This poem, inscribed with Rengetsu’s unmistakeable flowing calligraphic script, is set on a backdrop of colored washi paper decorated with gold flecks and intricate renderings of magical forest spirits. The spirits are drawn using “gofun”—a calcium carbonate powder obtained by heating and grinding oyster shells collected around the Inland Sea coast...

A large screen depicting a samurai replete with the Jakumei crest of the Takeda Clan rearing his horse in a shout of battle, wand extended at arms length giving the order to charge. The horse appears to be fighting panic, possibly at the deafening sound of the guns of Oda Nobunaga, a sound which brought in the modern era of warfare to Japan in a pitched battle between Oda forces and those of Takeda Shingen...

Sitting demurely, legs folded with her back to the viewer, an oil painting by Yoshii Kosaburo dated 1937 and encased in the original period wooden frame. Oil on canvas, the painting is 15 x 18 inches (38 x 46 cm), the frame 21 x 23-1/2 inches (53 x 60 cm) and is in fine condition. The frame has marks and wear typical of age. It comes with some period documents (Japanese) on the artist. Yoshii Kosaburo was born in 1899, and initially studied under Imperial Art Academy Member Nakagawa Hachiro...

Signifying strength and resilience, bamboo—together with pine and plum (sho chiku bai)—is an auspicious symbols running through the heart of Japanese art and culture. The young bamboo depicted here—sprouting from a patch of rocks—were composed by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Rengetsu was born into a Samurai family but was soon after adopted by the Ōtagaki family...

Four kiri panels are set into a rosewood framework, each uniquely painted by Osaka Literati paragon Mori Kinseki. It is 12 x 12 x 11-1/2 inches (30 x 30 x 29 cm) and is in fine condition. The brass insert too, looks almost unused. Included is a small folding fan in the original box by the artist as well. Mori Kinseki (1843-1921) was born the third son in a family of Inn owners in the hotsprings town of Arima, Hyogo prefecture, in 1843...

A symbol of health and prosperity, these ripe eggplants were painted by Hasegawa Gyokuhou (1822 - 1879), a disciple of one of Kyoto’s leading Shijo school artists, Matsumara Keibun (1779 - 1843). The attached stylized calligraphic poem, which speaks of accomplishment and being productive in one’s endeavors, was done by one of Japan’s most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875)...

This poetry and artwork, done by one of the most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875), tells the story of a personal moment of joy and contemplation upon returning home one autumn evening accompanied by the brilliant moon above...

This soulful image of a Japanese hamlet in the depths of winter was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces...

This playful image of a Japanese raccoon dog (tanuki) enjoying a flask of saké was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces...

Hanging scroll. Painting of a tiger before a rock and bamboo, text in the upper half. Black ink and some faint red color on silk. Signed 73 year old hogen Sosen hitsu. Red artist’s seal. Japan, 18th century.

Yamamoto Sosen (1679-1760), Kyoto, Kano School

Painted area: 40 x 17 inches
Overall height 73 ¼ inches

Few tiny worm holes, old very light water stain, otherwise very good condition.

A fine KANO SCHOOL Painting framed, Japan, 17/18th Century. This album Silk Painting mounted on heavy gold paper depicts a wonderful blooming SAKURA Tree with white blossoms and pink buds. Nice overall condition. Size 9.75" x 8.25" (25 cm. x 21 cm.)

A fine KANO SCHOOL Painting, Japan, 17/18th Century. This album silk painting mounted on heavy gold paper depicts a mountainous landscape with trees and is dramatically rendered with a flying bird of prey (Hawk?), it's hunting instinct drawn to a flying bird. Overall good condition. Size 9.75" x 8.25" framed (25 cm. x 21 cm.)

A wonderful Japanese scroll painting showing one peahen strutting underneath the cascading tail feathers of a peacock, standing upon a small rock structure. Pink and red peonies bloom around the two majestic birds. Attributed to artist Tani Bunchō (1763-1841). Size: (entire scroll) 88" height, 35.25" width (artwork only) 51.5" height, 28.5" width

Antique Japanese 6-panel folding screen, or "byobu", with a wonderful painted ocean scene and pine trees over a gold leaf background. Mild damage is hardly noticeable and does not detract from the gorgeous paintings. 19th century SIze: 66.75" height, 145" length

An early work featuring white walls in Autumn foliage by Kitamura Seigyu enclosed in the original signed double wooden box. The box appears to be titled HakuryuJi no yu (evening around Hakuryuji). There are many places named Hakuryuji in Japan, so it is difficult ot be specific, but near his home of Hokkaido, and a place he would have passed through is a Hakuryuji in mountainous and rural Akita prefecture...

A superbly rendered image of a golden-eyed monkey with prehensile tail curling upward in a fine mounting of golden striped brocade by Ota Issai. The scroll is 34 x 59 inches (86 x 150 cm) and is in excellent condition, completely remounted using quality materials without overpainting. Ota Issai (1892-1979) was born in Nishio city, Aichi prefecture near modern day Nagoya...

A pair of Japanese Edo Period scroll paintings by the painter Sumiyoshi Hiroyuki (1755-1811) , one of a dragon in the clouds and another of a tiger in a bamboo thicket, skillfully painted in sumi ink on silk and signed by the artist. The painter, Hiroyuki was as disciple of the painter, Hiromori and a of successor of the Sumiyoshi School which worked primarily for the Shogunate of Edo Period...

Hanging scroll. Portrait of Minamoto no Tsunemoto, sitting on a tiger skin before his sword, dressed in a white garment over his armor. Ink, colors, gofun and gold sprinkle on silk. Dated mizunoe ne (1852), early summer. Signed Gyokurei Omoto and two seals...