A natural amber pendant with two bats, one on each side. The bats represent longevity and happiness. The bat and happiness sound is in the Chinese language is similar - both pronounced Fu. Size: L. 3cm. W. 2cm. Condition: No repairs, cracks or chips.

This is a large and extremely rare Japanese Cloisonne vase. Though unsigned this vase was clearly created by Ogasawara Shuzo. As the images show this is a fabulous example of Meiji Era art. The vase measures 15 1/4 inches tall and 8 1/2 inches wide. Condition is outstanding but there is a tiny short line, of about 3/8 inch near the base.

A very rare bronze seal from the First Emperor period with the "ying-yang" impression. Yin is often symbolized by water or earth, while yang is symbolized by fire or wind. Age: 221 -206 BC. Size:L. 1.9cm W. 1cm. H. 1.2cm. Condition: No repairs. Incrustation from long burial. Can be cleaned.

The is a very rare large Koi vase created by a master. The koi are large and much finer than most ever seen on this style of vase. The vase is 9 1/2 tall and 11 1/4 inches wide. Rims are silver with an old Jungin stamp. Condition of this vase is excellent.

Antique women’s shoulder cloth (hti paun) from the Mro or Khami subgroup of the Chin ethnic group. A very old piece circa 1920 to 1940. There are two small repaired holes, minor fraying edge along the selvedge and loss to fringe. L: 174cm/64.5in and W: 92cm/32in.

An elegant Edo period Mokko-Gata bowl decorated in gosu floral motifs over yellow under a clear glaze from the kiln established by Chinese Ming émigré Chin Genpin (Chen Yuanyun 1587-1671) around 1660 in Nagoya under direction of the Daimyo of Owari Province Tokugawa Mitsutomo. The piece makes use of Seto clay covered in a combination of imported yellow glaze and local glazes mimicking the popular Annan Yaki of Southern China and Vietnam. It is 15.5 x 11 x 7 cm (6 x 4-1/2 x 3 inches) and is i...

Antique 18th century Islamic Mughal Warrior's Saddle of characteristic form from North-West India or Sindh-Pakistan. Details: The wooden frame cantle extending over to the rear and projecting to the frontal high arch pommel, covered overall with hammered and elaborate engraved brass sheets, riveted with iron studs and reinforced with mounts.

CONDITION: Sign of usage and wear, iron mounting rusty. Please look closely at the pictures - they are an important part of our description.

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A long-necked original bronze vase with a rounded body. The top of the slender neck has a ring midway and swells out at the mouth in the shape of a garlic bulb, giving the vase its special name. It has a nice aging patina. It can be cleaned but I wouldn't recommend it.

Period: Western Han (206BC - 25AD)

Size: Height = 32 cm (12.6 inches) Condition: A small dent on one side. Very good condition for its age.

A Very Rare/Fine Korean Water Color Painting by Won Suk Yeon(원석연-元錫淵-1922-2003): “A Young dancer playing a Korean Salpuri in white and red dress” Korea, circa 1960s, framed, and painted on paper elaborately, and signed the artist’s round seal “원석연-元錫淵 ” in Korean stamped on the lower left. It's in fine condition, and it measures 29.5cm x 39cm (11 5/8" x 15 1/4").

A Rare and Fine Korean dog on leash laying in front of a House-19th C.: Korea, Joseon period, 19th century,framed/glass. The sitting and relaxing dog painted in ink and color on paper with a realistic and details painting painted. It’s in good condition with its age, it measures 75 cm x 40cm. painting only. Provenienz:-"Sammlung Detlef Rosen"- Düsseldorf, Germany.

Rare Work of Munjado Calligraphy by Kim Ki Chang aka Unbo (1913 - 2001). Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. In this original signed offset print, Unbo gives us a dynamic rendering of the ancient style of figurative munjado calligraphy. The bird leaping out of the center character adds powerful life to the piece. 25.5 x 19.5 inches, 65 x 50 cm.

Calligraphy by Korea's Most Famous Calligrapher, O Se Chang aka Wichang (1864 - 1953). Not only is O Se Chang the most renowned calligrapher in Korean history, his books on calligraphy have become the definitive texts on the subject. He is famous for his works in seal script, as in this example here. 53 x 12 inches, 134 x 30 cm, unmounted. O Se Chang's calligraphy is currently prominently featured in the Los Angeles County Museum of Art's exhibition on Korean calligraphy, Beyond Line: The Art of...

Contemplative calligraphy: Music, Writing, and Books by Lee Nam Ho aka Geum Choo (1908-2001). Lee Nam Ho is renowned as a painter. This is a rare and fine example of his calligraphy. 51 x 13.5 inches, 129 x 34 cm.

Meditative calligraphy: Empty Your Heart and Mind by Lee Nam Ho aka Geum Choo (1908-2001). Lee Nam Ho is renowned as a painter. This is a rare and fine example of his calligraphy. 26 x 12 inches, 65.5 x 31 cm.

A Chinese porcelain dish decorated with under glazed cobalt, famille verte enamel, and gilt. Kangxi period. Condition: there is a repaired 1/2" long shallow chip on the rim, please see photos #4 and #5 for the inside and outside views of the repair; there are a few other very tiny glaze flakes on the rim and have been repaired, a newer layer of gilt was applied to the rim. Diameter: 9".

A small Chinese trumpet shaped porcelain vase in gilt mirror-black glaze, six characters "Daqing Kangxi Nianzhi" mark inside the foot rim, we date it to late 19th century. The vase is in perfect condition beside gilt losing. Height: 6"

Japanese gold lacquer inro with five compartments, decorated in low relief landscape scene of lakeside mountains, cottages, pagodas, pine trees, and bridges in gold lacquer and accents of silver. The reverse side shows a tiny man in a boat traversing the waters. The inside compartments are covered with dense nashiji lacquer (fine gold flecks). Underneath the bottom compartment is an artist's signature with red chop. With some losses.

Inro (seal basket) are small decorative container...

Antique Tibetan thangka painting of Green Tara, one of the manifestations of the bodhisattva of protection. The central figure of Green Tara is flanked by bodhisattvas while the Amitabha Buddha is seated directly above her head. Below Tara are a fierce deity with mortal attendants carrying offerings. Thangka translates to “that which can be rolled up”, as traveling monks could easily carry them from place to place to use as a teaching tool.

18th century

Dimensions...