From our Early Chinese Collection, a large Machang Phase jar from the Majiayao Culture (2300 - 2000 BC), originating from what is now Gansu province, China. Of well-known and documented form, this fascinating vessel is approximately 4,000 years old and comes with an Oxford TL test. Larger and better potted than is usually found, it is painted with anthropomorphic designs in purplish-black mineral pigments typical of these wares. The meaning of these designs is still the subject of scholarly deba...

From our Early Chinese Collection, a fine and large Ming Dynasty lead-glazed pottery ridge (roof) tile, 15th-16th century, Hongzhi through Jiajing Period (1488-1566), depicting a guardian-demon ferociously modeled with bulging eyes, protruding fangs, pointed horns, thick musculature, and standing in defensive posture astride a cloud-swirl with fists clenched around what would have been a weapon made of wood or iron, now since rotted away and lost to time. This cloud-swirl between the demon and t...

From our Southeast Asia Collection, a fine and large pair of ornamental bronze Burmese gongsmen, early 20th century, crisply cast depicting two gongsmen carrying a large circular gong known as a "maung" suspended beneath a pole. During Burma's Konbaung Dynasty (1752-1885), official announcements were made to the townspeople by a King's Representative accompanied by two gongsmen, who would customarily alert the town to their announcement by striking the maung. Later, in the subsequent era ...

From our Southeast Asia Collection, a fine and large Thai Rattanakosin bronze Buddha, early-to-middle 19th century, depicting Buddha with both hands raised shoulder level with palms forward in Ham Samut mudra, also known as "Calming the Waters" or "Calming the Ocean" mudra. Buddha is wearing regal attire here with traditional tall crown and body jewelry that is elaborately inset with lacquer and glass adornments. Gilding retention is relatively high on this example. Buddha's crown is removable...

From our Indian Subcontinent Collection, a fine and large tempura on silk original painting depicting figures in what seems like a celestial dance, almost a magical procession. Back in the day we used to call these compositions "Peshawars," referencing their point of origin as Peshawar Pakistan, but it is possible that similar pieces are being produced in the border regions of Northern India these days as travel through Pakistan has become much more hazardous.

Size and Condition: Framed ...

DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE. PLEASE CHECK BACK WITH US IN JULY OR AUGUST AFTER THE NEW RULES AND GUIDELINES ARE SUPPOSED TO HAVE BEEN MORE FUL...

From our Southeast Asia Collection, a fine and massive vintage Burmese Kalaga, intricately and painstakingly constructed of literally thousands of small metallic disks, colored threads, beads, and fabric swatches, all woven and assembled into a massive tapestry illustrating scenes from the life of the Buddha.

Burmese kalagas are often misidentified as being Thai in origin since they are routinely acquired across the border in Thailand where tourist travel is far more common than in Burma i...

From our Southeast Asia Collection, a fine and massive vintage Burmese Kalaga, intricately and painstakingly constructed of literally thousands of small metallic disks, colored threads, beads, and fabric swatches, all woven and assembled into a massive tapestry illustrating scenes from the life of the Buddha. This piece is very similar in overall design, palette, size, and age as item 984258 and was acquired around the same time, except that this example has since been framed under plexiglass w...

A Fine and Rare Korean 8 Panel Pictorial Ideographs (文字圖)-19th C. : Korea, Joseon dynasty, 19th century, separated from a framed screen (unframed screen). 문자도(文字圖): 효제충신예의염치(孝悌忠信禮義廉恥) Painted in ink and color on paper and decorated with bird, turtle, dragon, big carp, shell fish, mountain with pavilion, bamboo, fan, boat sailing, flowers, and a large crane are painted with a decorative rubric to form the Chinese character for each pr...

From our Southeast Asia Collection, a fine and rare Burmese dry lacquer Buddha, 19th century or earlier, exquisitely modeled with a beautifully serene meditative visage that is quintessentially Shan Burmese in form, featuring a broad sweeping forehead framed by a glass mosaic adorned fillet band, high-set eyebrows, a sharply linear nose with flared nostrils, a small mouth with thin lips gently curved upward into a half smile, three neck creases, and characteristically elongated earlobes that ext...

A Fine and Rare Korean Civil Rank Badge(흉배-Hyungbae)-19th C.: Korea, Joseon dynasty, 19th century. For a civil official of the rank, embroidered in polychrome silk on a navy blue silk ground with a single crane flying with a silk of pullocho sacred fungus in its beak amongst multicolored clouds above clouds and cresting waves. It’s in very fine condition, and measures 16.8cm x 17cm. ***an almost identical multicolored with purple civil rank badge with two cranes see at Ch...

A fine Arita Export gourd-shaped bottle decorated in Chinese Transitional taste. Arita 1660 – 1680.

The enjoyment of nature.

The Catalogue of the Shibata Collection exhibits two similar bottles.

Another, a 39.8 cm tall example is illustrated in ‘Fine & Curious Japanese Export Porcelains in Dutch Collections’. Hotei Pub. 2003. In this the author, Professor Jorg, informs us that although large gourd vases are relatively common, smaller examples are much more rare. ...

A Very Fine Korean Blue and White Square Shape Water Dropper-19th C.: Korea, Joseon dynasty, 19th century. The rectangular slab-sided water dropper set on four raised feet, decorated in underglaze blue and white with a Han River scene in two bird flying, the sides with stylized floral design in square beneath a clear white glaze. Kiln grit on the base. It’s in good condition with no chips in water spout or corner but has a short hair line cracks on the sides. it measur...

A Large Blue Fitzhugh Chestnut Basket and Stand. Well decorated in underglaze blue with the Fitzhugh pattern. Chinese E19thC. Diameter stand; 10″ (25.3cm). Diameter basket across handles; 10 1/4″ (26.0cm). Condition; excellent

Description:

A Ming bronze buddha was finely cast.
In serene mood, the bronze buddha was preserved in very good condition by enduring old patina.
The old gilt had been transformed into darken metal coatings.
There're three casing holes were found within the pleats.
They were rather than defects but were used for fastening to a base.
The holes were overlooked from the frontal view.
It was a fine good piece in small size but presented in grandeur look.

Date:...

Description: A fine bronze casting work of a sage riding on a standing deer. By dark patina, the figure and the deer were depicted in details by great craftsmanship. They were hollow cast and sealed and being reserved no casting holes. In a perfect condition, the bronze piece would be a joyful addition to your collection of Chinese bronzes. Date: Qing Dynasty, 19th century. Height: 16.7cm

A Fine Bronze Seated Buddha Sakyamuni Figure, U'Thong Style, Early 16th Century. Seated in Sattvasana, his hands in Bhumisparsa and Dhyana mudra. Wearing a sanghati with long sash. His face with meditative expression, downcast eyes under incised arched eyebrows, broad triangular nose and outlined lips, elongated earlobes. His hair arranged in rows of small curls. Measurements: Height - 43 cm (17 In) Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for ...

A Fine Korean Bucheong White Slip Inlaid Buncheong Tea Bowl-15th C.: Korea, Joseon dynasty, 15th century. Set on a high circular foot, the body round with high walls tilting inward, and inlaid on the exterior in white slip with stylized patterns and four floral head medallion, the interior inlaid in white slip with a central medallion of chrysanthemum, surrounded by a wide double band. It’s in very good condition, it measures 16.5 cm d. x 9.3 cm d. ***A very similar shape of Bunche...