Fine Chinese Song / Yuan Dynasty Qingbai Glazed Porcelain Bowl

This attractively-shaped monochrome glazed porcelain bowl with flared rim was made during the 13th / 14th Century (Late Song - Yuan Dynasty). It is coated in a glossy finely-crackled transparent pale greenish-blue qingbai glaze save for the inner surface of the small foot that remains unglazed.

Diameter 13.5 cm (5.25 inches). It is in fine condition and is free from any restoration or repair.

From a group of Song to Ming...

Rare Chinese Song / Yuan Dynasty Qingbai Glazed Porcelain Wine Cup

This rare porcelain wine cup was made during the 13th / 14th Century (Late Song - Yuan Dynasty). It is coated inside and out in a pale qingbai type glaze, save for the small foot that remains unglazed.

Height just short of 4 cm, diameter 6.75 cm. It is in fine condition, has a high-pitched ring when tapped and is free of any restoration or repair.

From a group of Song to Ming porcelain items we are selling from a dist...

Chinese Song Dynasty Qingbai Glazed Porcelain Dish (with decoration)

This saucer-dish was made during the Song Dynasty (AD 960 - 1279). Its inner surface and outer wall are coated in a very finely-crackled pale qingbai glaze that has just a hint of green. The inner surface is decorated with what appears to be an impressed floral decoration although the impression is quite faint. The rim remains purposely unglazed as does the flat concave base. Interestingly around the outer wall can be seen...

Chinese Song Dynasty Qingbai Glazed Porcelain Tea Bowl

This small porcelain bowl was made during the Song Dynasty (AD 960 - 1279). It is coated in a thick qingbai glaze that has a hint of blue to it. The small flat, slightly concave, foot remains unglazed.

Diameter 10.5 cm (4 inches). It is in fine condition and has no restoration or repair.

From a group of Song to Ming porcelain items we are selling from a distinguished West Country family collection acquired over several decades (s...

Chinese Song /Yuan Dynasty Qingbai Glazed Incised Porcelain Bowl (with characters)

This porcelain bowl with flared rim was made during the 12th - 13th Century (Late Song - Yuan Dynasty). It is fairly "heavily-potted" and coated in quite a dark greenish qingbai glaze that is finely-crackled. The rim edge remains unglazed and in places has fired to a deep reddish-brown. The inner surface is simply decorated with an abstract incised pattern whereas the underside is more elaborately decorated wi...

Chinese Southern Song Dynasty Moulded Qingbai Porcelain Vase

This attractive pear-shaped vase was made during the Southern Song Dynasty (AD 1127 - 1279), most likely at one of the kilns in Fujian province. Interestingly it is made in several sections that have been luted together. The mid section is decorated with a scrolling lotus blossom pattern, below which is a repeating lotus leaf pattern. It is coated in a finely-crackled greenish-blue qingbai glaze that stops short of its foot. The in...

Chinese Southern Song Dynasty Moulded Qingbai Porcelain Vase

This attractive pear-shaped vase was made during the Southern Song Dynasty (AD 1127 - 1279), most likely at one of the kilns in Fujian province. Interestingly it is made in several sections that have been luted together. The mid section is decorated with a scrolling floral pattern. The outer body is coated in a particularly glossy and finely-crackled pale green transparent qingbai glaze. The glaze also extends just into the inner m...

Chinese Southern Song Dynasty Moulded Qingbai Porcelain Vase (with characters)

This attractive pear-shaped vase was made during the Southern Song Dynasty (AD 1127 - 1279), most likely at one of the kilns in Fujian province. Interestingly it is made in several sections that have been luted together. The mid section is decorated with a scrolling lotus blossom pattern, below which is a repeating lotus leaf pattern. The body and inner mouth are coated in a pale greenish qingbai glaze that has a ...

Chinese Song Dynasty Qingbai Glazed Porcelain Bowl

This porcelain bowl was made during the Song Dynasty (AD 960 - 1279). Although a fairly modest example with no decoration other than the glaze, it is its simplicity alone that makes it so appealing. The colour of the qingbai glaze on such wares can vary greatly according to what the conditions in the kiln were like during firing. The pale glaze has a greenish tint to it and is finely-crackled. One faint line of "crackle" does penetrate the b...

A long spiraling form of perfect dimension in iron glaze by female artist Takatsu Mio titled simply Uzumaki. It is 54 cm long and in excellent condition, directly from the artist.
Takatsu Mio (b. 1976) was raised in Gifu prefecture among the scattered kilns of Mino. She graduated the Osaka University of Arts Sculpture Department in 1999, moving on to advanced studies which she completed in 2001, putting her at the forefront of the current female revolution in Japanese ceramic arts. Her ...

Energetic strokes of black decorate this small flower vase by Shigemori Yoko, perfect for a single red Camellia flower. I love the fact you can clearly see her fingers pushing back the glaze along the base. It is 12.5 cm (5 inches) tall, the same diameter, enclosed in a signed wooden box titled Kotsubo.
Shigemori Yoko (1953-2021) was born in Kagoshima. Yoko came to Kyoto where she initially studied painting at the Kyoto Tankidai Art College, then moved to ceramics at the Kyoto Municipal ...

One of three vibrant sake cups by Nakashima Katsuko enclosed in the original signed wooden box titled Hai. Always cheerful, I love sharing a joyous cup with Katsuko. It is 6.5 cm (2-1/2 inches) diameter and in excellent condition, directly from the artist.
Nakashima Katsuko graduated the Osaka School of Art and Design and first garnered attention with a silver prize at the Nihon Tojiki Ceramics Design competition in 1984. Her works have been selected for display and awarded at the Asahi...

One of three vibrant sake cups by Nakashima Katsuko enclosed in the original singed wooden box titled Hai. Always cheerful, I love sharing a joyous cup with Katsuko. It is 6.5 cm (2-1/2 inches) diameter and in excellent condition, directly from the artist.
Nakashima Katsuko graduated the Osaka School of Art and Design and first garnered attention with a silver prize at the Nihon Tojiki Ceramics Design competition in 1984. Her works have been selected for display and awarded at the Asahi...

One of three vibrant sake cups by Nakashima Katsuko enclosed in the original singed wooden box titled Hai. Always cheerful, I love sharing a joyous cup with Katsuko. It is 6.5 cm (2-1/2 inches) diameter and in excellent condition, directly from the artist.
Nakashima Katsuko graduated the Osaka School of Art and Design and first garnered attention with a silver prize at the Nihon Tojiki Ceramics Design competition in 1984. Her works have been selected for display and awarded at the Asahi...

An antique Japanese Ikebana bamboo basket in an elegant satchel style with woven bamboo rope handle. Original smoked patina with flattened bamboo panels interwoven with the construction of the weave. Finished with a volcanic ash. Bottom has three bamboo slats woven into a triangular structure. Comes with lined bamboo insert.

Age: Meiji Period (1880-1900)

Dimensions: 16 1/2" High by 10 1/2" Diameter

A Japanese painting of a pair of songbirds perched atop a Peony Tree. Mounted single panel using a colored Sumie technique. Silk bordered on a silver leaf background.

Age: Taisho Period (1912-1926)

Dimensions: 70" High by 28 5/8" Wide

Unusually large ca.1935 iron tea pot made for the hearth 'irori' in old japanese minka farmhouses. Stamped with the famed Nambu Iron Foundry in Tohoku Northern Japan, the inscription reads, 'Tetsubin Nambu Seido' iron teapot made at the Nambu Foundry. What makes this tea pot special besides the size is the 'arare' (hail) pattern of raised protrusions. Very art deco. 47cm tall x 43cm wide. Ask for shipping quote.

An antique Japanese Ikebana bamboo basket in a tall slender design. With a matched Wisteria handle that sweeps high over the top of the basket and dramatically extends to the waist. The body is divided by three levels, each separated by a distinct weave. Base is comprised of three layered concentric rings that provide a strong foundation for this work of art.

Age: Meiji Period (1880-1900)

Dimensions: 7 1/2" Diameter by 23 3/4" High