Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted in rather exaggerated fashion. This particular composition seems unique among Oribe pieces I have encountered over the years in terms of its ...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

An antique Japanese calligraphy box (Kakesuzuri Bako) made of Keyaki (Zelkova) wood. All original hand forged iron hardware with locking drawer and working key. Hinged cover opens to a removable tray used to house a calligraphy inkstone and ink sticks. Three drawers for storing writing paper, brushes and money.

Age: Meiji Period (1880-1890)

Dimensions: 11 1/4" Long by 8 1/2" High by 8 1/4" Wide

Statue, made of glass, representing Buddha Amithaba_ sitting cross-legged on an elevated lotus throne, his head backed by a lotus aureola, both hands holding a vase containing the nectar of immortality in his lap. China, early 19th century. Height: 10.1 cm. Very good condition.

Chinese export porcelain stem plate, made for the Thai market. With polychrome decoration of Thepanom between two Norasingh, among foliage on a black ground, details of the deities in gold. Condition: good, rim with few color flakes, wear to the gilt (rim). Dimension: diameter: c. 13 cm, height: 6.9 cm.

An unusual Seto Tea Bowl, shaped like a flower in the upper area, with stunning glaze and a wonderful foot ring, made around 100 years ago during the Taisho Period (1912-1926).

It is in great condition with no chips or cracks - ready to use for the tea ceremony.

Ceramics produced in Seto City are known as Setomono (Seto ware), which has become a generic word for ceramics not only in Japan but also world-wide. Having a history of over 1,000 years and a matching tradition...

12 BODHISATTVA

A line of 12 Japanese Buddhist wooden figurines of 'Sho Kannon Bosatsu' (Avalokitesvara) fixed on the wooden plate, hand-carved during November-December in 1966, W 37 x H 10.5 x D 3 cm.


selected by hotoke




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FIRST NIGHT

'Shunga' (Japanese pornographic painting) of bride hand-drawn on thin silk with natural mineral pigments, 1930s, 46 x 41 cm (18.11 x 16.14in). Fold in the lower right corner. Roll it up into a tube for the shipment.


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SALMON

Anonymous vintage Japanese oil painting on paper board, Showa period, 20th century, 45.4 x 37.7 x 0.3 cm (17.87 x 14.84 x 0.11in). Aged deterioration with stain, paint-peeling, rips, damage, etc. as is as seen.


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This is a Japanese antique textile indigo dye cotton narumi-Shibori kimono meiji　period. This is a very rare and beautiful item created using 11 different Narumi Shibori techniques. Hand-spun cotton fabric is very thick. There are some very small stains, but they are not noticeable. Condition is good with no damage. Size: Length 153cm / sleeve to sleeve 141cm

Green lead glazed oil lamp or candle stand from the Han Dynasty. In excellent condition with no damage, there are still traces of the classic silver patina as may be seen in enlargements. H: 13.5cm/5.3in and D: 10.5cm/4.2in.

Rare soy brown glazed stoneware vessel made in the shape of a grain silo. This basic style are well documented in Qingbai wares but this is the first I have seen in a brown glaze, also it has a fence going around the base which is quite unusual. It is in excellent condition with no repairs, cracks or fritting of the glaze and it is unusually large. H: 24cm/9.5in and D: 18cm/7in. It reminds me a lot of a Jizhou glaze but this seems heavier and more stable.

A dynamic floral pattern in pale blue and white on pink by Kiyomizu Rokubei V showing the developmental stage of his iconic Taireiji works. Undeniably Taireiji was the most important development by this innovative artist, and pieces are exceedingly rare. It is 19cm (7-1/2 inches) diameter, 27.5cm (11 inches) tall and in excellent condition.
Kiyomizu Rokubei V (Shimizu Kuritaro, 1875-1959) initially studied painting and decorating technique under Kono Bairei, one of the foremost painters i...

Invisible from the top, glimmering stones catch the light in the raw cracked clay on the outside of this dark earthen bowl by Ogawa Machiko enclosed in the original signed wooden box titled Yami to Sei (Darkness and Stars) Chawan. A beautiful bowl showing the artists fascination with the combination of smooth crystalline surfaces and raw matte clay. The interior is glazed, while the outside is raw clay. It is roughly 15.3 cm (6 inches) diameter, 8 cm (3-1/4 inches) tall and in excellent conditi...

The inside of this bowl has been glazed, the exterior left in raw clay before the entire was dipped in white gold, creating a stark contrast between inner and outer surfaces by Ogawa Machiko enclosed in the original signed wooden box titled Hakukinsai Hachi. It is 14.5cm (just under 6 inches) wide 8cm (3-1/4 inches) tall and in excellent condition.
Ogawa Machiko was born in Sapporo on the Northern Island of Hokkaido in 1946. She studied under future Living National Treasures Fujimoto Yo...

Japanese antique small 6-panel screen painting of five cranes flying over waves as the sun rises in the distance. Painted in mineral colors with gold flecks on paper. Signature: Morifusa.

Age: Showa Period Mid 20th Century

Dimensions: 22 1/2" high x 62 1/2" long

An unusually small creamer, Chinese export porcelain from the Qianlong period, c 1770. Decoration in the European taste of scattered flowers, a thin lattice border and garlands. Height "3 1/3/ 8.5 cm. Condition: a professional restoration is visible near the beak where the decoration is restored with exactly the same enamels as the original (cf. pics).