Soapstone pot. Sculpted decoration of a landscape animated by characters. In certain places, openwork crosses the walls. The cylindrical pot rests on three feet carved from the mass, it is covered with an openwork wooden lid, topped by a soapstone grip representing lotuses. It is possible that it is an incense burner, which would explain the presence of the Openworks for the evacuation of smoke and good ventilation, put into operation it has a very nice effect. It can also be a brush pot that we...

The two-tiered round mochi(round rice cake) called "Kagami-mochi",Ise lobster, bitter orange and green leaves. Painted with ink and pigments on paper. Sealed. The piece has been restored and remounted with beautiful old silk fabric, and futai tassels have been also reused from the old piece. It is inscribed Motonobu on the lid of the storage box.

The subject depicted is an offering made to welcome the New Year's god "Toshigami", and all of the decorations have a meaning. The round tiered ...

Keman in cut bronze gilded with mercury. Decorated with flowers and Karyobinga (winged musical deities). Keman are hung in Japanese temples and replace bouquets of flowers. Usually Kemans are only decorated with flowers. The one presented here is exceptional with its 4 karyobinga cast in relief and riveted on the copper plate cut with flowers. Very beautiful carving, thick gilding. In the center the coat of arms (Mon) of the Tokugawa who were shoguns from 1600 to the end of the 19th century. Ja...

A Very Rare/Large Korean Black Painted with Peony Goryeo Celadon Ewer-13th C. : Korea, Goryeo dynasty, 12th -13th century. the iron decorated ewer, an ovoid form with tapered, cylindrical neck, spout and curved handle, painted in under glaze iron-brow with peony floral scroll, covered by a greyish green celadon glaze, foot and base unearthed. It’s in very good condition with out any damages at all, It measures 22cm h. x 21cm d.

The large torso of the adorned Buddha, dating back to glorious Dvaravati period, Late 7th to Early 8th Century. Sensitively carved. Wearing long diaphanous sanghati, the folds elegantly draped over the elbows and gathered at the ankles. Estimate Value: 20 000 - 27 000 Measurements: Height - 89 cm (35 In) For the torso not including display stand in measurement. Provenance: Property of a british Gentleman. Private Collection. Acquired in Late 60's. Don't hesitate to send your offer, we al...

Boxwood okimono depicting a koi carp. The eyes, in mother-of-pearl and black horn, are inlaid with precision, while the overlapping scales on the body give extraordinary realism. The koi carp was portrayed with particular attention to its movement, creating a dynamic and engaging visual effect. The sculpture appears to capture the moving energy of the carp as it swims through the water. The carp has an engraved signature under the base Suke… 亮?. Origin: Japan Period: Meiji late 1...

A patinated bronze okimono depicting an elephant defending itself from the attack of two tigers: one on its back and the other under its paw. Very well worked in the details of the elephant's skin, in contrast with that of the two double patina tigers with a different shine. The okimono is signed under the elephant's belly within the square reserve Genryusai Seiya zo 誠谷作. Origin: Japan Period: Meiji end of 19th century. Dimensions: 20 x 30 x 15 cm. – Weight: 4 kg. State...

Japanese bronze mouse holding a chestnut with artist sign.

Age: Japan, Meiji Period, 19th Century
Size: Length 18 C.M. / Width 8.5 C.M. / Height 9 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with inlay of colorful glass pieces on the headband.

Age: Burma, Mandalay Period, 19th Century
Size: Height 54 C.M. / Width 44.5 C.M. / Depth 22.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the ...

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 19.6 C.M. / Width 7 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A wild ceramic sculpture in rich dark iron glaze by Takatsu Mio enclosed in the original signed wooden box titled Soko ni Seisoku Suru (Living There). Mio is an amazing person, very intense when she works, very casual when she is not. She will happily take a hammer to a piece after months of work, if it does not meet her inner criteria, thus her production is quite low, but quality is extremely high. This piece is 37 cm (14-1/2 inches) long and in excellent condition, from the artist this sum...

A set of three Chin puppies by Miyagwa (Makuzu) Kozan II published in the book Miyagawa Kozan and the World of Makuzu Ware (Yokohama Museum of Art, 2001) page 144, figure 174. They are roughly 5 x 10 cm (2 x 4 inches) and in excellent condition. They come enclosed in the original signed wooden box.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth-generation head of the Kyoto pottery family ...

Small rectangular box and cover. The box is made of wood covered in a thin layer of clear lacquer on outside and inside. The top of the cover is decorated on the outside with the two circles (mon). One is filled with a gohei (ceremonial wand with paper streamers), the other with an open and closed umbrella in kiji makie technique (applying makie lacquer decoration to natural wood). The flat makie work is executed in gold, silver and colored lacquers and gold sprinkle.

Inside of the cover s...

Small rectangular box and cover. The core of the box made of wood covered in brown textured lacquer on the outside and red lacquer on the inside. The top of the kiri-wood cover is decorated on the outside with the fruit of a hozuki (Chinese lantern plant) in kiji makie technique (applying makie lacquer decoration to natural wood). The fruit is bright red takamakie, while the husk of the fruit is done in gradating red and gold takamakie. The cover shows a thin crack that has been beautifully rest...

A pair of very high-quality Chinese agate ShiShi Lions on rosewood stands. This pair is carved from the same agate stone boulder having blue/grey color tones with soft hints of tans and an impressive surface polish. The carved details are performed with great skill showing wonderful curling hair along with exacting facial features as well as tail and feet accents. They are both displayed on their original carved and pierced open worked rosewood stands remaining in excellent condition. Dates circ...

Chinese Qing dynasty low circular form porcelain brush washer covered overall in a monochrome oxblood red glaze holding a partly submerged moulded recumbent water buffalo at the center. A brown wash was applied to the low flat foot and slightly recessed base. 7 3/4" diameter x 2” high. 18th/19th century. A few thin glaze losses in the bottom reveal the white porcelain body. A small production flaw to one horn looks like a chip but appears to be glazed over. From the estate of Gerhard Loh...

Fine Pair of Tall Chinese Han Dynasty Burnished Pottery Vases

This fine, impressive and very rare pair of pottery vases was made during the Western Han Dynasty (206 BC - AD 8) or possibly a little earlier. They are of a particularly pleasing and elegant form, the wide bodies rising up from the flat bases, then constricting into long slender necks and finally opening up into fairly wide mouths. They are quite "heavily-potted" and made from a dense fine-grained dark grey pottery, the surface o...

Kakemono (kakejiku), black ink (sumi-e) scroll painting on paper of a bamboo whose top is lost in the clouds evanescently. The power of the line, as traced by a single brushstroke, gives a strength synonymous with permanence in the face of the vagaries of time. Bamboo, a symbol of prosperity, is one of thte three auspicious plants, pine-bamboo-plum (shochikubai). Height approximately 2meter.