Rice bag made of fragments of hand-spun cotton with stripes, katazome (stencil-resist-dye) and checks, all vegetable indigo and brown dye. The cord is cotton. Kome-bukuro was used when people dedicated rice to temples or shrines. In excellent condition except for several mending. The first half of the 20th century. W:44cm, H:33cm

Boro hanten noragi made of cotton with stripes and plain which are vegetable indigo dye. It has two layers of cloth and sashiko all over. The shape of sleeves is "makisode. The frist half images are inside out. The first half of the 20th century. 128cm x 87cm

This is beautiful Japanese bronze okimono young mother and baby. The okimono stand 12 in height 22.5 in very large and heavy It has very peaceful subject with nice detail from Meiji era singed in the square box in Japanese. Possibly Toryudo Seimin zo If you have any question please let me know Only take PayPal payment Shipping cost will be provided with your shipping address Thank you

Height: 14.6 cm (5.8 in)
Width: 6.4 cm (2.7 in)
Depth: 4.6 cm (1.8 in)

Quality Chinese carving of a Sage, modelled sitting on an old tree stump whilst holding a ruyi sceptre; old polychromed decoration worn to exhibit a fine patina; natural material; pegged on its original timber stand; age wear present; good condition

Art deco free flowing Japanese bold style 'wagumi' bamboo flower basket. Not signed but definitely a masterpiece. Ca. 1930. Bamboo inset with lined copper. H:42cm; W:29cm. Great condition. Ask for shipping quote.

An antique Japanese Jingasa with gradual domed top with black Urushi and a raised lacquer design of a flying dragon surrounding the top. Underside is red Urushi. Family crest in gold on top and bottom of helmet. Bronze ring Tama Buchi. Worn by the samurai class in feudal Japan, as well as their retainers and foot soldiers.

Age: Edo Period (1603-1867)

Dimensions: Jingasa only 17" diameter by 3 1/2" high. Jingasa on stand 21" high by 17" wide by 7" deep.

Meiji (1868-1912) Japanese Meizan Zo Satsuma Earthenware Natsume Tea Caddy Marked

It is 3.5 inches (8.9 cm) tall by 2.5 inches (6.3 cm) wide.

It has stains, rubbing of gold, and wear (as seen in the photos).

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Large Chinese Qing Dynasty Carved & Painted Pottery Floral Tile

This decorative pottery tile was made during the Qing Dynasty (1644 - 1912). It is made from a dense grey pottery. The surface has been carved with an attractive floral design featuring two flower blossoms within a circular border. It has been cold-painted with various coloured pigments. It would once have been part of a series of similar tiles adorning a wall.

It is quite large, measuring around 27 cm (10.5 inches) square. ...

Large Chinese Qing Dynasty Carved & Painted Pottery Floral Tile

This decorative pottery tile was made during the Qing Dynasty (1644 - 1912). It is made from a dense grey pottery. The surface has been carved with an attractive floral design featuring leaves and a flower blossom within a circular border. It has been cold-painted with various coloured pigments. It would once have been part of a series of similar tiles adorning a wall.

It is quite large, measuring around 27 cm (10.5 inches) ...

Chinese Eastern Han Dynasty Glazed Pottery Jar (AD 25 - 220)

This pottery jar of "hu" form was made during the Eastern Han Dynasty (AD 25 - 220) and comes from Shaanxi province in the northwest of China. It is made from a relatively highly-fired reddish pottery and is particularly "heavily-potted". Unusually, other than being glazed, there is no other decoration. The outer surface is coated in a thin pale greenish-brown glaze, the colour of which varies a little in places. The flat base has ...

Chinese Eastern Han Dynasty Glazed Pottery Jar (AD 25 - 220)

This pottery jar of "hu" form was made during the Eastern Han Dynasty (AD 25 - 220) and comes from Shaanxi province in the northwest of China. It is made from a relatively highly-fired reddish pottery and has simple incised decorative bands surrounding the jar at its shoulder. The whole surface, including the base and inner mouth, is coated in a thin pale amber-coloured glaze that is very finely-crackled. The flat base has marks wh...

Chinese Eastern Han Dynasty Glazed Pottery Jar (AD 25 - 220)

This pottery jar of "hu" form was made during the Eastern Han Dynasty (AD 25 - 220) and comes from Shaanxi province in the northwest of China. It is made from a relatively highly-fired reddish pottery and has simple incised decorative bands surrounding the jar at its shoulder. The whole surface, including the base and inner mouth, is coated in a thin pale amber-coloured glaze that is very finely-crackled. The flat base has marks wh...

Chinese Jin Dynasty Pottery Tile - Entertainer (AD 1115 - 1234)

This moulded and "heavily-potted" pottery tile was made during the Jin Dynasty (AD 1115 - 1234) and has been excavated from Shanxi province in the northern region of China. Theatre, opera and music was immensely popular during the Jin Dynasty and in recent years various pottery tiles have been excavated depicting a whole range of musicians and characters from various musical and artistic performances. 

This particular tile ...

Kitagawa Utamaro (1750s-1806)
The right panel of the triptych, Twelve Courtesans of the Ogiya (Brothel) on Display
Date: 1806, 6th month.
Size: Visible image: 15 x 10 inches. Board size: 16 x 11.75 inches.
Publisher: Omiya Gonkuro
Signed: Utamaro hitsu.
Censor's seal: Kiwame
Catalog references: Ukiyo-e shûka 3 (1978), list #316.1-3; Ukiyo-e shûka 12 (1980), pls. 192-4; Shibui, Ukiyo-e zuten Utamaro (1964), 20.3.1-3.
Medium: Japanese woodblock print.
...

A set of shishi guardian carvings from high up on the front of a Buddhist temple, each cut from a single block of wood with fore-paws extended in a leaping motion and vicious snarls. Each is roughly 30 x 30 x 24 cm (12 x 12 x 9-1/2 cm tall and in overall excellent condition. These date from the Edo period.
Shishi guardians, also known as Komainu or "lion dogs," have a long history in Japanese art and culture; iconic figures often depicted in pairs and placed at the entrances of shrines...

This is beautiful Japanese Satsuma koro stand 4 1/4 in height 5 2/4 in diameter is in very good condition with No damage. No hair line chip or damage.only some old age gold wear The koro has master hand painted work use a lot of gold with very fine detail If you have question please let me know Only PayPal payment use Shipping cost will provide with your shipping address Thank you

This is beautiful Japanese Satsuma incense koro 5 2/4 iin diameter x 4 1/4in height ; The koro has master hand painted work with a lot of gold.condition I’d very fine only has age gild wear no chip or repair.if you have any question please email Thank you

A rare large work blasted with natural ash glaze by Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Kama-shizuku O-Tsubo. The rim is crusty and shows Shinshoku (degradation from the flame) a testament to her infamously long firing times. The front is coated in a flow of green and olive ash, while on the raw earth of the back a single drip (shizuku) from the kiln roof has landed as a colorful accent. This rare teardrop of the fire god is highly prized among c...