This sake bottle is a very rare piece among Sugimoto's works. Ordinary, shigaraki pieces are fired in the anagama fire woods kiln, however this pieces is carved and colored with pigment, And fired in the kiln with charcoal. The pattern is called "shikishi kasane" a pair of square piece of fancy papers. It's a happy theme. The white grains are feldspar included in shigaraki clay. Special price. Size:7.5cm(D) 19.5cm(H) Accessary: wooden box signed by the artist

At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighboring country were brought to its shores. Such pieces have long been favored by learned cha-jin (tea people); and, older pieces such as this are quite prized today as relatively few from this era have survived in such good condition...

This sake cup is covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 9.0cm (D) 3.9cm(H) Accessary: wooden box signed by the artist

The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.0cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

This sake cup is a very rare piece among Sugimoto's works. Ordinary, shigaraki pieces are fired in the anagama fire woods kiln, however this pieces is carved and colored with pigment, And fired in the kiln with charcoal. The pattern is called "shikishi kasane" a pair of square piece of fancy papers. It's a happy theme. The white grains are feldspar included in shigaraki clay. Size:6.2cm(D) 5.6cm(H) Accessary: wooden box signed by the artist

One of the highlight in this piece is in the crystal of feldspar around the base, it's a charm of ido cup most of all. Size: 9.0cm(D) 4.8cm(H) Accessary: wooden box signed by the artist

This sake cup is covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 8.5cm (D) 4.3cm(H) Accessary: wooden box signed by the artist

This sake cup has abstract painting with copper glaze. And covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 8.9cm (D) 4.0cm(H) Accessary: wooden box signed by the artist

This piece is made of copper glaze called "oribe". At first , it is covered with feldspar and painted with iron and next it is covered with copper glaze. It is firing into burning charcoal in the kiln, so there are complicated atmosphere, oxidation and reduction. The oxidation atmosphere makes the copper glaze red, the reduction atmosphere makes it green and the mixture atmosphere makes complicated color. Size 6.0 cm (D) 6.3cm (H) Accessary : wooden box signed by the potter.

This piece is made of copper glaze called "oribe". At first , it is covered with feldspar and painted with iron and next it is covered with copper glaze. It is firing into burning charcoal in the kiln, so there are complicated atmosphere, oxidation and reduction. The oxidation atmosphere makes the copper glaze red, the reduction atmosphere makes it green and the mixture atmosphere makes complicated color. Size 6.0 cm (D) 5.7cm (H) Accessary : wooden box signed by the potter.

Small kogo, incense box, in the shape of a crab in rest. Grayish brown grainy earthenware, much like Raku, with red glaze and with patches of green and white glaze. The eyes are accentuated with gold, as is a small area on it’s back.

Potter’s mark on the belly.

Japan, late 1700s.

H ca 1.25 x W ca 3 in.

Some of the gold rubbed, split in clay caused by firing at the rim of the lower section, which does not impact the stability of the piece...

Small, round covered box for keeping incense, kogo in Japanese, in the shape of a coiled snaked. It’s head is in the center of the cover, protruding. Gray, coarse stoneware with small inclusions, the outside turned brown from the heat in the kiln. Eyes are inlaid rings of clay, giving the snake a slightly goofy expression.

Potter’s mark on the bottom of the lower section...

A magnificent Japanese Kyo Ware Chawan made by famous artist Chizen Terao (born 1955) 20 years ago. It bears hand painted Sakura trees inside and outside and comes with its originally signed and sealed wooden box and a profile of the artist.

But the special feature of this unique tea bowl is a rarely seen strong and vivid hand applied granular Shiro-chibu.

Shiro-chibu (white dots) features the strokes of small solid colored dots densely drawn on the base color...

5 Pieces set of Japanese Contemporary Ceramic Tea Sweet Dishes, Bowls, Compotes, average sizes are 4" wide, 2" high for large pieces, some impressed and marked manufacturer's mark. The condition is good.

A real cute, Kawai miniature Kyusu style teapot for green tea with a side handle, made in the tradition of (Otagaki) Rengetsu yaki, from Okasaki production center, Kyoto. Chamotte with a nice craquelure glaze. Size L 10 x h 4 cm. Otagaki Rengetsu (1791–1875) was a Buddhist nun, famous for her calligraphy but also for her production of ceramics for tea appreciation which she would embellish with her poems. Meiji 1868-1912. Good condition.

A cute Kutani ware incense box and cover (Kogo) in the form of a mandarine duck (Oshidori) in typical Kutani color pallet: green, yellow, blue and black. The bottom part with Kutani stamp at the base. Enclosed in an inscribed old tomobako. L 8,5 H 5 cm. Late Meiji to early Taisho. Good condition.

Tea caddy (chaire) of Shigaraki ware with characteristic, mottled, beige glaze over brownish, rough corpus. Lid of finely worked ivory. Signed with potter’s mark in the bottom. A heavy silk storage bag (shifuku) with stylized flower pattern comes with the piece. Showa, circa 1960. H 8 cm, D 6 cm. Condition: Perfect.

Pure Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its originally signed and sealed wooden box and made around the end of 19th century about 120-130 years ago.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminiscence of the earlier generations of this unique family of artists.

Apart from being expertly formed, this piece has the added distinction of be...