Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features a stylized phoenix of under glaze red, yellow, green, and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

Japanese Satsuma Porcelain of a Baby Boy in a Beautiful Bib Holding a Whistle Bird. A charming sculpture with a wonderful presence. 8 inches, 20.5 cm.

An interesting Japanese ceramic study of a woman giving birth. Black glazes with hints of green for the hair, clear glaze with blue color glaze for the washcloth. 19th century. Size: Length: 7.75" Width: 5.5" Height: 7.75".

Antique Japanese small Bizen ware water dropper in the form of a fu-dog with ball, beautiful details, minor losses, a charming piece. Size: 3 5/8" long x 2 3/4" high

A small, decorative Satsuma dish. Figures in Spring landscape. One of the five lakes vicinity Mt. Fuji. Flowers, wisteria, torii gate and structures. Anonymous. Good condition. Diameter 6 1/8 inches (15.55 cm)

A pair of small Satsuma earthenware vases. Painted and gilt with panels depicting processional figures between different patterns in gold on cobalt-blue ground. Base signed Satsuma and Hotoda. Condition: few gilt rubbing. Dimension: 12.4 cm high, weight: 404 g.

A whimsical khaki green-yellow glazed Japanese pottery figural sake pot depicting a tanuki trying to make off with a proportionately larger sake barrel. Early 20th century to turn of that century. Good condition. Height 3 1/2 inches (8.89cm). About 4 1/2 inches (11.4cm) length from tanuki's nose.

Superb Kenzan ware decorated with designs of overlapping fans depicting an early winter scene with a house gate by pine trees covered with a rice straw mat as well as Japanese old poems on the interior and with stylized Japanese pampas grass design on the four sides. Edo period. In the interior decoration dated "gen-bun ni-sai" means 1737...

Beautiful purple earthenware vase with blue glaze. It measures 10" tall. It comes with the original box. The base has a cartouche, the signature of the artist.

There is no visible image of god in Japan's oldest religion, “Shinto”. People look for the image of gods in their daily surroundings and found the divine spirits to dwell in pine trees. For this reason, pine trees are considered sacred and many wonderful artworks of pine trees were created. Cranes are said to live one thousand years. They are considered auspicious as their distinctive high pitched voices can reach to the heaven...

Japanese antique ceramic jar, Yumino ware, very beautiful crackle glaze with pine tree on one side and mountains on the other, great drips, Meiji Period (1868-1912). 10 1/4" high x 12" wide diameter

Beautiful porcelain kutani beauty, geisha in training. She reads a poem, possibly a love poem. She wears a robe that is tied in front, miko, indicative that she is not yet a geisha. The outer robe is blue decorated with white, red, green, and gold colors. She measures 13.5" tall. Meiji Period (c1900).

From our Japanese Collection, a superb and large satsuma lidded jar / tea caddy by Ryozan, Meiji Period 1868-1912, stunningly executed with exceptional fineness depicting two cartouches of people gathering, alternating with two cartouches of ducks and birds in nature scenes, all separated and framed by intricate brocaded reserves of floral motifs using wonderful color variation and extensive gilt.

Size and Condition: A relatively large caddy at 7 1/4 inches tall, 6 1/8 inches wide.

From our Japanese Collection, a published and very fine satsuma charger, Meiji Period (1868-1912), most likely between 1870-1880, depicting Kannon the Goddess of Mercy and Compassion surrounded by deities and adorants, executed in typical satsuma palette but with an especially rich, heavy, and quite skilful gold application...

From our Japanese Collection, a very fine satsuma vase, Meiji Period (1868-1912), most likely circa 1900 -1910, marvelously potted in an unusual but very elegant flared trumpet shape exhibiting definite Art Nouveau Period influences, and yet decorated in what would be considered restrained Japanese taste with simple and classic floral motifs...

From our Japanese Collection, a truly superb satsuma vase, Meiji period (1868-1912), of robust globular form, depicting seven separate circular reserves of figures set against a most unusual and very appealing variegated ground that morphs from emerald green, to celadon, to cream, and finally to brown, all heavily overlaid with a rich brocade of chrysanthemum heads and other floral and geometric motifs executed in gilt...

From our Japanese Collection, a superb Kinkozan satsuma vase of tapered ovoid form, Meiji Period 1868-1912, most likely 1880-1890, depicting a finely painted bijin on one panel along with finely painted roosters and flying birds in a garden setting on the other panel. Both main panels are separated by reserves of elaborate gilt work set against a rich cobalt blue ground. Kinkozan signature and impressed mark on the bottom...

Striking large Japanese ceramic Tokoname jar, wonderful irregular shape, large kiln fragments, thick ash glaze with unusual subtle blue and yellow striations, Momoyama Period (1573-1615). (The Tokoname Kiln is considered one of the "6 Ancient Kilns" and was located at Tokoname on the Chita Peninsula, bordering Ise Bay.)

Size: 181/2" high x 17 1/2" wide x 17" deep.

Momoyama Period (1573-1615)