Lavender clouds, rain on a foggy morning, snowy mountain landscapes, this is what comes to your mind when you look on this superb pale kurinuki Hagi tea bowl, made by Master and potter legend Kaneta Masanao, enclosed in the original signed wooden box.

Kurinuki is a technique carving and scooping out forms from a solid block of clay to produce boldly-cut forms, an approach the artist is famous for. Kaneta Masanao is an 8th generation Hagi potter. He likely needs no introduction, cert...

Fine Qing Dynasty jade carving of a figure in overall good condition. High resolution images by email on request.

Small Qing Dynasty Jade figure of a boy. High resolution images by email upon request.

Fine Song Dynasty celadon jar with lovely color and crackle glaze. In overall good condition except for small chip on glaze visible in one of the images (image #8). High resolution images of item can be emailed to you on request.

Japanese woodblock print by Okiie Hashimoto (1899-1993). # 2/60 in its series, titled "Quiet B (Nagasaki)", signed in pencil. Red cartouche in upper righthand corner.

Hashimoto was born off the coast of the Tottori Prefecture of Japan in 1899. He graduated from the College of Art in Tokyo in 1923 and continued his studies under Itaru Tanabe and Shod Hirata. Upon becoming good friends with Unichi Hiratsuka, he began to focus solely on colorful woodblock prints as his medium of choice....

Japanese woodblock print of a black cat with piercing blue eyes. Titled "Black Cat", # 24/100 in its series, signed T. Nishida in pencil with red chop.

Tadashige Nishida was born in 1942 on Amami Oshima Island in Japan, where he studied art at Chiba University. He moved to Spain in the 1960s and later to the United States to study as a post-graduate. He is most well-known for his works depicting cats, though he has released works depicting nature scenes of trees and Mt. Fuji. Da...

Japanese woodblock print by Okiie Hashimoto (1899-1993). # 2/60 in its series, titled "Quiet A (Nagasaki)", signed in pencil. Red cartouche in upper righthand corner.

Hashimoto was born off the coast of the Tottori Prefecture of Japan in 1899. He graduated from the College of Art in Tokyo in 1923 and continued his studies under Itaru Tanabe and Shod Hirata. Upon becoming good friends with Unichi Hiratsuka, he began to focus solely on colorful woodblock prints as his medium of choice....

Japanese abstract colored woodblock print - titled "Round About Midnight no. 5", 4/50 in its series, dated 1977, signed Maruyama Hiroshi (b. 1953-) in pencil.

Dated 1977

Dimensions: 21 1/2" x 31 1/4"

A pair of silk applique roundels for a robe, lavishly embroidered in satin stitch, tiny Peking knot and couched gold wrapped thread. One showing two boys at play, the other one depicting the immortal He Xiangu with attendant in a boat amidst flowers and auspicious symbols. Condition: slightly stained, the one with the boys has traces of former humidity, especially from behind. Dimension: 23.5 cm diameter.

A quite large Chinese silk purse with outstanding embroidery. One side showing a deer looking at a crane on a pine, on the left four Chinese characters. The other side with a flock of swallows near a flowering tree. Edged with a black and white woven band and a silvery rim, the silk tassels having gold and silver wrapped threads. Silk lining. Condition: faded, small stains, little wear to rim. Dimension: purse: c. 17 cm x 15.5 cm, tassels: c. 18.5 cm long.

A rare okimono from the Kairakuen Kiln of the Tokugawa branch family dating from the early to mid 19th century. The box label attributes these to Eiraku (presumably Hozen, who was tasked with helping to further the ceramic production of the kiln). The rooster is roughly 7 inches tall the same in length (18 cm). Dating from the later Edo period, they come in an old wooden box with a cloth cover and are in excellent condition.
Eiraku Zengoro XI (Nishimura Hozen, 1795–1854) took the nam...

A lovely green celadon Song Dynasty jar. There is some chipping to the rim. High resolution images on request.

Large and only slightly distorted full cylinder shaped Tsutsu (hight is bigger than diameter) tea bowl with a rounded brim, made of reddish, unrefined Mino clay with clearly visible finger marks on the wall.

The expertly thrown body was trimmed with a potter's knife around the regular food ring. In the style of Seto-Kuro bowls this bowl was covered with a black glaze.

On three sides a round space was spared from black glaze. The unglazed areas were decorated with the aoi-m...

Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Ao-Kuro bowls this bowl was covered with a green copper oxide glaze. A window on the side was left unglazed and split in two halves - one was decorated with a scetch of a fence in iron oxide engobe with an image of drying shibukaki on rice strings, the o...

A rear and beautiful yellow gemstone from the ancient Pyu Dynasty of Burma. I am not sure what stone it is of these three: sapphire, topaz or tourmaline.The chain is made up of individual handmade silver pieces. Condition: No chips.Some scratch marks seen under the microscope probanly from ancient polishing. Size: See photo.

Japanese Cedar, Cyprus wood two(2) section Tansu, Ca. Meiji period 1890's, 42" high, 35 1/2" wide, 16 1/2" deep, 2 graduated size long drawers above 2 long drawers in lower section, total 4 long drawers. Old red lacquer on black iron back plates are still visible. Small hole on the lower left side of bottom frame. The condition is original as found condition.

A rare Mother and child Han Oil Lamp.The Mother is sitting and holding the hand of the child. The head piece was used for the oil holding the oil. Size: H. 26.8cm. W. 11cm. Condition: Most of the green glaze is gone and there is an old repair break around the head. See photos.

There are only few opportunities to find antique Chosen Karatsu chawans - collectors know of what I'm talking about. Here is the second one of our collection:

Chosen Karatsu chawan from the Edo Period. The grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion.

The Chosen Karatsu style is a traditional style which was introduced by one or more potters brought from the Joseon Dynasty during the Japanese invasions of ...