An emerald tear clings to the lip of this fabulous sake flask by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Tokkuri. It is 9 cm (3-1/2 inches) diameter, 13.5 cm (5-1/2 inches) tall and in perfect condition, directly from the artist. .
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Resea...

Ash flows through and fills the deeply crevassed surface of this closed bottle form by Furutani Hirofumi (Churoku II) enclosed in the original signed wooden box titled Shigaraki Shizen-yu Kuchi Jime Yohen Hanaire. All one must do is turn it a few degrees to get a new aspect or a new point of contemplation. Shinshoku, blasted green, olive fingering, and charcoal black all studded with the famous Shiseki of Shigaraki. It is 18.5 cm (7-1/2 inches) diameter and in excellent condition, directly fro...

Cosmic rays flow away in a burst of green over the twilight color of this vessel by Furutani Hiromu (Churoku I) enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. The entire vase seems to be covered in ashen gray over which the vivid green glass has flown, forming rivulets leading to a single crystalline drop on the opposite side. It is 22 cm (9 inches) diameter and in excellent condition, directly from the artist.
Furutani Hiromu (Churoku I, 1922-2012) Fa...

A starkly traditional tsubo showing off the plethora of effects garnered from the inferno in an Anagam kiln by Furutani Taketoshi titled simply Shigaraki Shizen-yu Tsubo. It is formed in a medieval fashion with small foot growing in stages to a round wide shoulder, which then pinches to a small neck with pinched mouth. The coloration is fabulous, with rich greens fading to olive to crusty black on the blast side, while the natural clay dusted with flying ash shows off the quintessential shisek...

A looping handle of natural bound vine rises from lugs high up on this flattened bottle by Furutani Hirofumi (Churoku II) enclosed in the original signed wooden box titled Shigaraki Shizen-yu Tsurutsuki Hen Hana-ire. On flat side is burnt dark with starlight white spots twinkling between shell impressions and rivulets of crystalline green. The other is a smorgasbord of color, from textured black to emerald to all shades of olive and orange. Between rages a battle for space between the two aes...

An unusual lidded vessel in the shape of a clay pitcher beautifully patterned with natural ash glazes by Furutani Churoku I enclosed in the original signed wooden box titled Shigaraki Shizen-Yu Dobin Hanaire. This looks like something drawn from a literati painting, a scholar seated with his brushes and ink beside a table upon which tea cools, the tall pot promising refreshment. The glaze lies heaviest between the handle and spout, dribbling down into the ember blackened ash deposits below, wh...

A voluminous vessel glowing with hi-iro flame color by Furutani Hirofumi (Churoku II) enclosed in the original signed wooden box titled Shigaraki Hi-iro Tsubo. This piece comes from deep within the kiln, far from the ash deposits in front, and the pale clay is altered by the heat and touch of the inferno as it rushes through the vortex, the path and shadows of other pieces leaving various patterns on the surface. It is 32 x 34 x 31 cm (13 x 14 x 12 inches) and in excellent condition, directly ...

A secret technique is used to induce the wide cracking which does not penetrate the sides of this Tsubo wrapped in fingers of natural ash glaze by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yabure Tsubo. Green ash viciously assaults one side, the color spreading out over the surface, overshadowing the darkness where it was buried in the embers, and wraps around the body in streaks of color leading to shell impressed eyelets on a surface burnt orange...

Every surface of this large tsubo by Furutani Taketoshi has been cut away in ascending and descending chevrons down the fire side of which crystalline glazes form in pools where the descending chevrons meet. On the fringes of the blast of ash are various shades of red while opposite shiseki inclusions bubble out from the raw pale clay. It is 32 cm (13 inches diameter) 37 cm (15 inches) tall and in excellent condition, enclosed in the original signed wooden box titled Shigaraki Shizen Yu Shinog...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...

Eclectic strand of spherical wood, cylindrical bone and wild boar's incisor tooth beads, from the Naga or possibly Chin ethnic group in Myanmar. Some of the bone beads have been dyed to resemble pumtek heirloom beads, maybe using wax resist method. These were collected in the 1980s and had some age at the time so I will date around 1960. Total L: 71cm/28in. Free shipping via Hong Kong Registered Airmail.

Chinese fan painting of two cats by the artist Xu Beihong. The cats, one with eyes wide, the other asleep, crouch on a rock under a leafy branch. Xu Beihong (1895-1953) was born in rural Yixing, Jiangsu Province. His father was a private school teacher and Xu began painting at the age of 9. He traveled to Tokyo to study art, returning to China to start teaching at Peking University Arts School. Throughout his lifetime he traveled extensively, studied, taught and exhibited throughout Eur...

An antique Korean money chest or trunk made entirely of heavy Red Pine wood. All hand forged iron hardmounts and fittings. Strong box design to withstand the heavy weight caused by the storage of coins.

Age: 19th Century (Yi Dynasty)

Dimensions: 42" Wide by 16 1/4" High by 20" Deep

A vintage Chinese Huanghuali coffer table with one drawer and a pair of doors. Key fret design on the apron front. Doors open to two removable shelves. Brass mounts.

Age: Mid century 1950's to 1960

Dimensions: 31 1/2" Wide by 29 1/8" High by 13 1/4" Deep

Chinese painting of a beautiful lady with a fan by Zhang Da-Qian (Chang Dai-chien) the famous 20th century artist, 张爰 Zhang Yuan (1899-1983). Painted in ink and light colors on paper. A beauty in a white dress leans demurely on a rock, a fan resting on her chin. One of the best-known and most prodigious Chinese artists of the twentieth century. Originally known as a traditionalist painter, by the 1960s he was also renowned as a modern impressionist and expressionist painter. When he was y...

An antique Chinese altar table made of Huanghuali wood with a work surface incorporating a cloisonné insert. Cabriole legs with claw feet each holding a ball leading up to the mitered corners profiling the Fu Dogs. Central carved image on the front and back shows the Fu Dogs. Scrolling vines throughout the apron with an archaic Ching dynasty key fret below which are lotus petals surrounding the table. The Cloisonne surface features the 7 Buddhist symbols among an arabesque design of lotus ...

Chinese painting of a temple on a mountain top near a waterfall by Zhang Da-Qian (Chang Dai-chien) the famous 20th century artist, 张爰 Zhang Yuan (1899-1983). Painted in ink and using his signature technique of blue and green mineral colors in a wet-on-wet technique. One of the best-known and most prodigious Chinese artists of the twentieth century. Originally known as a traditionalist painter, by the 1960s he was also renowned as a modern impressionist and expressionist painter. When he was...

An antique Indian celestial maiden wood carved panel. Shown holding a conch shell in the left hand and an ax in the right hand. Originally displayed outdoors in a Hindu temple.

Age: Early 1900's

Dimensions: 11 1/2" Wide by 31" High by 3 3/4" Deep