Chinese late Qing dynasty baitong (white brass), also called paktong, opium smoking pipe with nicely incised decoration featuring two beauties on a veranda on half of the base and calligraphy on the other half. Marked under the circular hinged top of the opium holder. The original tweezer and brush tool are included. Late 19th to early 20th century. 10 3/4” high to the tip of the pipe stem, base about 2 5/8” long x 1 1/4" wide x 2 1/2” high (to flat, circular lid). Very good overall c...

Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...

Up on offer is this white and wonderful large Qing Dynasty Porcelain Guanyin. Wearing a long robe, leaning left hand on a beast stand, marked on the back the master's name He Chaozong.

It is in good condition with only some traces of its age. No chips, no cracks.

Size: 12,5'' in height!! weight 2,6 kg

Shipping included

Chinese late Qing blue and white porcelain moonflask, or pilgrim vase, of flattened globular form decorated with a cracked ice and prunus ("bingmei") motif, which is also known as the Hawthorne pattern. Two writhing qilong handles are at either side of the cylindrical neck. There is some kiln grit adhering to the recessed base. Late 19th century. 10 1/8”H x 6” across. Very good overall condition. There are some tiny burst bubbles at the rim and along the chilong’s back (see enlargeme...

Chinese Qing dynasty Qianlong period round form deep plate decorated in underglaze blue on a celadon-white porcelain ground with two deer standing in a rocky landscape under a pine tree with a bat flying at the upper left. Bats and deer shown together symbolize blessings and wishes for high rank and official salary. The pine is a symbol of longevity. Four bamboo leaf sprays are at the outer rim. The foot rim and base are unglazed. 18th century. 11” diameter x 2 3/8” high. Very good ov...

Chinese mid-Qing dynasty Qianlong period Dehua kiln deep plate decorated in underglaze blue on a bluish-white porcelain ground with the “phoenix flying among peonies” motif. A band of stylized leaves encircles the back rim. An unidentified rectangular underglaze blue mark is on the base. The top of the foot rim is unglazed. 10 3/4” diameter x 2 3/8” high. Late 18th century. The dish is in very good overall condition with no chips or cracks. There are typical fine scratches in the ...

Chinese Qing dynasty Qianlong period thinly potted deep charger decorated with floral groupings in alternating deep blue and "dan miao qing hua" (fine pale blue pigments) set against a white porcelain ground. A narrow geometric and floral band extends around the interior rim. A few sparse leafy twigs decorate the exterior. There are chatter marks to the unmarked base. An old owner's tag on the base incorrectly states the age as 19th century, however, the piece dates circa 1750. 13 7/8” di...

Chinese Qing dynasty Qianlong period Dehua porcelain blanc-de-chine Guanyin dressed in a long flowing robe and adorned with a beaded necklace. The figure is seated upon a recumbent "hou" (Buddhist lion-like creature) and she holds a ruyi scepter. Her elegant face has downcast eyes. A faintly visible impressed gourd form seal mark is on the back of her robe. A custom wood stand is included. The glaze is a warm, creamy, glossy ivory tone. 18th century or earlier. Slightly over 5” high, ex...

Chinese Qing dynasty Qianlong period famille rose biscuit-enameled porcelain figure depicting Guandi (God of War), who is also known as Guanyu and Guangong, with long beard seated on a plinth dressed in a belted scale-pattern armored robe decorated with dragons among clouds, a flaming pearl, and foaming waves. In his right hand, he holds a historical book titled “Commentary of Zuo.” His head, beard, and hands are without enameled decoration. The recessed base and flat foot are unglazed. A Qi...

Large Chinese Qing dynasty pewter round form sweetmeat tray for holding desserts configured with eight famille rose barbed point petal shaped dishes surrounding an octagonal dish at the center to form a foliate shape. Two jade mounted handles. The dishes feature a variety of decorative motifs and styles, including a graviata flower ball design on a blue ground; three graviata lime green, lavender, and pink dishes with floral motifs; a landscape against a white ground; a calligraphy poem inside...

Chinese Qing dynasty Qianlong period ribbed guglet vase decorated in fencai famille rose enamels with birds among flowering fruit trees, rockery, and bamboo all set against a white porcelain ground. 18th century. 10 1/4” high. Very good overall condition. The vase is slightly misshapen. There are burst bubbles in the glaze at the rim and scattered throughout that are consistent with production at that time. A fine hairline in the interior of the mouth and a small enamel loss in the blue roc...

Chinese yellow crackle-glazed pear-form porcelain vase with an everted rim and an underglaze blue double-ring at the base. Dates from the 18th century. 9 1/4"H. There are small scattered green glaze spots and interesting irregularities of the glaze application at the neck. Fine quality restorations have been made to the neck which are not visible to the eye. The vase was acquired from a Southern Arizona estate.

Chinese Qing dynasty Qianlong period bottle vase (tianqiuping) with globular body and tall cylindrical neck covered in a rich translucent sang-de-boeuf (oxblood) glaze with a faint orange peel texture. The glaze is thinner at the neck, revealing white at the mouth rim and a crackled underglaze. Characteristic of 18th century pieces, the glaze thickens at the bulbous body to stop in a carefully controlled manner, leaving a thin white line and an orange line at the unglazed foot (see close up ima...

Chinese Qing Dynasty solidly potted baluster-form vase decorated on the body with patterns of rosettes and vines incised into a thick, white glaze (with a faint ivory to grayish tint, depending upon the lighting). The neck features geometric and leaf patterns created with a combination of incised and relief techniques. Two finely detailed, moulded lion's mask handles are at each side of the shoulder. 12 1/2"H. 18th to early 19th century. What resembles a crack in the interior neck is actual...

Mirrored pair of Chinese late Qing to early Republic period porcelain reticulated marriage lamps. Each of the six-sided shades is painted in famille rose enamels with mirror image floral roundels set against perforated panels which are bordered with a yellow enamel ground decorated with scrolling leaves and flowers. Horizontal bands with perforated flower head silhouettes surrounded by scrolling foliage and flowers set against a blue background border the top and bottom of the panels as well a...

Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...

Chinese late Qing to early Repubic period muted iron red and black lacquered provincial wood chest or cabinet painted with gold bamboo and flowers. The interior is embellished with red flowers on black lacquer. Two sets of double-doors each open to reveal a drawer and an open storage area. A panel below the open area slides up to reveal a hidden storage compartment at the bottom. The chest appears to have the original distressed lacquer finish and hardware. 42 1/2"L x 15"D x 40"H (42"H at t...

Charming Chinese ink rubbing of a stone stele depicting a fat cat surrounded by rockery with holes and chrysanthemum flowers after a painting by Jiang Tingxi (1669-1732) that was based upon an earlier work by Ming artist Lu Ji (1477-1505). Jiang’s seal bears the artist’s pseudonym “Nansha.” Likely dates late Qing to Republic period (late 19th to early 20th century). Paper: 24 3/4" x 13 3/4 (image: 21 3/8" x 11 1/4"). Very good overall condition. There is minor soiling and foxing on t...