Japanese woodblock print by Yoshitoshi, Tsukioka (1839-1892) entitled "The Fever of Taira no Kiymori". A triptych print, the scene is of the tyrant Taira no Kiyomori as he writhes in fever just before death. According to legend, the evil Kiyomori burned down a temple and is fetched for retribution by Emma-o the King of Hell, Kiyomori's wife and son kneel and pray for his salvation while demons and the souls of Kiyomori's victims surround him. Print date: 1883. This print is in good conditi...

Chinese pair of Famille Verte porcelain plates with blue glaze and color overglaze on white ground, design of fish and underwater plants, each plate has delicately scalloped surface radiating outward, Kangxi Period, mark on bottom, circa 1700. Size of each: 5 1/8" diameter x 7/8" high

Description:

A black-glazed covered box was molded with an interesting motif of butterfly on the surface.
The box was an excavated piece obtaining with obvious evidences of burial earth and whitish incursions in the glaze.
Some similar boxes were in the book of (The Collection of Chinese Box), a book of a famed connoisseur and antique dealer,Ma Wei-Du.

Date: Tang Dynasty, 618-907

Provenance: Henan province.

Width: 7.2cm. Height: 4.5cm.

A CUSTOM-MAD...

Unusually large Chinese late Qing compressed globular form incense burner with slightly everted rim supported by three short legs and covered overall with an amber-colored monochrome crackled glaze that extends to cover the bottom of the feet. The glaze drips down the walls into the unglazed interior. This censer is likely from a South China kiln. A custom-made heavy hardwood stand is included. Estimated to date from the 19th century. 10” diameter x 4 38” high (7” high including the s...

Chinese Northern Song (960-1127) dynasty qingbai (yingqing) porcelain glazed bowl with relatively straight sides and slightly flared rim decorated on the interior with combed abstract swirling floral patterns. The smooth, thin, crackled olive-green glaze pools in the center and accumulates at the exterior foot. The low foot is unglazed, revealing a gray-white body. 10th/11th century. 7” diameter x 2 3/8” high. Very good overall condition. This bowl is from a Phoenix, Arizona collection...

Rare Burmese 18th Century Shan State hand carved white Marble Disciple in adoration. Solid and heavy piece. Polychrome with some discoloration due to age, condition: good. Size: H. 20" x W. 11.5" x D. 7.5"

Exquisite PAIR of rare hand carved gilt wooden Cupid Angels from Mandalay, Burma. Finely gilt and decorated with colored mirror inlays, 19th Century. Good condition, size: H. 26.5" x W. 15" x D. 5.5" including base.

Beautiful Chinese marble planter carved with designs of blossoming lotus, willow trees, and peonies. Size: 19 L x 10 D x 11 H

Chinese antique painting table, all solid jumu (elm) wood, very strong traditional construction, original dark brown worn lacquer finish, beautiful grain especially on surface of table top, 19th century. Size: 32" high x 40 1/2" wide x 19 1/2" deep.

Small Chinese square table, beautiful deep golden brown finish, carved aprons with bats and flowers, great side table or stool. Size: 19" high x 19" wide x 19" wide.

A large and richly imbued Chinese hat stand vase, extraordinarily detailed with fine painting that is rarely encountered in this quality. This vase is dated pre-1920. The palette is the much sought famille rose, along with more subtle hints of profuse colors. The condition of this vase is perfect, no hairlines, chips, or other damage. The painting is impeccable and the vase stands at an impressive 11.25" high by 4.75 wide at the mouth.

Only one of the most beautiful wood and lacquer Chinese baskets or round box ever to pass through my hands, this stunning beauty measures 9" high with the finial x 9" diameter and has strong decorative appeal, as well as being a genuine antique. The lid has a foo dog finial and is surrounded by Buddhist symbols, truly stunning details and exquisitely carved in low relief. The box dates circa 1890, really beautiful when you consider that the box is over 118 years old.

Mounted Buddha Head from Tuv Aimag, Northern Mongolia. 18th Century. This region of Mongolia had quite a number of Yellow Hat Sect Tibetan temples, but most were sadly destroyed when it became the world's second communist country in 1924.Therefore difficult to find such nice specimens. Condition good, size H. 4.75"

Pair of 19th Century Chinese Bronze Elephant Altar Pieces

They are 19.2 inches (49 cm) tall measured including the lamp, 8.25 inches (20.9 cm) tall measured including the base without the column by 9 inches (22.8 cm) wide. The total weight is 31.2 Lb.

They have oxidation, surface wears and scratches, missing beads, drilled holes at the bottom, and the top and bottom are not original (as seen in the photos).

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Attractive Thai classical acrylic painting depicting lovely Kinaree. Original by Anon. Size: 14.5" x 17" (37 x 43 cm.) Available framed or unframed. Shipping cost to USA $ 50.00

A truly magnificent Qianjiang porcelain vase C.1880's, this vase has all the added features not normally encountered in Qianjiang porcelain. First, it is a human figural painting, secondly it is a painting of two foo dogs, and that with beautiful calligraphy in red and black to the sides of the paintings. As an added bonus, this vase comes with the original papers and reciept of purchase. It was purchased in China in 1980 when genuine antiques could still be purchased; and yet legal to purchase...

A rarely encountered limited edition Japanese woodblock print over gold leaf depicting a solitary blue, white, and gold tree set against a barren foreground titled simply "Tree" by Joichi Hoshi (1913-1979) dated 1974. Pencil-signed "J. Hoshi" and dated '74 at the lower right, with the artist's square red seal above. Pencil-titled in kanji at the lower left and marked with the edition number 6/95. Paper size: 10"V x 13"H (image: 7 1/4" x 10 1/2"). Very good overall condition. Two tiny pieces of t...

From our Southeast Asia Collection, a small but fine Burmese ink on palm leaf sutra with thayo embossed wood covers, depicting Buddha under the Bodhi Tree of Enlightenment flanked by two adorants in the center medallion, then encircled by disciples and zoomorphic entities in the surrounding images. The reverse side contains sutra writings in Burmese script, not yet translated. Overall workmanship is quite fine with great attention to detail, reflecting the devotion, reverence, and skill of the c...