Rare Tang - Song dynasty Liuli green crystal glass bottle vase, good condition no damage please see picture for detail size: 6 cm height. excavated from 10 - 12th century Srivijaya kingdom site in south Sumatra.

Rare Tang - Song dynasty Liuli blue crystal glass square vase, good condition no damage please see picture for detail size: 5 cm height. excavated from 10 - 12th century Srivijaya kingdom site in south Sumatra.

Rare Tang - Song dynasty Liuli green crystal glass octagonal vase, good condition no damage please see picture for detail size: 7 cm height. excavated from 10 - 12th century Srivijaya kingdom site in south Sumatra.

Vintage Japanese Miyamoto Pure Silver Chrysanthemum Petals Shaped Bowl Marked Jungin 純銀 and Miyamoto Shoko 宮本

It is 3 inches (7.62 cm) tall by 8.9 inches (22.6 cm) wide. It is 767 gram.

It is tarnished and has small cut marks at the foot and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for...

The ethereal fox appears in the mist dressed in the robes of a wandering Buddhist, the wispy characters of a poem by Otagaki Rengetsu draped around like rain. The poem reads:
Hito hakaru Tricking people
Sagano no hara no as is his nature
Yuumagure at twilight in these fields of Sagano...
ono ga obana ya is he displaying his tail
hana to misu ran. as if it were a plume of silver grass?
Ink on paper in a silk border the color of autumn grass terminating in bl;...

This red-and-white blown glass vase with pleated surface decoration is the work of Iwata Toshichi (1893–1980), a seminal figure in the emergence of modern Japanese art glass who not only helped research and revive ancient Japanese glass techniques, but also blended Western glassmaking techniques with Japanese sensibilities of color and form. It comes enclosed in the original signed wooden box titled Fuki Garasu Kohaku Hidatsuki Kabin wrapped in a silk cloth upon which is repeated the title fol...

Lurid Umbrella-shaped hills float like clouds beyond a lone sage standing in contemplation of the rain under a tree rendered in wet washes among a cluster of huts on this small delicate image by Fukuda Kodojin. Ink on paper in the original patterned silk border with white glazed ceramic rollers. The pale ichimonji patterned with clouds accentuates the scene. It is 24.5 x 158 cm (10 x 62-1/4 inches) and in overall fine condition.
Fukuda Kodojin (1865-1944) was an eccentric self-taught arti...

A small convoluted landscape by Fukuda Kodojin recently restored to its original state. Ink on paper in a blue cloth border retaining the original ivory rollers (these will be changed for export). It is 28 x 111.5 cm (11 x 44 inches) and is in excellent condition.
Fukuda Kodojin (1865-1944) was an eccentric self-taught artist, his status as a poet, calligrapher and literati artist has reached legendary status. Born at a time of great change (4 years before the final fall of the Edo Governm...

A massive basin in pure celadon by living legend Fukami Sueharu enclosed in the original signed wooden box titled Sui. It is a breathtaking form, rising from a small footring to the wide open rim in a sheer plane. The bowl is 34.5 cm (14 inches) diameter, 22 cm (9 inches) tall and in excellent condition.
Fukami Sueharu is synonymous with seihakuji celadon. He has been displayed numerous times at the prestigious Nitten, Nihon Togei Ten (National Japanese Ceramic Exhibition) and Nihon Gend...

1930's Chinese Gilt Brass Filigree Bracelet with Jadeite & Pink Tourmaline Marked

The inner circumference is 6.75 inches (17.15 cm). The outer circumference is 8.75 inches (22.22 cm) wide. The links are inches (2.75 cm) wide. The tourmaline cabochon is 25.23 mm in length and 18.63 mm wide. The jadeite is 16.42 mm by 16.31 mm wide. It is 44.7 gram.

It is tarnished and has rubbing of gilt, missing a clasp, inclusions, and surface wears and scratches (as seen in the photos).

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A Chinese blue and white wall vase, Chongzhen, Transitional period, c. 1640. Good condition. Height 17 cms.

A masterpiece sculptural work by Ken Matsuzki, one of the leading figure of contemporary Japanese ceramics, of twisting facets bands following the contour of the vase as a turning torso, covered with thick, natural ash glaze. The piece is signed at the bottom and comes with an inscribed and signed wooden box and sealed cloth. Perfect condition. H. 35,5 x 15,5 cm at the triangular base. ******* Ken Matsuzaki was born in Tokyo in 1950, the third son of Nihoga Painter Matsuzaki Shuki. In 197...

An antique and large bonshō (Buddhist temple bell) in high-quality bronze, made in the Edo period and dated 1754 (the fourth year of the Hōreki era). At the center appears the vertical inscription in relief with the devotional formula of the Pure Land schools (浄土宗 / 浄土真宗): 南無阿彌陀佛 – Namu Amida Butsu, an invocation addressed to Amida Buddha. The inscriptions within the rectangular panels read: 宝暦四年 甲戌 春日 – Spring, 1754 北勢鈴鹿都和�...

A large Japanese Imari vase of globular form with a long neck, decorated with flower vases flanked by the figures of the dragon and the phoenix (ryū and hō-ō). The entire surface is covered with floral motifs and stylized foliage in tones of red, blue, and gold. The long neck features a dense floral pattern in continuity with the decoration on the body. Period: Meiji, late 19th century Dimensions: 62.5 × 31 cm Condition: Excellent. Minor wear to the enamel and gold consistent with ag...

A Japanese ivory netsuke depicting Daikoku holding his mallet. The deity is shown in a dynamic pose as he attempts to move the large mallet, secured with a rope. Signed beneath Daikoku’s feet. Period: Meiji, late 19th century Dimensions: 3.4 × 4.2 × 3 cm Condition: Excellent

A Japanese six-panel screen painted on paper with gold powder, depicting a majestic tiger reclining in tall grass, emerging powerfully from the lightly suggested landscape in the background. The animal is rendered with great attention to the details of its coat, stripes, and expression, achieved through subtle layering and precise brushwork. A red lacquered wooden frame completes and protects the piece. Signed and sealed in the lower right corner. Period: Meiji, late 19th – early 20th...

Sencha tea tray realized in a tormented form recalling the knots of old grown roots and stumps. The bottom is lacquered red while the outlines are lacquered black, the outside of the tray is left at its natural brownish color. Japon – ère Meiji (1868-1912) Height: 3 cm - length: 37 cm - width: 24.5 cm

Pair of spherical kakemono weights (fuchin), made of enamelled porcelain and decorated with geometric patterns and red spheres. Fuchin are used to keep the fabric or paper of a kakemono taut. Since kakemono are stored rolled but displayed flat on the wall, these weights ensure the scroll hangs properly and remains legible. Japan – Meiji period (1868–1912) Height: 4 cm – Diameter: 4 cm