The size of Large Imari Bowl: 15 1/8" Dia x 5 1/2" High, 38.5 cm x 14 cm
This is top quality Japanese Ko Imari Porcelain Bowl from early Meiji
Period, 1868-1912, circa around 1860-1880's. It has main background
design of Kasane Noshi and Dragon design. Noshi is happy blessing
symbols Ribbon design for the well wish when peoples getting marry.
More Noshi you have more blessing you are getting happiness.
There also total 8 crane origami design decorated in the Noshi...

Additional Photos for Fine Japanese Ko Imari Bowl with Noshi Designs

Full compassion, gentle granite stone jizo buddha in prayer gassho. Lovely facial expresion. Ca. 1950. excellent condition. Ask for shipping quote. 11" tall x 6" wide x 5" deep.

Very rare and unusual bronze zen temple gong Ca. 1930. 26cm tall x 34cm long. excellent condition. Very good sound with striker. Ask for shipping quote.

An exquisite lacquered box covered in gold powder prominently bearing the imperial crest given as a gift to Baron Nakamura Satoru in Meiji 44 (1911). According to the inside of the lid this box was created for the Meiji emperor and given in gratitude to the Baron for his support in creating the Keanfu memorial for fallen soldiers of the Russo-Japanese war. The box is an exquisite example of Imperial splendor featuring leaves tinged with kiri-gane gold inlay over powdered gold on a surface dust...

A rare Edo period porcelain covered dish attributable to the Nanki Otokoyama porcelain tradition of the Southern Kii peninsula (modern day Wakayama) under the patronage of the Kii branch of the Tokugawa family. Outside the dish is expertly modeled in the shape of a sea bream, a fish known as Tai (or Madai) in Japanese. The fish is associated with celebration, not only because of its festive red color, but also as the name Tai is a homonym for festivity. Cranes soar inside both the lid and base...

An unusual woven basket of bamboo strips and roots in the shape of a cocoon or bird nest dating from the 20th century. It can be used flat on a table or even better suspended on the wall or pillar. It is 43 cm (17 inches) long and in excellent original condition.

A smokey yellow bowl impressed with various floral images dating from the Edo period made up of various ancient kiln shards put together with lacquer and silver in the Kintsugi technique. The bowl is 11.5 cm (4-1/2 inches) diameter, 8 cm (3-1/4 inches) tall and comes wrapped in a contemporary silk pouch in an age darkened kiri-wood box.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi. Yobitsugi is a form of kintsugi that entails combining pieces of ...

Bats, symbol of good fortune, flit over the sunset surface of this Ki-seto vase by Kato Sakusuke enclosed in the original signed wooden box titled Kiseto Kabin. An inscription inside begins Fukuju ? Zu (Lucky ? Image) and appears to be dated 1919 in the 60 year cyclical Zodiac calendar (possibly 1859). This is followed by the signature of a painter who also signed and dated the vase, indicating Sakusuke made the vase, while another artist provided the decoration. It is 31 cm (12 inches) tall a...

A sagar or kiln shelf support covered in running green and iron glaze from the Edo period kilns of Tamba. The super-heated clay has sloughed off on one side, where it is likely the kiln shelf may have collapsed allowing it to cool in this unusual way. It stands on three legs of soft clay which are affixed to the bottom to keep it from sticking to the shelf below. The owners kiln mark is in the side, and it is very possible this was from an Edo period communal kiln firing, where each potter wo...

A rare large vase by Kanzan Denshichi decorated with a hermitage in the hills and a poem extolling the beauty of summers first rain by Kanzan Denshichi enclosed in the original signed wooden box bearing the Shountei seal, dating it between 1871 and 1890. It is 34 cm (13-1/2 inches) tall and in excellent condition.
Kanzan Denshichi (1821-1890) was born in the ceramic-producing area of Seto. He worked at the Koto kiln of the Ii family in the Hikone domain, moving to Kyoto when the kiln cl...

A Chinese bronze lobed slender pear-shaped flower vase. Yuan dynasty, c. 14th century, with unusual mask handles and good even dark patina. Height 9.5in., 24 cms. Provenance: The collection of Simon Digby (1932-2010), noted Asian Art historian, Jersey, Channel Islands.

A fine root wood figure depicting an aged Daoist Immortal, holding a ruyi scepter in one hand and standing on a high rock surrounded by waves in an imaginary sea . The head of the Immortal is partly carved while the body and partly the stand are naturally shaped. Made of two parts fixed together. Ming Dynasty, 17th cent. H. 20,5 cm. Condition: very good patina with some wear .

Geese and Reeds Painting (Noando) on fine silk mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'ol...

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Wooden bowl with the remains of coagulating black lacquer and the spatulas. 1970s, Japan. D 22 x H 10 cm (8.66 x 3.93in).


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A Japanese stoneware sake bottle, tokkuri, probably from the Inuyama kiln in Maruyama, Owari Province.

The kiln is noted for overglaze enameling introduced by Dohei in 1835 and the gourd-shaped bottles decorated with maple leaves are perhaps the best known of all. This example is decorated with coloured branches and Ming dragons set within a frame of red lattice. The body is stoneware covered in a finely crackled clear glaze.

This is a genuine old bottle, in overall good state ex...

A Japanese water dropper in the form of a karashishi. It has a fine patina with the surface smooth from handling and darkened in places from accumulated grime. Inscribed signature on the base, unread. Probably 19th century.

Approximately 7.5cm long., 6.5 cm high. Perfect condition.

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An antique Japanese Kotansu (personal storage chest) made entirely of Kiri (Paulownia) wood. All original bronze hardware with replaced drawer pulls. Two hinged doors open to a storage space for books and documents with removable shelves and small drawers below. Constructed using straight dovetail joinery and hardened wooden nails.

Age: Late Meiji Era (1890-1910)

Dimensions: 24 3/4" Wide by 18 3/4" High by 12 1/2" Deep