Mint Oni-Hagi masterpiece chawan with notched foot by star potter Seigan Yamane. This extraordinary tea bowl is covered by wonderful different shades of orange-red glaze on brown pottery. In my opinion it is the one of the most aesthetic chawans that he made. The seal of the artist is stamped on the bottom. We have a similar chawan with greenish glaze - same price.

Seigan Yamane was born in 1952, and started making Hagi ware in 1987...

Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style - referring to the heavy influence from Korean forms and glazing - this exquisite late Momoyama/early Edo period (1590-1620) Karatsu-ware tea bowl is really rare.

Regular formed wan shaped, showing fine finger marks from throwing...

Here is a really rare example of Ko-Agano-yaki from the early Edo Period (1600-1630) with a fine Kintsugi gold repair: regular wan shaped Ko-Agano tea bowl, showing very fine slightfinger marks from throwing.

The foot ring has been cut with a potters knife on a hand wheel. A glaze of rice straw ash has been poured with a laddle, while the potter held the bowl at the unglazed foot. Its unglazed finger marks show a fine, little iron bearing clay of a brownish color...

This is one of the best works by modern avangarde artist Hiramatsu Ryoma and it demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl.

He surely needs no introduction. Ryoma is one of those once in 500 years' type of artists. He is a potter who goes beyond that usual appellation...

What a great Chawan! Wan shaped tea bowl made of light, refined and soft Mino clay, which contains a little iron oxide. The fastly but expertly thrown body inside and outside, with the exception of the bottom (including the finely thrown foot ring) is covered with a transparent ash glaze, which turned to yellow due to the iron oxide in the clay.

In 5 areas of the tea bowl are highlights in green copper oxide in the tradition of the Mino Ki-Seto...

Wonderful Tobe Chawan with a fantastic glaze, made by the great 3rd Rakuzan Tamai (1924-1990) about 50 years ago. Rakuzan Tamai was accepted several times at the Nitten Exhibition in Japan. His work is part of the imperial houshold as well.

In mid 18th century Tobe ware was started in Ehime prefecture, Japan, and in the end of the 19th century, there was an increase in the production of tableware for export to South East Asia. Nowadays such type of Chawan is hard to find...

Another wonderful example of the beauty of Shino-yaki from the early Edo Period: Little deformed cylinder (hazutsu) shaped, in the style of shino ware - the bowl shows finger marks from throwing; foot ring and bottom have been cut with a potters knife. Typical for a Nezumi-Shino shino bowl, the light, unrefined Mino clay has been covered with an iron bearing engobe - with the exception of the bottom area...

This expertly crafted Chawan was made by great contemporary artist Kobayashi Takeharu, born in 1944. It is an elegant example of the beauty of Shino ware, a four hundred year old tradition that has produced some of the most spectacular tea ceremony vessels. This is a sober yet enchanting piece that craves to be held and used. It comes with its originally signed and sealed wooden box and a profile of the potter.

Kobayashi Takeharu has exposed all over Japan. His kiln is located in To...

Slightly distorted half cylinder shaped (hanzutsu) chawan with a rounded brim, made of light, refined Mino clay. The expertly thrown body was only slightly trimmed with a potter's knife in its lower part. The shape is of a type frequently found in early Shino bowls.

Under the semi-opaque Shino glaze is a decoration of criss-cross lines representing grass and something which maybe a landscape, executed in iron-bearing clay (oniita).

This is a typical piece of the Ogama ty...

From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Seto kuro bowls this Chawan was covered with a light brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze.

Wonderful distorted shoe shaped (kutsugata) tea bowl made of light, fine, unrefined Mino clay. Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured.

Just the foot ring and its immediate surrounding was left unglazed. The decoration scratched into the iron oxide engobe is very uniq...

Rare Kiyomizu Nodate Summer tea bowl with fantastic hand-painting, made during the Japanese Meiji Period (1868-1912).

This summer bowl is in great condition with no chips or cracks.

Size: 7,3 cm height x 8,1 cm in diameter.

The history of Kiyomizu ware began approximately 400 hundred years ago. Kyoto was the center of culture and the biggest economic market at the time, which led it to feature pottery from all over Japan. In the 16th century, tea ceremony bec...

Only very little distorted half cylinder shaped (hanzutsu) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in two different technics: on the left in nezumi shino style are hanging persimmons (hoshikaki) scratched into the engobe and on the right a tea room window and a plum blosso...