Chinese Qing dynasty Qianlong period ribbed guglet vase decorated in fencai famille rose enamels with birds among flowering fruit trees, rockery, and bamboo all set against a white porcelain ground. 18th century. 10 1/4” high. Very good overall condition. The vase is slightly misshapen. There are burst bubbles in the glaze at the rim and scattered throughout that are consistent with production at that time. A fine hairline in the interior of the mouth and a small enamel loss in the blue roc...

A dish of plain everted form measuring seven suns in diameter and decorated in somenishikide style with a traditional kacho-ga pattern of a pair of Butterflies and a Rock Peony. An auspicious pattern symbolising harmony and prosperity. The reverse decorated with scattered Peony leaf sprigs and the base is plain. The dish dating to circa 1780-1800. The reverse decorated with auspicious stylised Chinese clouds and a four character Fu Ki Cho Sun mark. A single spur mark to the base. The dish meas...

A large and very rare beaker shaped Chinese porcelain vase painted with scenes in cartouches delicately enamelled in "mandarin" palette, and reserved on elaborate gilt scroll ground. This item was made in China for export to Europe late in the reign of the Qianlong emperor (1736-1795).

Condition - this vase has been broken in a number of places and has had extensive professional old restoration. .

42.5 cm (16.7 inches) high; 23cm (9 inches) diameter at rim. Weight 2.8kg (6.17lb).

For m...

Wonderful Chinese white porcelain vase with fluted neck and opening, ring handles on sides, unglazed recessed bottom, some age cracks. Comes with Certificate of Authenticity that states it was purchased from an antique shop in Tainan City, Taiwan. The certificate states: "Name: White-glazed two-handled vase 白釉双耳瓶 (báiyòu shuāngěr píng). Quality: Porcelain 瓷器 (cíqì). Size: 22.2 cm x 10 cm. Quantity: 1 piece. Period: Late Ming/early Qing

Size in inches: 9" ...

A small 17th / 18th Century bronze flower vase, with a sinuous dragon curled around its neck, probably made for the scholar's table in China during the reign of the Kangxi Emperor (1662-1722).

Condition: very good - there are very minor surface bumps otherwise no damages or losses and no repairs or restoration.

13 cm; 5.1 inches high.

For additional pictures please view #1806 in our Liverpool shop website at www.69aliverpool.co.uk

17-18世纪 蟠龙铜瓶

应是...

Large shrine, zushi, made on special order for a temple. Inside, right in front of the back wall is a silk covered panel. Towards the bottom of the panel, on a gold background, are painted Fugen Bosatsu on his companion the elepahant, and Monju Bosatsu, sitting on the back of his companion the tiger. Above them, set in the center of a red painted circle is a circular crystal reliquary, sitting on a gilt bronze lotus dais, surrounded by gilt bronze flames, forming the wish granting jewel hojugata...

This tranquil winter scene showing a group of birds taking shelter in the snowy boughs of a tree was done by well-known Edo painter, poet, and tea ceremony devotee—Baiitsu Yamamoto.

A native of Nagoya, a bustling Japanese center for shipping and trade in Late Edo, Baiitsu was heavily influenced by works of Chinese art, especially the naturalistic landscapes that made their way into Japan through this port city. Over time he came to paint almost exclusively birds in various landsc...

Antique Korean painting, very tall and narrow, of a pair of phoenix birds, one occupying the upper portion of the painting and the other one on the bottom. The lower phoenix emerges from water as shown by a blossoming lotus. The rest of the space surrounding both birds is filled with robust peony blossoms of different color. Painted in rich mineral colors on paper. Later put into a custom lacquered wood frame.

The magical phoenix is called Bonghwang in Korea. The double phoenix s...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature. In fact, if you look more deeply into Raku, you find that many of the shapes and motifs are also inspired by nature. For example, this masterfully crafted mizusashi (fresh water pot) takes its inspiration from the shape of one of the most ...

A rare bamboo form porcelain brush pot with finely moulded bamboo decoration coated with a bright and vibrant turquoise glaze.

This brush pot / bitong was made in China early in the 18th Century during the reign of the Kangxi or Yongzheng emperor, circa 1700 - 1730. Although more commonly associated with middle easter ceramics turquoise glazes have been found in China since the Tang dynasty. Turquoise glazes have been used on imperial porcelain from the Ming Xuande reign and were in parti...

A seal made of bronze, decorated in relief with one of the eight Buddhist symbols -- the Two Fish --- on its top, and the Buddhist Banner around its body, and finally with one of the eight Buddhist symbols --- the Eternal Knot --- beneath. Leather cord. Fine reddish-green patina. Tibet, 18th century. Height: 51 mm. Very good condition.

A good Arita moulded foliate rimmed dish decorated in an Imari three colour style with a central motif of entwined Pine, Plum and Bamboo branches with a wide border containing Chrysanthemum’s and Irises and Peonies growing from stylised rockwork. The reverse decorated with various sprigs with Peony, Camelia and Plum flowers. A set of four spurs in a “Y” shaped formation supporting the base of the dish. The dish is in good condition with no cracks, chips or restoration other than the expec...

A small cottage perched on the edge of a tranquil lake, fishermen heading out in the morning chill to secure their daily catch. This pastoral scene from the Japanese countryside was captured over 300 years ago by painter, poet, and Buddhist monk Hyakusetsu Genyō (poet) and Kuge Yaou (painter) a monk of the Tenryu-ji sect.

Dharma heir to Chinese monk Gaoquan Xingdun, Hyakusetsu Genyō began his spiritual practice in the Rinzai sect under his teacher Hyakuju. An important figure in t...

This is japanese antique tsutsugaki Umakake used in the Tohoku region of the Edo period. This was used during the occasion. Cotton is hand-spun cotton from the Edo period.It is dyed with indigo.The kanji is written as “Kakode Daikichi”. It means the most auspicious start.The carp waterfall climbing pattern is a symbol of the to pray for the success in life . And since ancient times, it is a lucky design. There is a slight fading, but no stains or damage. It is a very nice cotton.Size Leng...

Japanese Edo Period scroll painting of a yamabushi, a mountain ascetic hermit or holy man. Often believed to be endowed with supernatural powers, the yamabusi follow the Shugendo doctrine, a religion that places heavy emphasis on feats of endurance. Throughout history, they have participated in battles along side samurai. In this painting, the warrior/sage is leaning on a walking stick. He is dressed only in leaves and animal skins. A hyotan gourd tokkuri flask hangs from a chord slung...

18th/19th Century Chinese Deep Carved Cinnabar Round Box with Figure

It is 3.8 inches (9.6 cm) tall by 7.5 inches (19 cm) wide. It is 1.8 Lb.

It has chips, hairline cracks, peeling of lacquer, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you ne...

Tai Yai Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with gilded gold.

Tai Yai is a group of tribal people living in Burma. It is difficult to find Buddha from this ethnic group.

Age: Burma, Shan Period, 18th Century
Size: Height 47 C.M. / Width 22 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping fro...

18th Century Chinese Thick White Jade Carved Plaque on an early 20th Century Enamel Box

The jade plaque is 2.36 inches (6 cm) in length by 2.16 inches (5.5 cm) wide. The box is 2.25 inches (5.7 cm) tall by 4 inches (10.1 cm) in length by 3.1 inches (8 cm) wide. It is 350.3 gram.

The jade plaque has flea bite chips, inclusions, and surface wears and scratches. The box has missing enamel, enamel stress cracks, tarnished metal, small dings at the feet, dark spots, stains, and sur...