Small statue of Buddha depicting an important stage of his life when, still as Siddhartha, he sat meditating for a long time almost without eating and became emaciated and close to death, before realizing that the way to seek the Truth was not to torture oneself. Siddhartha, with an aureola at the back of his head, sits on a semi-circular throne with a vajra in relief on its front. Gilt copper, with a fine patina. Tibet or China, 19th century, maybe earlier. Height: 8.5 cm. Gilding partly missi...

An Annan pottery tea bowl for use in the Japanese tea ceremony from the kilns of 15th-16th century Vietnam enclosed in an age-blackened kiri-wood box. The crackled pale glaze is decorated with a band of blue frets about the rim inside, a decidedly modern design of droplets descending in beads down the outside typical of early Vietnamese decoration. The remnants of a kinran gold infused cloth bag remain for wrapping the piece, the outside layer is in tatters, but the inside brocade is still supp...

A beautiful necklace made from an assortment of ancient carnelian and some stone beads from China. Size: 60cm.(24 inches) end to end.

Painting of Monkey Reaching for the Moon's Reflection in the Water by Renowned Korean Buddhist Monk and Painter Su An Sunim (born 1940), from the ancient Buddhist parable of the monkey reaching for the moon's reflection in the water. The recent exhibition of Su An Sunim's work at the Zen Buddhist Temple in New York City was the most highly-attended exhibition ever presented by the Korean Art Society. At that exhibition, Su An Sunim's works of similar size and quality sold for multiples of the pr...

Rough stones can be seen protruding from the unrefined ferrous clay—darkening near the base and graduating to a lighter shade as it approaches the feldspar laden lip. The inside—also covered in a smooth and viscous feldspar glaze—creates a magnificent contrast with the rough exterior. This piece represents one of Handeishi’s finer works from his later period; and, taken on its own merits, is an exceptionally fine example of Iga-ware—traditionally produced in the famed potting region so...

The lower half of a blackened enso dips from the rim on a backdrop of gray crackled glazing interspersed with auburn highlights. Rising up from below into the enso, frothy waves crash on rocks giving the impression of movement, power, and the indomitable forces of nature.

Born in Gifu Prefecture in the region known for Mino pottery, Wakao is the quintessential example of a self-taught potter who cultivated a unique style and achieved wide recognition despite no formal training. Afte...

Chinese Qing dynasty 18th century stand for bronze censer or incense burner with xuande mark. Good conditions. 14,3 cm diameter. 2,3 cm high. 11,3 cm diameter inside .

A Boro Futon cover textile of sewn together bits of worn out indigo dyed fabric 160 x 204 cm (63 x 80 inches ). Go-haba (five widths)

Height approximately 22 cm. In good condition.

Height approximately 24 cm. In good condition.

Height approximately 44 cm. Width approximately 26.5 cm. A small hole has been repaired at the body. In good condition.

A very rare and important teak Temple chest with beautiful gold leaf relief design of Buddha with his adoring subjects. Age: 18th century. Size: L. 77cm. W. 40cm. H. 46.2cm. Condition: No repairs. Some small loss of the gold leaf which is common for the age.

Japanese 20th century carved and painted wooden rat by KATO TOMOHIKO (1938-). KATO TOMOHIKO is a NITTEN artist. Signed TOMOHIKO. Comes with TOMOBAKO, original wooden artist signed storage box. The rat measures 10" long, 3 1/4" tall and 3" wide.

Japanese early Showa Period comb. The comb has the design of traditional Japanese bells with red cord attached. The bells are done in high relief, one in silver lacquer one in gold lacquer and the third in bluish-green shell inlays. The comb is signed by artist. The comb measures 4 1/4" wide, 2 3/16" tall and 7/16" thick.

Japanese 20-21st century large ceramic vase by Ito Shin. Ito Shin was born in Chiba, Japan in 1952 and has lived in worked in Mashiko in Tochigi Prefecture. He studied under KIKUCHI AKIRA, another Mashiko artist. He is a member of the DENTOKOGEIKAI, or traditional arts guild and also the Japan Ceramics Exhibition and has been selected to exhibit in these shows since 1977. Signed by artist on bottom. The vase comes with TOMOBAKO, or original artist signed wooden storage box. The vase measures 10 ...

Japanese early 20th century bronze OKIMONO of a peacock by TSUDA SHINOBU. (1875-1946) Signed DAIJU on back of piece. Comes with original artist's box. The OKIMONO measures 5 1/4" tall, 10" long and is 3" wide.

The porcelain body decorated in iron red and gold. Qianlong period 1736 - 1796. L : 24 cm. Condition : Perfect. An exactly similar tureen was offered at Christies New York, Wednesday Sept. 16. 2015 with an estimate of 10.000 - 15.000 US$. Please have a look at Christies New York, "Mandarin & Menagerie" The Sowell Collection, Part II, Lot 674.

Considered an auspicious symbols of wealth, status, and good fortune, foo dogs—commonly referred to as shishi or komainu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. The yellow Seto-ware shishi featured here is an antique from the Momoyama period that displays a soft patina developed over many decades of use.

Seto-ware is a pottery tradition established in the 12th century with the aim of reproducing fine ...