Wall vase for ikebana flower arrangement, to be hung at one of the vertical beams of the tokonoma. Brown stoneware with white inclusions, splash of greenish glaze. Metal eyelet through hole in the back for hanging the vase up (new replacement).
Signature in bottom: Jinsai.

Shigaraki ware, Japan, mid-20th century, before 1977, when Jinsai changed his name.

H 5 - 5-1/4 inches, diam 3-1/4 inches

Fine condition

Ogawa Jinsai was born in 1914 as the eldest son of the Ogawa Tok...

Japanese 20th century bronze vase with abstract leaf design by TSUDA JOYO. The vase measures 16" tall by 6 5/8" in diameter.

Japanese 20th century silver vase with peony and vine design by metal artist, KAWAMURA SEIJI. KAWAMURA SEIJI was born in 1902 in Beppu City. He lived until 1995. He participated in many exhibitions such as the BUNTEN in 1936. Signed Seiji on bottom. 4 The vase comes with TOMOBAKO, or original artist signed wooden storage box.

A serene 16th Century SHAN BRONZE BUDDHA, Subduing Mara Position with a gentle expression. Good condition. Size: H. 16.3 cm. x W. 9 cm.

Important Kuro Raku Chawan by 4th-generation master Ichinyû Kichizaemon (1640-1696). The chawan was named Kou Un (parting clouds). It comes with an authentication box with Raku seal. It has a Urasenke hakogaki by Sen Soshitsu and a certificate of its provenance.

Born the eldest son of Dônyû. His work varies from those made in his youth influenced by his father Dônyû to later work stylistically closer to that of Chôjirô. In particular, his invention of a new type of glaze, s...

A serene 16th Century SHAN STATE BRONZE BUDDHA, Subduing Mara Position. Good overall condition. Original Patina. Size: H.18.4 cm. x W. 11 cm.

Decidedly modern, Japanese, and minimalist; the textures, colors, and form of this fascinating tea bowl all suggest inspiration from natural objects. The grey, smooth, polished interior of the tea bowl contrasts nicely with the textured ferrous dark ochre ash glaze on the exterior. Somewhere between an ido and wan-nari shape, it rests surprisingly well in the hand and allows the user to contemplate the mysteries of nature through their tactile and visual senses.

Widely exhibited bot...

A fulling block form draped with ochre glaze over charred olive shades by Tsukigata Nahiko wrapped in a brocade bag and enclosed in the original signed wooden box titled Oni Shino Hana-Ike which is in turn enclosed in a black lacquered wooden double-wood storage box. It is a very traditional shape in Japanese pottery. This is 8 inches (20 cm) tall, 5 inches (12 cm) diameter and in excellent condition. A superlative example of this artists work.
Tsukigata Nahiko (1923-2006) was not only an ...

Antique Korean painting on silk of peonies in tones of pink and bright red, blooming from an upwards reaching branch with leaves. Calligraphy with signature of Wou Dang Chang Ryu, a highly important and heroic figure in Korean art.

19th century

Dimensions: 26" x 57" H (entire panel) 22.25" x 43.5" H (painting only)

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. This fierce guardian appears to be made from bronze, has very detailed and skillful etching, and a wonderful patina that would place it sometime before the turn of the last century.

Guardian lions are commonly seen in pairs. The male is almost al...

A BEAUTIFUL SMILING BRONZE SHAN BUDDHA, SUBDUING MARA. 16TH CENTURY. GOOD CONDITION, SIZE: H.16.2 cm. x W. 9.8 cm. RARE!

Japanese six panel byobu (folding screen painting). Hand-painted with imagery of realistic swimming fish and flowers with gold flecks. Signed in stylized calligraphy with 2 red chops.

Late Meiji/Early Taisho Period

Dimensions: 109" L x 53.75" H

Chinese bronze 3 piece figure of a donkey and rider. The old man rider holds a scepter in his hands. His hat may be removed and incense placed inside his head, so the smoke would billow out from the front. On hardwood display stand with scroll legs.

Early 20th Century

Dimensions: 10" L x 5" D x 13" H (14.5" H w/ stand)

Ohara Koson
Torii with Lantern and Deer
Size: Yoko chu-tanzaku. Approximately 14.5 x 5.50 inches.
Date: 1900-1910.
Bears Koson signature and seal.
Publisher: Kokkeido. Bears Kokkeido seal.
Reference: K44.12 and plate 28 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Some foxing (stabilized). Four small wear holes visible when held to light.

What a wonderful glaze. Slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo period with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Kuro-Oribe bowls this bowl was covered with a brown iron oxide glaze. A window on the side was left unglazed and split in two halves - one was decorated with iron oxide engobe which was decorated with inc...

Red pottery moulded figure, glazed in turquoise, amber and black. On the back of his stool there is a coin symbol ( god of wealth?). H. 20 cm. Overall in very good condition with wear and flaking to the glaze and a chip at the back of his right arm. Ming Dynasty (1368-1644).

Red pottery with a turquoise glaze, with moulded decoration of peonies. Apart from some chips to the mouth rim this censer is in a very good condition. H. 15 cm, diameter 12 cm. Width from handle to handle 18 cm. Ming Dynasty (1368-1644).

Porcelain plate made in China for the 17th century Japanese market. Blue and white design of 2 boats in a misty bay with land outcroppings and a mountain pavilion. The underside of the plate is decorated with three thin blue rings and two flowers. The edges of the plate and the many small irregularities in the firing are especially prized in this type of ware.

"Ko-sometsuke ('old blue and white') porcelain was produced specifically for the Japanese market during the final decades of th...