Japanese circa 1900 century bronze lantern. The lantern sits on 6 raised feet and has 12 petals on top. The lantern measures 16 1/2" tall, 9" in diameter at top and 5" in diameter in the middle section.

Japanese folk art, farmer's clay doll: This man is Ninki Danjyo, the villain of the Kabuki play. The more awful the villain is, the lovelier the princess looks and the nice guy more angelic especially in Kabuki plays. Danjyo, with his magical power, is trying to transform himself into a rat. Holding in his mouth a fake “Ren-pan-jyo”, a scroll containing the fake signatures of innocents who were supposedly plotting to take over the power from the 2 year old Regional Lord by vanishing h...

Japanese folk art, farmer's clay doll: 11 1/2"h x 5 3/4"w

All the clay dolls are somehow originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi Inari Shrine in the early Edo period (1600-1868). By the end of 19th century, these dolls were made all over Japan. 90 percent of the Edo population were farmers who could not afford nor were allowed to have hina dolls dressed ...

Japanese clay doll, Kabuki doll with a dragon. 13"h x 9 1/2" at the widest.

This type of clay dolls are somehow all originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi Inari Shrine in the early Edo period (1600-1868). When the hina dolls were still very limited to a few wealthy people in early 1900s, these clay dolls were for the regular people. They were made by o...

Japanese folk art, farmer's clay doll: 13"h x 13 1/2"

This type of clay dolls are somehow all originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi Inari Shrine in the early Edo period (1600-1868). By the end of 19th century, these dolls were made all over Japan. 90 percent of the Edo population were farmers who could not afford nor were allowed to have hina dolls dre...

Old Japanese clay doll, a lovely standing girl with a flower bouquet, 14" tall from early 1900s. This doll is signed and dated (the date that sold or given to) at the bottom, March of the third year.

This type of clay dolls are somehow all originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi Inari Shrine in the early Edo period (1600-1868). When the hina dolls were...

Japanese farmer's folk art, clay doll from early Showa: 10 3/4"h x 6"w Artist's signature on her back, dated in the 15 years of Showa Period (1940). Excellent condition.

Japanese folk art, farmer's clay doll: Ooishi Kuranosuke, a historical hero as a leader of the 47 Ronin (samurai without their master) who avenged their master's death and then all committed Seppuku suicide. Artist signed and dated (in 1942) on the back. Measurements are: 12 3/4"h x 7 3/4"w at the widest

All the clay dolls are somehow originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou ...

This is a Japanese clay doll, Mingei folk art of Japan. Samurai Warrior doll in armor for the Japanese Boy's Day in May. 9 inches high and 6 inches wide. Signed at the bottom. Circa 1930 to 1950.

Beautiful Japanese small cloisonne jewelry box with three drawers, the entire box is decorated with intricate cloisonne scenes of birds and flowers; the front with the three little drawers has a peacock standing on a rock with peonies and blossoming plum tree, the right side has peonies and blossoming cherry branch, the left side has a maple tree with a bird in flight, on the back is a lovely scene of a pair of pheasants on a rock with a profusion of cherry, peony and yellow iris blossoms;...

A nicely enameled Japanese cloisonne box with a raised design (moriage) of Mandarin ducks. This box dates from the 1960s to the 1980s and was probably made by the Inaba Company of Kyoto, Japan. The mark at the bottom is not the maker’s mark; it is probably the mark of the retail or outlet store. The dimensions are 5 1/2 inches x 4 inches x 1 1/2 (a bit shorter) inches.

A cloisonne box with a beautiful enameled phoenix signed by the artist. The box comes with it's original tray and has the original cloth lining inside the box. Size: Box. L.14cm. W. 10cm. H. 8.5cm. Tray: 21 X 17.5 cm. Condition: No repairs.

Vibrant and delicate Japanese cloisonne censer with motif of flowers,grasses, and butterflies set in a medallion surrounded by a spiral pattern. The lid is designed so that the combination of the handle and opening appears in the form of a butterfly. Age: 20th century. Size: Height: 5" Diameter: 3.5"

Late 19th Century Japanese cloisonne bronze charger with a flock of flying cranes. Beautifully designed, it measures 12 inches in diameter. There are a few stress marks in the upper left side, please study last photograph where I have enlarged and highlighted the area through photoshop. It is not as evident in person. Pricing has taken this into account.

An elegantly hand-crafted cloisonne obidome of a double-gourd form. The burgundy-colored glass enamelling of the gourd is thickly applied and translucent. The cobalt blue "rope" around gourd has pure gold highlights. Can be used as a pendant. Size: L. 5cm. W. 3cm. Condition: No repairs.

A Japanese "arrow toss" game vase made of copper and decorated with polychrome enamels, the rims and wires are gilt. Showing antiques and auspicious symbols on a white ground, the base with "fuku" mark. The "arrow-toss" game originated from China and was at the beginning very popular with the aristocrats and survived as a pastime well into the Edo period. From an old Swiss private collection. Condition: few traces of usage, the mouth rim is inside a bit bent (see pict. 12). Dimension: 18.6 cm hi...

This is a fabulous Japanese cloisonne vase. It is done in a combination of traditional cloisonne and sculpted silver basse-taille work. The vase stands 6 inches tall and is 5 1/2 wide. It displays great but does have some damage or imperfections to the translucent enamel. This worst can be seen in the last image. There is a feathering in the enamel at the bottom rim. It is much more attractive in hand. The vase has silver rims and is signed Ota Jinnoei.

This is a great Japanese cloisonne bowl. We are quite confident the artist was Kumeno. The bowl while being very attractive does have some condition issues. There are lines and some slight enamel loss but it is still a dazzling display piece. The bowl measures 5 1/2 inches across and is 3 1/2 inches tall.