We present another awesome Shino-Oribe Chawan from our collection: Greyish-whithe glaze amalgamates with a wild and roughly thrown body and a still vivid and strong glaze. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark.

The chawan dates from the Meiji Period (1868-1912) and comes with a very good wood box.

Size: 3,7'' height x 5,3'' in diameter. No chips, cracks, repairs.

Shipping included

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

Descended directly from the Raku household of potters in Kyoto, Ohi is known as some of the highest quality tea-ware in Japan. The 10th generation Chozaemon is especially appreciated for his masterful technique and high-quality pieces. This one has the added distinction of being endorsed by Hōunsai, the 15th head tea master of Urasenke and of having a expertly applied gold repair along the front of the vessel. Perfect for collectors and practitioners of tea alike.

Born the son of t...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink from; but tha...

Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge. More re...

Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Generously proportioned though not too heavy in the hand, the wide base ensures stability while the upward curvature of the sides breaks with convention and offers a unique and decidedly modern flair.

Born in Kyoto as the 4th son of a famous lacquer artist named Shogo, Banura Shiro (1941-2001) followed suit and went i...

A wood box was carved on the front in floral pattern.
It was well preserved in firm condition.
Dimensions : 41cm x 22cm, Height : 18.5cm

Description:
A wood carving was preserved in perfect condition.

Height: 7.5 cm.

Date: Late 19th Century.

An official figure most likely as Guamdi was carved in sitting posture. Nice features depicted and well rendered robe in flouring form. A master piece in serene mood.
Height: 22cm.

Description:

A wood panel depicting the flying Apsaras was in good condition.
Obviously a part of building structures, this ancient wood carving of the Apsaras was well rendered in animated posture.
The wood texture was revealed by enduring age.

Date: 13th/14th century.

Provenance: Nepal.

Dimensions: 41.5cm x 25cm x 13cm.

Description : A wood carving was nicely done by openwork.
It is in a scene in good metaphor of 送子娘娘, a deity bringing child down to a family from clouds above.

Date: 18th Century Qing Dynasty.

Dimension : 18cm x 12.6cm(inner frame), 38cm x 31cm(outer frame)

A wood display stand was in nice Zen mood.

Date :1950s.

Dimensions :22x14x2.5cm

Description:

A wood Lohan was carved in sitting posture.
In simple form, the Lohan was well depicted on the wearing robe with delicately lacquered motifs.
He was finely preserved on the surface with enduring old patina, like the sheen of the old bronze. The patina was charming and was hardly found from the wood pieces.
Some defects were noticed on the decayed hands and at the bottom which were caused from long time of age. They can be easily overlooked comparing to the imposi...

Description:
A wood stand was well preserved.
It was in good mood with literati taste.

Date: Qing Dynasty, Late 19th Century.

Width: 45cm, Depth: 24.3cm.

Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures. Bamboo crafting encompasses a...

Description： A beautiful ceramic doll was well presented in a picture of a lady was reading in a garden.
Xi－Wan dolls were done by traditional Chinese craftsmanship and have been very famous in China for hundred of years.
Date：late 19th century.
Height：15cm.
Condition：perfect.

Description:

A Yaozhou censer was stand in unique stem foot.
It was also called XinLu in Chinese for this rare type.
Well glaze in yellowish green tint, the censer was revealed with buff-tinted body clay in the cavetto and at the foot.
It was preserved in perfect condition with slight incursions happened to the glaze.

Date: Song Dynasty, 11th/12th century.

Height:6.4cm, Width: 7.7cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.