Light tan hand carved nephrite ewer. Carved from a single jade boulder with depictions or carved mythical creature on handle and ritual symbols. These symbols are significant for their auspicious meanings.
The ancient Chinese considered jade the most precious of all materials, prizing it more than gold, silver or bronze. Sophisticated jade and lapidary production techniques had already been mastered by the Neolithic era, and the love of jade, which some anthropologists consider a definin...

Ohara Koson (Shoson)
Cockatoo and Pomegranate
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1927. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6mm seal at lower left.
Shoson signature and seal lower right. Pencil signature in lower margin.
Medium: Japanese woodblock print.
Features lovely embossed feathers.
Reference: S36.1 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excelle...

Extra large format limited edition Japanese woodblock print depicting a flower lined deserted lane beside traditional buildings under a cloudy blue sky by Katsuyuki Nishijima (b. 1945) dated 1987. This is an original pencil-signed artist's proof (marked A.P. in the lower left margin) for an image that was likely produced in a limited edition of 100. The pencil-title appears to translate "Empty Sky" or "Deserted Day." Paper size 24 1/4" x 18 1/4" (image: 15 3/8" x 21 1/4"). Full margins. Excelle...

Beautiful Jadeite Standing Quanyin on lotus throne holding apple green colored branch of Peaches and holding upright lotus with two devotee attendants and bamboo grove, with light celadon green jade and outer edges of moss green.
In Chinese Buddhism, Guan Yin is synonymous with the Bodhisattva Avalokitesvara, the pinnacle of mercy, compassion, kindness and love. (Bodhisattva- being of bodhi or enlightenment, one who has earned to leave the world of suffering and is destined to become a...

A fine,very well potted, 17/18th Century baluster shaped vase (without cover) well painted in shades of underglaze blue, depicting prunus blossom against a "cracked ice" ground.

This item was made during the reign of the Kangxi emperor (1662 - 1722).

Condition - excellent. There is a possibility that the rim may have been reduced and there is an extemely faint (glaze only) crack to the base. No chips, no restoration

8.75 inches (22.2cm) high.

For additional pictures please view #1514 ...

A rare an Important work by Fukuda Suiko depicting a realizing all white realistic peacock on applied silver background. Very fine detail in every aspect. Pigment is layered to give a three dimensional feeling.
In Japan, Peacocks are associated with the deity called Kannon. Kannon is a Bodhisattva, which means she has prolonged her own eternal enlightenment to stay behind and help everyone who suffers in this world. They are a symbol of compassion and kind-heartedness, and it is be...

Ohara Hoson (Koson)
Flowering Lotus
Size: Oban. Approximately 14.25 x 9.5 inches.
Date: 1920s. First edition.
Publisher: Kawaguchi and Sakai. Publisher's seal in right margin. Carver (Maeda) and printer (Komatsu) seals in left margin.
Koson's "Hoson" signature and seal at lower right.
Made in Japan stamped on verso.
Reference: H43.4 and cat. 179 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock pr...

Antique Japanese lacquer with gold shrine incense stand. Hand carved wood with black lacquer. Gold gilt floral details seen on all sides. Square flat top open to hold an incenser.
The burning of incense in Japan began during the 6th century (the Asuka period) with the introduction of Buddhism, which uses incense during rituals and ceremonies.

Meiji Period (1868 - 1912)

Dimensions: 11 1/2" square x 17 3/4" high

An dramatic pair of large Japanese golden gilt lotus flowers. Gold gilt in excellent original condition over hand carved wooden lotus flowers. Originally these would have been exhibited at a large temple. Rare to find such a large pair. Typically when found these are much smaller. Each is mounted to a matching base.

Meiji Period (1868 -1912)

26" wide X 53" High

An antique Japanese 2 section Nagoya Choba Tansu (merchant chest) made of Hinoki (Cypress), Akita Sugi (Cryptomeria from the Akita region) and Suginoki (Cryptomeria) woods. Original iron fittings. Constructed using mortise and tenon & through mortise and tenon joinery as well as hardened wood nails. There are side horizontal slats for added strength and support. The top sliding door panels were decorated with beautiful flowing grain Akita Sugi wood boards. The hardware features stylized Mokko...

Pulguk Temple, Kyongju
Series: Eight Views of Korea
Date: 1939.
Size: Dai-oban. Approximately 16.75 x 11.75 inches.
Hasui signature and seal lower left.
Publisher: Watanabe Shozaburo. E-seal at right margin - used 1932-42.
Reference: Hotei No. 432.
Medium: Japanese woodblock print.
Condition: Slight creasing at top margin and top right. One foxing spot on back in sky.

A truly magnificent vase of pastel blue floral designs on yellow-green body by Miyanaga Tozan enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in excellent condition. It retains the original wooden base. I believe this is by the second generation.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art. While a government employee, he represented...

A fabulous Koro covered in damascened gold by Ibuse Keisuke enclosed in the original signed wooden box titled Nunome Zogan Jungin Koro (Damascene Pure Silver Incense Burner). It is 11 cm (4-1/2 inches) tall, 9.5 cm (3-3/4 inches) diameter and in excellent condition.
Ibuse Keisuke was born in Tokyo in 1930, and began his studies of metal arts in 1950 under Unno Takeo. By the late fifties he was exhibiting with the Kofukai (where he would later be awarded) as well as the Nitten National A...

A vintage Japanese Ranma (transom) made of Kusunoki (Camphor) and Hinoki (Cypress) woods. Hand carved in deep relief depicting an auspicious Plum Blossom Tree with Bamboo and Irises. Celebrating the change of seasons from winter to spring, it shows many flower buds ready to bloom with a few blooming in all its beauty.

Age: Late Taisho through Early Showa Era (1926-1950).

Dimensions: 67 1/4" Wide x 16" High by 2 3/4" Deep

15th Century Japanese and carved wooded with gold gilt Japanese mounted flame. Once used as a flaming back drop to an important Japanese religious statue. Original gold pigment in great condition with undertones of black lacquer.
Custom forged iron stand mounted for home display.

Muromachi period 1336 to 1573 C. 15th Century

Dimensions: Base 9" long X 4" wide 34 1/2" high

Nishimura Hodo
Bridge in Rain at Night
Date: 1930s.
Size: Mitsugiriban. Approximately 15.5 x 7.25 inches.
Publisher: Takemura Shokai (stamp in left margin). Takemura Hideo label on back.
Signed by the artist. Takemura seal below signature.
Edition: First and only.
Medium: Japanese woodblock print.
Condition: Light, horizontal crease in sky. Toning in margin

A Burmese architectual temple carving. Would have been mounted within the structural supports of the temple design. Original pigment of gold and red show well and are vibrant. Hand carved with multi colored glass beads imbedded within each detail.

19th Century

Dimensions: 28" wide X 28" high

A small 17th / 18th Century bronze flower vase, with a sinuous dragon curled around its neck, probably made for the scholar's table in China during the reign of the Kangxi Emperor (1662-1722).

Condition: very good - there are very minor surface bumps otherwise no damages or losses and no repairs or restoration.

13 cm; 5.1 inches high.

For additional pictures please view #1806 in our Liverpool shop website at www.69aliverpool.co.uk

17-18世纪 蟠龙铜瓶

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