Kishimoto Kennin at his best, deep in the clay of Iga, a slightly misshapen vase covered in a splash of ash glaze and dark charring, one side flattened down like a beret, a single drip of crystalline jade clinging to the rim. The vase is 29 cm (just under 12 inches) tall and in perfect condition, enclosed in the original signed wooden box.
Kishimoto Kennin has been working with clay since the 1950s, devouring styles along the way. Shino, Seto, Oribe, Iga and Celadon, all very different a...

An exquisite vase covered in rivulets of blue, yellow and green on a slightly flattened bottle form by Kiyomizu Rokubei VI enclosed in the original signed wooden box. The turned form has been slightly flattened creating four rounded sides, the resulting shape reminiscent of traditional Edo period green-glass bottles. Wide bands of blue mark th corners, with a narrow streak like a waterfall cascading between the ocher and jade on the sides. The vase is 30 cm (12 inches) tall, 16 cm (6 inches) ...

A signature work by Kiyomizu Rokubei VI enclosed in the original signed wooden box. Golden light shines through the silhouette of iron colored trees on the tapering cylinder. It was a design technique developed by this generation. The original rosewood stand is included. The vase is 31 cm (12 inches) tall and in excellent condition.
The Kiyomizu family potters managed one of the most productive workshops in Kyoto’s Gojozaka district throughout the second half of the Edo period. From ...

An absolute classic natural ash glazed sake bottle by the reclusive potter Oasako Mikio enclosed in the original signed wooden box titled Hai Yu Tokkuri (ash glazed flask). Much of the dark surface is raw clay, with coals charring the front and tremulous tears of liquified ash dripping down both inside and out. It is 12 cm tall and in excellent condition.
Osako Mikio (1940-1995), born in Usa Oita prefecture on the Island of Kyushu, arrived at ceramics late in life, starting to study wit...

A quintessential work by Sodeisha founding member Yamada Hikaru enclosed in the original signed wooden box titled Shirogesho Tetsu-e Tsubo (Tsubo with Iron Decoration on White Glaze). It is 214 cm (8 inches) tall and in excellent condition.
Yamada Hikaru (1924-2001), was born into the family of layman potter and priest Yamada Tetsu, and raised in Gifu after the family home was destroyed in the Great Kanto Earthquake. At the age of 20 he entered the Kyoto ceramics research facility, 15 year...

Japanese Clay Figure of a Sino-Japanese War General on a White Horse. This would have been displayed in a Boys' Day festival in the late Meiji Period. Wonderfully painted with fine details. Height: 7.5 inches, 19 cm.

Clifton Karhu (1927-2007)
Meditation (The Japanese characters read "Zazen")
Size: 16.5 x 14.0 inches.
Date: 1970.
Edition: 27/100.
Medium: Japanese woodblock print.
Condition: Very good. Edges of paper are toned.
- A rare and delightful image.

Clifton Karhu (1927-2007)
Tominaga-cho, Gion
Date: 1993.
Edition: 55/75.
Size: 24.25 x 17.75 inches.
Signed, titled, numbered, and dated in pencil by the artist in lower margin.
Medium: Japanese woodblock print.
Condition: Slight toning in margin due to former matte. Left and right outside margins each have a dot of foxing. Print has never been adhered to a backing.

A menagerie of 12 comic creatures grin back at us as we pour another cup of sake from this Tokkuri decorated by world renowned woodblock artist and painter Clifton Karhu enclosed in the original wooden box also decorated on all facets with the same humorous creatures as well as a self portrait on the lid captioned EVERY DAY IS A GOOD DAY. It is 17.5 cm (7 inches) tall and in excellent condition.
Clifton Karhu (1927-2007) had his first introduction to Japanese living stationed in Sasebo d...

浅沓と米俵 / CLOGS AND RICE BAGS

Wood carving asagutsu (shallow clogs) and rice bags that belong to the statue of Daikokuten (Syncretic Japanese deity of fortune and wealth). What an innovative remains and existences. Showa period, early 20th century, Japan. approx. 13 x 14 x H 7cm (5.11 x 5.51 x 2.75in).


selected by Jinta




* Please understand that EMS shipping fee is additionally charged, and also...

Chawan, tea bowl to be used in the tea ceremony, of distorted oval shape (kutsu or clog, or shoe-shape). Thick cream-colored stoneware that turned red during firing in the unglazed area, covered with a translucent greenish ash glaze that collected in the bottom and around the rim and is very thin around the sides. The sides are ‘rough’, giving a look into the clay.

Japan, Seto region, very early Edo period.

H 3 x W 5.5 in.

Excellent condition

Comes with a red silk po...

A seated CLOISONNE ELEPHANT which can secretly be used as a storage jar (perfect safe/hiding place for valuables!), 19th Century, China. Striking designs and colors, excellent workmanship. Good overall condition. Head and Ears removable. The lid can be put on the jar rim prior to mounting the head and ears to conceal it completely from view. Size: 11.5" ( 29 cm.)

Cloisonné enamel charger or large dish with flowers and a flying bird against a mustard yellow ground, the back with a swirl pattern. Late Meiji or early Taisho, c 1900. Diameter "12/ 30.3 cm, height "1 ½ / 3.7 cm. Condition: a damage to the backside enameling (c f last photo). Interestingly, it shows the kind of marker used to indicate the design where the cloisonné metal straps were to be soldered onto the base. Price: $180, including worldwide registered / trackable shipping

Small gilt copper pot, decorated with flowers in cloisonné enamel. No artist signature but excellent quality. Small precious object Height: 6cm Diameter: 8cm. Good condition. Japon Taisho period.

Small cloisonné enamel vase, dragon and phoenix decor. Silver wires. Golden border. Japan Meiji period. H; 105mm. Good condition, slightly worn gilding. Artist's signature incised below.

A Tsuiki Jippo Cloisonne Enamel Writing Box (Suzuribako), 
Ando Company, early 1930’s .

The box is formed from heavy gauge copper, the lid decorated with tsuiki-jippo enamels in relief on a raised design of a Shinto shrine in a wooded setting, a Torii and lantern also present. The interior has been applied with a coarse cloth lacquered with both clear and red lacquer in an abstract design and contains a hardwood tray with fitted inkstone and tsuiki-jippo water-dropper. The base ext...

A lobed tray made of brass and copper, enameled in cloisonné technique, decorated with two dragons chasing the flaming pearl. Dimensions 23 x 18 x 2 cm. The tray is in good condition with normal age wear. Ca. Late 19th century..

Vintage clear cloisonné lidded box, employing the plique-a-jour technique, lovely muted pastel colors with a “pierced” lid, most likely meant to be a potpourri to put scented herbs and flower petals in. This is a complicated and time consuming craft- please note that the bottom is cloisonné as well as having some curvature to the lid - it would have been much easier just to give it a copper bottom and making the lid flat. Excellent condition, with no damage or dents- this has some ...