Artist not identified
("Maru" noted in pencil in Japanese on verso.)
Mt. Fuji and Lake
Date: 1930s-40s.
Size: 12 x 4.75 inches.
Medium: Japanese watercolor painting.
Condition: Back has toning and spotting.

S. Niimi
Mt. Fuji and Lake
Date: 1930s-40s.
Size: 11.75 x 4.5 inches.
Signed S. Niimi
Medium: Japanese watercolor painting.
Condition: Left margin has nick. Some point-sized dots on surface.

Fudō Myōō Hanging Scroll, Edo Period, 18th Century

A powerful Edo-period hanging scroll depicting Fudō Myōō, the Immovable Wisdom King and protector of Buddhist law...

In this boldly reductive ink landscape, Fuji Tatsukichi evokes a rugged mountainside rising sharply from a mist-filled valley, its contours rendered through a deliberately raw vocabulary of dry-brush strokes, dragged ink, and gestural sweeps. The summit dissolves into vaporous clouds, suggested by feathered marks and blurred washes that temper the otherwise assertive, almost tactile presence of the mountain below...

Japanese antique very large and intricate painted Garbhadhatu (Womb Realm) mandala scroll painting. This scroll has as it's center, the seated figure of Mahavairocana (the original Buddha) who is always nurturing all beings toward enlightenment. Used by esoteric practitioners as a tool with which to actualize their own enlightenment through ritual and meditative identification with the deities of the mandala...

Extra Large Japanese Hawk Painting on Silk, Signed, Meiji Period

An impressive extra large Japanese painting depicting two hawks resting on pine branches near their nest, symbolizing strength, vigilance, and protection.
Rendered with fine brushwork, the birds’ feathers are carefully detailed, conveying both power and quiet tension within a serene natural setting.
Painted on silk, the composition reflects the refined realism and disciplined technique characteristic of Mei...

A vertical image of precipitous peaks in soft washes of color by Fukuda Kodojin. Pigment and ink on silk in a modern frame of beige cloth with black-wood rollers. This has been remounted, and there are some minor discolorations in the original scroll. It is 57.5 x 206 cm (22-1/2 x 81 inches) and is in fine condition.
Kodojin's status as a poet calligrapher and literati artist has reached legendary status...

Japanese Bush Warbler and Adonis Amurensis. Painted on paper. Signed Keibun and sealed. Edo period.

This hanging scroll depicts a Japanese bush warbler (uguisu) perched near Fukujusō (Adonis amurensis), a flower traditionally associated with the arrival of early spring and good fortune.

Matsumura Keibun (1779–1843) was a prominent Japanese painter of the late Edo period, associated with the Shijō school...

Two-Panel Silver-Leaf Folding Screen

Size: W 174 × H 174 cm (approx. 68.5 × 68.5 inches)
Period:19th century

Price Range (B) $3000-5000

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This evocative ink painting presents a quiet temple gate set deep within a mountain landscape by Domoto Insho enclosed in the original signed wooden box dated summer 1923 and titled Hakuun-Ji (White Cloud Temple. Executed with Inshō’s characteristically fluid brushwork, the scene suggests a continental architectural setting, conveyed through the steeply pitched tiled roofs and the ornamental roof-ridge finials...

A study of ceramic plate designs by female ceramicist Shigemori Yoko mounted as a hanging scroll. Ink and color on paper mounted in dark cloth with ceramic rollers, it is 47 x 194.5 cm (18-3/4 x 76-3/4 inches) and in excellent condition.
Shigemori Yoko (1953-2021) was born in Kagoshima...

The view is that of a hawk circling over a lonely hut lost deep in the steep misty North, home of the powerful gentleman Warrior Satake Yoshimasa (1775-1815) —daimyo of Akita and celebrated bunjin tonosama (“cultured lord”)—by whose hand we meet this scene. Thius reveals the refined artistic sensibility for which he was renowned. Rendered in bold ink washes that cascade across the vertical composition, the scene unfolds from mist-cloaked peaks at the top to a torrent-cut ravine below...

A Kano School Triptych of Fukurokuju, Attributed to Kano Isenin (1775–1828), Ink on Silk Hanging Scrolls. Edo Period.

This elegant triptych depicts Fukurokuju, one of the Seven Gods of Good Fortune, revered as a symbol of longevity, prosperity, and wisdom. Rendered with refined ink work, the composition carries a quiet, auspicious presence...

Tadpoles scatter in the water like blossoms in the wind on this playful image by Usuda Aro in the original signed wooden box dated the 7th month of 1934 titled Yamazakura (Mountain Cherry). In the poem the artist compares tadpoles after the end of the rainy season to blossom petals scattered in the water. Ink on paper in a fresh green silk border with large bone rollers, the scroll is 38.5 x 203 cm and is in overall fine condition...

Delicate washes of color define this landscape by Hashimoto Dokuzan enclosed in the original signed double wooden box. Pigment and ink on paper in a kinran border threaded with genuine gold terminating in solid ivory rollers (these will be changed if exporting. The scroll is 47.5 x 212 cm (19 x 83-1/2 inches) and is in excellent condition...

This vertical landscape by Nakabayashi Chikuto unfolds in layered bands of softly modulated ink, revealing a secluded mountain settlement enveloped in drifting mist. Chikuto’s distinctive brushwork—built from finely striated texture strokes and rounded, rhythmic touches—creates a sense of sculpted stone surfaces and dense, breathing forests. Villages and scattered pavilions nestle into the slopes, their simple geometric outlines contrasting with the richly worked foliage of pines and bambo...

A fisherman finds harmony in the waves, a tiny vessel dwarfed by mountains on this ink painting by Irie Shikai. Ink on paper in a silk border with faux ivory rollers enclosed in an old kiri-wood storage box. It is 45.6 x 197 cm. There is toning to the paper typical of age with some wrinkles and scattered light stains.
Irie Shikai was born in Fukuoka prefecture in 1862, the son of an upper level samurai retainer. He studied Nanga and Chinese style painting under Yoshitsugu Haizan and Daiju...

A Japanese six-panel folding screen painted on silk with a gold ground, depicting a spring garden. In the foreground, peonies (botan), irises (ayame), and other seasonal flowers bloom at the base of a large plum tree (ume), whose branches extend gracefully across the gilded surface. Signed and sealed in the lower right corner. A wooden frame completes and protects the work. Period: Meiji–Taishō period, early 20th century Dimensions: 173 × 377.5 cm Condition: The folding screen is in go...