Antique Japanese Esoteric Buddhist scroll painting depicting seated Amida Nyorai (Buddha Amitabha) flanked by the 12 Jūniten (Deva Guardians). The 12 Jūniten (6 on either side) are identified as Taishakuten (Skt. Indra) Lord of Jūniten, Katen (Skt. Agni) of Southeast and Fire, Enmaten (Skt. Yama) South and the Underworld, Futen (Skt. Yayu) Northwest and Wind, Bonten (Skt. Brahma) Heaven, Suiten (Skt. Varuna) West and Water, Bishamonten (Skt. Vaisravana) North and Wealth, Rasetsuten (Skt...

A very unusual set of three scrolls depicting the women of Shimabara looking down with trepidation at a Fumi-e (a Christian symbol) before lotus enclosed in a wooden box titled Shizan Shimabara-me Sanpuku Tsui (Shizan, Women of Shimabara Three Scroll Set). The Fumi-e was a bronze or wood placard embellished with a Christian symbol upon which people were forced to step to prove that they were not Christians during the ban on Christianity throughout most of the Edo period...

Two austere Bodhisattva play music and spread lotus petals before the benign countenance of Kannon while a fierce green God (god of thunder or wind) recoils, flame spouting from his mouth. This is a very unusual triptych enclosed in the original age darkened compartmentalized kiri wood box signed Urata Tenka titled Daiji Kannon no Zu (Image of the most merciful Kannon), Takahashi Koko Sho (Painted by Takahashi Koko)...

The benign figure of Monju Bosatsu bearing the sword of knowledge and a sutra astride a fierce Shishi lion exquisitely painted by Takagi Shunrin in 1920. The compassionate being appears in royal regalia and white robes seated on a lotus shaped saddle upon the fierce creatures back. Pigment on silk in the original silk mounting with large ivory rollers enclosed in the original signed wooden box dated Spring of Taisho 9 (1920). The Rollers will be changed if exporting...

VOTIVE HAND

Worshipper's wooden tablet dedicated to the shrine called 'Ema' (lit. 'Horse picture'). Heisei period, 20th century, Japan. approx...

Japanese Zenga scroll painting of a staff by the Zen master Nakahara Nantenbō (Toju Zenchu) (1839–1925). Born into the Shioda samurai clan in Saga Prefecture, Nantenbō lost his mother when he was 7 years old and was sent to Yukoji monastery to study as a novice when he was 11 where he became a monk of the the Rinzai sect of Zen Buddhism...

Japanese Kiri Wood Scroll Storage Box, 24 1/2 long, 3 1/2 high, 3" wide, in old used condition.

Japanese Kiri Wood Scroll Storage Box, 32" long, 3 1/2" high, 3" wide, in old used condition, some old writing on top of the box.

Antique Japanese scroll painting of Buddha Amitābha also known simply as Amida Buddha and two Bodhisattva attendants: Sanzon Bosatsu (with both hands holding a lotus blossom) and Seishi Raigo Bosatsu (with hands in gassho adoration mudra). The central figure, Amida Nyorai stands with each foot on a lotus blossom, floating on swirling clouds as he descents. His hands are in vitarka mudra, also known as Raikō gesture of welcoming souls to Paradise (Jōdō or Sukhavati in Sanskrit)...

A Minimalistic Hanging Scroll Painting by Okada Hanko Hanging scroll painting depicting a group of rocks. Ink on paper. Signed Hanko and two seals. Okada Hanko (1782-1846) a Nanga painter and Caligrapher. He was born in Osaka, the son and pupil of Okada Beisenjin...

Antique Japanese scroll painting of Buddha Amitābha also known simply as Amida Buddha. Here he stands with each foot on a lotus blossom, floating on swirling clouds against a black void as he descents. His hands are in vitarka mudra, also known as Raikō gesture of welcoming souls to Paradise (Jōdō or Sukhavati in Sanskrit). Amitābha (which means Infinite or Immeasurable light) is much loved for his gentle wisdom and his all accepting nature...

Eight paintings on paper illustrating some excerpts from The Chronicle of the Heike (1968), a historical novel by the Japanese writer Eiji Yoshikawa (1892-1962). He describes with great realism, the accession to power of the Heike clan warriors or Taira particularly his struggles with the Genji clan or Minnamoto.
An ancient and extremely popular tale in Japan, the Tale of the Heike was originally declaimed by monks accompanied by the biwa...

A fine example of Edo period Kano painting, this generously proportioned hanging scroll illustrates a late autumn scene from the Japanese countryside over 300 years ago...

VOTIVE EMA

Set of four various 'Ema' (lit. 'Horse picture') as Japanese worshipper's wooden tablets, Showa period, early-mid 20th century. Large: approx. 15 x 13cm (5.90 x 5.11in)


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The gist of the script is Taoist, something to the effect of: This is my life, I am neither overtly talented nor gifted with genius, like a sail boat alone tossed among the waves I drink freely of sake untouched (unfettered) by others seen only from a distance. Ink on paper in a the rough silk border preferred by Literati artists with exquisite turned ivory rollers enclosed in a period wooden box (the rollers will be changed for something suitable if exporting). The scroll is 17-1/2 x 75-1/2 i...

105" long late Meiji to early Showa period Japanese ink and color on silk scrolled painting by Yagioka Shunzan (1879-1941) depicting figures on a boat in a landscape scene. A craggy cliff with pine outcroppings rises sharply above the emerging boat. Signed in black ink at the lower right and with the artist's red seal below. Early 20th century. Scroll: 105" x 28 7/8" (painting: 63" x 22 1/8"). Very good overall condition. The right top mounting section is slightly tattered on the right edge...

Large Japanese early Meiji period sumi ink on paper scroll by calligrapher Ito Keishu (aka Ito Shinpei), who was active circa 1870s to 1890s. Signed and with three red seals. Paper mount and wood scroll ends. The scroll measures 79” x 32 1/2" (painting size: 54 1/2" x 26”). Good intact condition with some rubbing and soiling evident. There is a small distressed area or repair to the paper mid-way down the scroll on the right side (see enlargement). The top mount has a few old paper r...

This Toba-e E-maki appears to be a 19th century Gi-ga follower of the later 18th to early 19th century Osaka "Manga-ka" Nichosai (Matsudaira Heisaburo). His humorous images of Hell were quite popular, known as Kakuyu painting.　Overall the genre has many names, Gi-ga being all encompassing, Toba-e being descriptive of this particular style, and Kakuyu-fu being the style of Nichosai. It ends with a simple stamp which reads Fish (Gyo/Sakana). It is 11 by 174 inches (28 x 442 cm). Very interes...