Beautifully carved Chinese seated buddha, made of wood with red and gilt lacquer, wonderful details and elegant expression, Ming Dynasty. Size: 22 1/2" high x 14 1/2" wide x 11 1/2" deep.

Antique Japanese netsuke of a boy monk fast asleep on a temple bell, carved of boxwood with painted details, signed: Kyusai (1879-1938). He carved this netsuke between the ages of 36-49, well-known for carving mokugyo, temple bells, in various themes.

Meiji Period (1868-1912)

Dimensions: 2 1/8"

Wonderful Japanese 2-panel byobu screen painting, 2 intricately painted Meiji Period fans, probably once used in a Noh performance and later mounted on a screen, each fan is painted in colorful mineral pigments with gold leaf, the fan on the left depicts white wild flowers blossoming near a meandering stream with billowing gold mist, the fan on the right is painted with a scene of 3 cranes flying over sea crests and a weeping willow tree, the two fans are mounted on a ground of gold flecks...

A set of seven (7) miniature paintings on canvas of winged Tibetan protector deities and gods surrounded by flames including Vajrapani and Yama Dharma Raja. Four (4) of the miniatures are finely executed line drawings with color washes on a light-weight canvas. These four appear to have been done by the same artist and are of approximately the same size. The other three are painted on a heavier canvas - two of which are painted in full with darker pigments. The last of the seven is a red line...

This gorgeous Ichung-nong (Korean Two Unit Stacked Chest) is a rare early piece (mid 19th Century) that has aged to a warm rich hue that is nothing short of a heartwarming and rare treasure to behold. It is a beautiful effect that could never be even closely duplicated with new wood. The finishing process involved singing the wood with a hot iron to both darken it and draw out the resin, and then using straw to rub pinesoot into the grain to further darken it and simultaneously seal the pores an...

A pair of lacquered iron abumi (Japanese stirrups) decorated in fine gold and nashiji (pear skin) lacquer on a roiro urushi, black lacquer ground. Each carries a Tokugawa aoi crest (three hollyhock leaves in a circle) within scrolling leaf background, the bottom constructed with wood pieces within an iron frame which made it lighter, thus gave a better control. Edo period (17th/18th century).  9" high, 5 1/4" wide.

This lovely late 19th C Ko Kutani bijin is holding two opened fans with a flower on her head. Exquisite features and detailing, this already highly collectible Ko Kutani figure is even more special because the flower also serves as a candle holder. In very good condition, she measures 11" or 27.9 cm high.

Wonderful pair of Kutani ware porcelain rabbits, one is white and one is light brown, both with areas of gold in which each hair has been painted, pink eyes and inside of ears, the light brown rabbit has it's mouth open and displays a row of tiny teeth and a red tongue, great detail and attention to modeling , Meiji Period (1868-1912). Size: 5 1/2" high x 7 1/2" wide x 6 1/2" deep.

This stunning masterpiece of extraordinary design is an exceedingly rare Edo Period Botankago (Peony Basket) Ikebana Basket for the Tea Ceremony, with original signed box. One of the rarest and most important baskets to come up for sale. Black with a very large handle that separates into five pieces for portability, a fine complex weave and intricate crayfish motif. A rare and important find for the serious Japanese basket connoisseur. 22.5h x 19.25w inches, 57h x 49w cm.

A spectacular Meiji Period Satsuma vase by Kinzan I. In 2001, the Kinzan kiln was designated a National treasure by the Japanese government. The Kinzan kiln pioneered and developed unique gilding techniques, such as underglaze gold leaf. This rare vase is a wonderful example of Kinzan's mastery. Height: 10.5 inches (27cm), circumference: 21.75 inches ((55cm).

A black terracotta Buddha amulet in the sitting position in-cased in a stainless steel case from Thailand. Age; Pre 1900 or earlier. Size: H. 3cm. Condition: No repairs.

This is a "kataginu" (shoulder cloth), only the upper vest of kamishimo without trousers. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai's formal attire when they attended official meetings at the Edo castle. It was worn over a kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occasions. The s...

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with meditative facial expression, gilded and decorated with inlay of colorful glass pieces on the headband and the borders of the robe. The buddha's robe is elegant with gold sheet and delicately carved as layers of pleat.

Age: Burma, Mandalay period, circa 19th Century
Measurement: Height 49.9 C.M. / Width 25.3 C.M.
Condition: Nice condition overall (some expected degradation due to...

Edo Period Japanese woodblock print by Toyokuni III (also known as Kunisada) depicting a half-length portrait of an actor portraying a samurai. This is one of a number of half-length portraits of actors designed by Kunisada in 1852. Signed at the right "Toyokuni ga" (in a red cartouche with yellow snow) with the seal of the publisher Yamazakiya Seishichi below. Fresh color and nice impression quality with fine delineation of the hair and lacquer highlights. The wood grain is plainly evident in t...

Laos wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Laos, 19th Century
Measurement: Height 66.7 C.M. / Width 26.8 C.M.
Condition: Nice condition overall (a tiny chip on the top of the head and crack on the base). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Chinese late Qing blue and white porcelain moonflask, or pilgrim vase, of flattened globular form decorated with a cracked ice and prunus ("bingmei") motif, which is also known as the Hawthorne pattern. Two writhing qilong handles are at either side of the cylindrical neck. There is some kiln grit adhering to the recessed base. Late 19th century. 10 1/8”H x 6” across. Very good overall condition. There are some tiny burst bubbles at the rim and along the chilong’s back (see enlargeme...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...