Tall Chinese lacquer cabinet with red sides and black front, hand painted with an assortment of gilt butterflies and flowers. Its front features two front opening doors with center locks and two drawers with ring pulls, with interior shelving. Early 20th century. Size: 67" height, 31.5" width, 17.5" depth

Antique Japanese kannon biraki tansu, made with keyaki (elm) and hinoki (cypress) wood. Interior has four storage compartments. Top and sides have the same kanji marking burned into the wood. Beautiful, original finish. Very unusual. Size: 25.75" height, 23" length, 10" depth

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Mandalay Period, 19th Century
Measurement: Height 57.6 C.M. / Width 29 C.M. (size excluding stand)
Condition: Intact with original condition. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Located at the foot of an active volcano, the Ougaku kiln specializes in a type of pottery know as Sakurajima-yaki. The kiln is headed by Hashino Midori and run entirely by female potters who strive to infuse each piece they produce with the “energy” of the surrounding environment. Pieces such as the one featured here are made from volcanic ash and mineral-rich onsen spring water giving them a unique luster that is difficult to reproduce. In addition, each pieces is made by hand, one-at-a-ti...

An attractive pair of antique Chinese porcelain plates, each hand painted with a large, leaping blue carp with russet colored cross-hatched scales. The carp was an auspicious fish in China and a symbol of perseverance and success, often applied to success in business enterprises and state examinations. In excellent condition (no cracks, chips or hairlines), this pair of deep-dish plates would have served as large shallow bowls as well. Dating from the Yongzheng to Qianlong Periods (AD 1723 - ...

Chinese scrolled painting executed in ink and color on silk with two beauties seated in a garden setting. Two vertical rows of sumi ink calligraphy and a red square seal are at the upper right. A rough translation of the inscription is: It doesn’t take a saint to play musical instruments. I have to call you a lady, Bo Ya. Bo Ya was a famous musician who lived during the Spring and Autumn Period of the Eastern Zhou dynasty. The painting is dated in Chinese cycle years to 1935 (Year of the ...

Japanese antique isho tansu (clothing storage chest), made with chestnut wood drawer fronts and sugi (cryptomeria) wood frame, beautiful deep reddish brown lacquer finish on the drawer fronts and the sides and top of the chest, the frame on the front of the chest is lacquered black as is traditional with Fukashima area tansu. Iron hardware inlcudes large round lock plates and warabite shaped drawer pulls. The chest has four large drawers and two small drawers in the lower right hand corner....

Paul Jacoulet
Tatooed Woman of Falalap, West Carolines
(Femme Tatouée de Falalap Ouest Carolines)
Date: July 5, 1935.
First edition: 91/150 numbered in kanji. Fewer than 100 impressions produced.
This edition was issued without a title. The title label at the lower right was added by the original collector.
Size: Approximately 19.50 x 13.75 inches.
Jacoulet signature and watermark with mandarin duck seal.
Seal of carver Yamagishi.
Reference: "This print...

This lovely white Hagi chawan rests firmly on a wari kodai or “split foot.” The crackled milky glaze varies in consistency across the curves and contours of the bowl with some areas tending towards a faint brown, adding an interesting dimension to the landscape.

The creator of this piece Matsuura Mugen (1944 - ) has spent his life in the pursuit of perfecting the art of Hagi. In his formative years as a potter, he was fortunate enough to study under Living National Treasure Miwa...

Description:A beautiful and rare imperial famille-rose crane-medallion porcelain bowl and saucer, the bowl decorated to the exterior with seven roundels of crane-medallions in purple red enamel, between bands of crosshatched pattern around the rim and blue and green breaking sea waves above foot rim, centre of the bowl finely painted with a single peony flower and leafy branches enclosed within blue-circles. The interior of the saucer was decorated with the same patterns of the roundles. Both of...

A rare gilded and lacquered wooden statue of Buddha from the Ming Dynasty. Size: H.17.5cm. W.At the base. 9.3cm. Condition: No repairs. Some of the gilding has gone and the right hand is missing. See last photo.

Wonderful and large Chinese Medicine Bronze Buddha, mounted on an aesthetic wooden custom stand with the effect as if it was pending above the stand.

The right hand is held facing downward with fingers extended toward the ground, palm facing outward toward the viewer, a bowl of herbs rests in the left hand upon the lap. It is believed by the Tibetans that the Buddha was responsible for delivering the knowledge of medicine to the people of the world, and in fact the right hand fa...

Wonderful and large Chinese Bronze Buddha, mounted on an aesthetic wooden custom stand with the effect as if it was pending above the stand.

The buddha has a serene and meditating expression. The statue is hollow inside.

It dates from the 19th century, and the display stand was added in the middle of the last century by our family.

It is in very good antique condition with some traces of age. Smaller areas of the veneer have come off in a few places on the c...

This simple and elegant green porcelain vase was made by a student of Kiyomizu Rokubei (VI) who was well-known for creating fine porcelain pieces modeled on ancient Chinese forms.

Kato Keizan I (1886-1963) was born in Tajimi, Gifu prefecture but later moved to Kyoto and opened a kiln in Gojozaka in 1912. He specialized in Longquan style celadon ceramics—often referred to as "tenryuji seiji”—and the bulk of Keizan's work closely approximated the style of the Chinese Yuan to Min...

A striking porcelain double gourd vase by the eminent Kutani potter Matsumoto Saichi V The tall shape has four raised ribs on the matt buff/white glazed body, the bottom gourd boldly painted with sets of green stripes on a tan ground. The buff/white glaze is curious, on close inspection it looks like crushed oyster shell. Signed on the base. The vase comes with its original signed and inscribed box.

Approximately 31.7 cm high. The vase and box are both perfect.

Matsumoto Saich...

An Indian stone surahi expertly turned on a lathe from a single piece of black steatite, a variety of soapstone. It is beautifully made and very light, displaying the remarkable hollowing performed by the artisan. It relates directly to bronze and brass versions from the 18th century. With this flask is a turned alabaster bowl, also elegantly made, that has a curious slightly domed bottom. The bowl perhaps dates from the 19th century. Given the nature of the materials used these are both rare i...

Takahashi Shotei (1871-1945)
Rain at Igusa
Date: Pre-1923 earthquake. Muted color version with full title.
Size: Mitsugiri-ban. Approximately 15.25 x 6.5 inches.
Publisher: Watanabe Shozaburo.
Reference: M-76 in Shotei catalog.
Provenance: From the collection of Canadian missionary Sybil Courtice, who was in Japan from the early 20th century up until WWII.
Medium: Japanese woodblock print.
Note: Blocks destroyed in 1923 earthquake.
Condition: Excell...

Chinese antique large lobed bowl, made of heavy copper and enameled with raised repouse design of flowers and scrolling vines on the outside and with lovely yellow enamel on the inside. The enamel work on the flowers is delicately done with lovely colors on a yellow ground to match the inside of the dish. The stand is made of hardwood and intricately carved with elaborate details and long curving legs. 18th/19th century. Size of the bowl: 2 1/2" high x 15 1/4" long x 10 3/4" wide. Size o...