Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery. It has a wide body and two loop handles joined at the waist and upper neck. The outer surface and inner mouth have been coated in a reddish-br...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery. It has a wide body and two loop handles joined at the waist and upper neck. The outer surface and inner mouth have been coated in a reddish-br...

Rare Chinese Neolithic Pottery Jar - Siwa Culture (c. 1350 BC)

This pottery jar was made by peoples of the Siwa culture (c. 1350 BC), one of the later Chinese Neolithic cultures, overlapping the Bronze Age. It is of a slightly differing shape to most know similar examples in that it has a wider base and, therefore, wider lower body. It is fairly heavily-potted and has been fired to an attractive orange-red colour. There are two loop handles joining the shoulder to the mouth which is of the ...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and many have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and some have a surprising amount of detail.hey were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date t...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail, including the sun and the moon in this example. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...

Magnificent large Northern Thailand red and black lacquer box with foliate and floral scroll pattern, circa late 19th to early 20th century, most likely produced at a Chiang Mai workshop. Very light weight original top and bottom, best example I’ve seen in over 20 years. There is craquelure as is typical from antique Southeast Lacquer and very small color and lacquer loss due to use, please examine close ups. D: 26cm/10.1in and H: 10cm/4in.

Nice old carved hardwood box from the Shan State, Myanmar with traces of original lacquer. This was collected around 1988 in Northern Thailand, and originally dates to early the 20th century. Please note this is not a tourist piece artificially stressed to look old. The Shan have a strong shamanistic tradition which seems to blend well the local Buddhist religion, possibly this was used to house shaman paraphernalia. The box is carved from a single piece of wood and the sliding lid has t...

A large rosewood, huanghuali brush pot, bitong of simple cylindrical form with thick walls and the base with an inset plug. The wood grain has particularly nice patterns, with a few 'ghost eyes', and a wonderful deep honey-brown patina. H 16 x 16,4 cm Diameter Late Ming/ early Qing Dynasty. Condition: good with a couple of chips at the lower part and thin hairline at the bottom.

Gyosui Suzuki
Two Egrets (Herons) Among Flowers with Moon
Date: 1930s.
Print size: Approximately 9.5 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso).
Artist's seal lower left.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue. Very light crease upper left (photo).
Note: Very rare. We could find no other example of this design.

Vintage teak Buddha, carved around 1980/90, traces of pigment and signed at the bottom in Burmese script, in the classical Pagan style. H: 14cm/5.5in and base W: 9.5cm/3.9in. Sculpturally very well proportioned. Free shipping

A Chinese cloisonne vase, Qianlong, with garlic neck and octafoil body. Height 13cms. Jingtai four-character mark. Good condition.

Title: Title: 旅路(tabiji) - Journey. Painted with ink and pigments on silk. Signed and sealed. This bijinga painting depicts a woman traveler taking a quiet rest along her path. Dressed in a kimono, she gently holds a travel bamboo hat (sugegasa) in one hand and wears a soft blue hood over her head. Her calm expression, combined with the delicate blue maples beside her, evokes a tranquil moment during a seasonal journey.

Katsuda Tetsu (1896-1980) was a Japanese painter from the Tais...

Old buddhist altar representing Buddha and two bodhisattvas, each one standing on a lotus and backed by a mandorla, the whole group surmounted by the Buddhist Flaming Pearl and resting on a double lotus. Apocryphal reign mark beneath (Emperor Qian Long). Bronze with fine age patina. China, late 19th century. Height: 17 cm. Very good condition.

Yoshimoto Gesso
Blue Bird on Plum Branch
Date: 1930s.
Print size: Approximately 9.625 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso).
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue. Point-sized dot in sky.

A small Chinese marble torso fragment, Tang dynasty, 10 cms wide. This has been in a UK collection for 25 years. Purchased in Beijing 1990's.