameled in the Kangxi famille verte tradition. The image illustrated is one known to exist since the 5-7th centuries, commonly entitled “Seven Sages of the Bamboo Grove” (zhulin qixian)...

Ca. 1796 – 1820, early 19th century
Jiaqing Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
D: 18.4 cm, h: 8.3 cm
From a Marine Country, California estate

A large and rare ogee-form bowl, marked with a Jiaqing seal mark in iron red and of the period; interior glazed in turquoise, and gilt rim scalloped; excellently decorated in famille rose enamels with auspicious motifs...

Gorgeous silken Chinese rank badge with a navy blue background, golden stitching along its base, borders and accenting throughout, image of a silvery green pheasant standing on a rock, a fish jumping out at it from the water, and many designs of flowers, and clouds in various vivid shades of blue. Rank badges were to be worn on the front of a robe to show ranking and status of the elite in imperial China during the Ming (1368-1644) and Qing (1644-1911) dynasties...

Chinese blue and white pug face, open mouth molded porcelain on rosewood stand. Beautiful coloring with fine detail on both

Circa Early 19th Century

Dimensions: 3 1/2" High w/stand, 2 3/4" High X 5 1/4" Long X 2" Deep

A simple one line Chinese calligraphy attributing to Chi Xizhao (1793-1866). The calligraphy reads: The pure jade harmonizing with the gold with the pure wind in the forest of treasure. The work is dated to year of the water boar (approximately 1863), mid spring. Chi Xizhao was a noted Qing Period poet. Chi Xizhao was a scholar of the xueshi rank during the Jiaqing period. This scroll originally was one of a pair.

A sublime calligraphy scroll having a Chinese attribution. The rough and swift strokes of the calligraphy can be seen as if movement is caught frozen in time. The calligraphy reads as an auspicious poem where the poet is using the flow of water in relation to the spread and development of the family with generation after generation of children. Signed Xiuyang.

From the James Colburn Estate.

Age: 19th century. Size: Length 70" Width 28.25"

A rare Eastern Han (206 BC- 219 AD) jar with incised decoration about the collar area. All the features one wants to see are found on this rare artifact, such as root impressions, worm tracks, and traces of calcified (petrified) roots. This jar is not the typical molded type made for burial, but was actually used in real life as utilitarian ware for everyday use. The jar is in excellent condition and measures 6.5" high x 7" diameter.

A fine print, engraved by Isidore-Stanislas Helman (1743 - 1806) in 1788. The emperor Qianlong ordered in 1766 in France a series of copper engravings representing its conquests of 1755-1759 against the Eleuthes. Only a few copies stayed in Europe. To satisfy the curiosity of the public, the engraver Isidore-Stanislas Helman produced a reduced version. To an era where China fascinated the European public, Helman offered engraving by which he greatly contributed to popularize China in Europe...