A beautiful 19th C. Chinese rose canton porcelain mug with flower birds & people scene in excellent conditions. H: 14cm $385

Early 19th Century or Late 18th Century Chinese White Jade Carved Plaque with Cloud & Lily

It is 3.1 inches (8 cm) in diameter and 0.2 inch (0.5 cm) thick. It is 44.9 gram.

It has flea bite chips, inclusions, and surface wears (as seen in the photos).

Some of the photos were taken under the sun.

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Wa-sarasa futonji made of cotton and dyed with pigments. Wa-sarasa is Japanese calico which is first made in Edo period immitating calico from abroad and stencil-resit dye or woodblock print. The product places were Nabeshima (Saga Pref. in Kyushu), Sakai (Osaka), Nagasaki (Kyushu) etc, however it is not clear where this futonji was made. In excellent condition. The latter half of the 19th century. 130cm x 168cm

A set of rare and complete Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves. There are small holes on every leaf to put a string to bind ...

A well made Tang dragon handle vase .The vase has two well made dragon handles with a gargoyle type face on the body of the vase with an unusual glaze. Size: H.30cm. W. 17cm.

A Rare Han Dynasty large oval glass bead in shades of very pale blue to dark sky blue. Most of the front side of the bead has developed an intriguing beige patina. There are bi-toned (dark green & light blue) curvey line designs which are imbedded in the glass surface. The light blue line is now iridescent with age. The bead has two holes in the center for stringing.

Han Dynasty .

Size: Length = 5 cm, Width = 3.6 cm

Condition: Very good.

A Japanese Mokugyo wooden temple bell, carved from kusunoki (camphor) wood in the form of a lifelike human skull. Used to accompany chants (sutras) in Taoist and Buddhist ceremonies. The base of the skull is signed "Bononshi", with matching tomobako.

Dimensions: 5 1/2" x 4 1/4" x 4 1/2" H

This experimental work by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl. Described on the box as a “Kiretsu-mon” (ki = turtle, retsu = cracked, mon = design/ crest), according to Hiramatsu, his inspiration for this piece, and a number of others came from an ancient form of sea life known as an Ammonite—a large spiraled mollusk who’s shells are often found fossilized today. The inside of the bowl is ...

Japanese Antique keyaki (em) wood isho tansu (clothing chest) from the Sendai area. Top portion of the chest has two small drawers (a rare configuration). There are 7 exterior drawers of various sizes and a safe box with a hinged door (with key) covering three small interior drawers. Hardware includes large lock plates with chrysanthemum mon and ornate pierced carved leaves.

Meiji Period (1868-1912)

Dimensions: 35" high x 46 3/4" wide x 17" deep

Antique Japanese two section clothing tansu, constructed of Kiri (paulownia) wood with hand-forged iron hardware and plates. The upper unit holds two drawers with two iron pulls each. The lock plate of each drawer overlaid with brass turtle and kiri leaves. The lower unit holds two staggered larger drawers with small safe door.

Meiji period (1868-1912)

Dimensions: 37 1/4" x 16" x 39 3/4" H

HUMAN-FACED STONES 2pc.

Stones with such unique carving faces buried in the ground as the talisman for the ground-breaking ceremony before building house as the traditional Timor customs. Age unidentified. approx. 5 x 3.5cm (1.96 x 1.37in)


selected by Jinta




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Japanese inro with a large standing bull, frontally positioned with head lowered and looking ahead at the viewer. From the ring in his nose is a rope leading off to the side. The reverse image is a scene, entirely in gold lacquer, of rolling hills and pine saplings in the foreground. The inro opens to reveal a compartment lacquered red on the inside with a small removable inset tray.

Meiji Period (1868-1912)

Dimensions: 2 3/8" high x 3" wide

Antique Japanese choba tansu (merchant's chest) with negoro lacquer finish (distressed red and black lacquer). Made of sugi (cryptomeria) wood. This chest has 10 drawers of various sizes and a compartment opened by sliding panels with one interior shelf. Extensive iron hardware includes round lock plates and warabite shaped drawer pulls. From the Matsumoto area of Japan.

Meiji Period (1868-1912)

Dimensions: 41 1/2" high x 31 1/2" wide x 14" deep

Japanese cloisonné bottle form lidded vase on a Satsuma earthenware substrate with "kidney bean" cloisons decorated on the body with three cartouches (a five-petal flower, a kidney bean, and a fan) all filled with leafy flowers and set against a blue ground. Alternating triangle forms, each holding a single flower, encircle the shoulder and mouth. The neck holds scattered flowers on a tan ground. The lid is decorated with a flowers. Meiji period (circa 1870s). 10 1/4” high to the top of ...

his is a wonderful Japanese Cloisonne lidded bowl, done in the Plique A Jour style. Lidded bowls like this are very difficult to come across. The piece is fairly large in size measuring 4 7/8" across and is 3 1/2" tall. An array of colorful and bright flowers and leaves decorate this exquisite bowl both top and bottom. The enamel is very thick and the decorations appear to have layered over top of the translucent inner layer. . It stands on 3 enameled and silver feet. Tarnished outside rims are ...

A rare work by Sodeisha founding member Yamada Hikaru of a torn vessel engraved with enigmatic characters. It is 18 cm (7 inches) diameter, 26 cm (10 inches) tall and in excellent condition.
Yamada Hikaru (1924-2001), was born into the family of layman potter and priest Yamada Tetsu, and raised in Gifu after the family home was destroyed in the Great Kanto Earthquake. At the age of 20 he entered the Kyoto ceramics research facility, 15 years junior to those who had inspired the great Mi...

The Choraku line of potters began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association. Red Raku chawan are a favorite of tea enthusiasts and seem to have a face for every mood. In the right light they may appear like an amber sunset on the horizon. In another light, like lanterns moving through a misty field. Ak...

A trio of sculptural forms by Takano Moto-o dating from the formative years of modern Japanese crafts at the height of Sodeisha influence in the 1960s. These are being offered as a group for one price. One is distorted, like an apparition, or the world seen through an old pane of glass. The second is like a flute licking back; both in pure white. The third is a square basin with handles decorated with a geometric pattern. The piece on the left in the group photograph is 10 inches (26 cm) tal...