Kawase Hasui
Evening View of Snow-Covered Cottage
Date: 1930s.
Publisher: Watanabe Shozaburo.
Print size: 5.625 x 3.75 inches.
Reference: Hotei Hp-76.
Medium: Japanese woodblock print.
Condition: Top right margin slightly trimmed.

SHOE SHINE FOOT REST

Wood. Early 20th century, Korea. approx. 31 x 15 x H 24cm (12.20 x 5.90 x 9.44in). One part of joint (photo#9) slightly shakes, but unremovable and stable enough for actual use.


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Ohara Shoson (Koson)
Pheasants and Maple Tree
Size: Approximately 5.25 x 3.25 inches.
Date: ca. 1930s.
Shoson seal at lower right
Publisher: Watanabe Shozaburo.
Reference: AS.15 in Crows, Cranes, and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

Shoda Koho
Shrine Gate at Miyajima
From the Hasegawa Night Scenes series (No. 1251).
Size: Chuban. Approximately 10.125 x 7.5 inches.
Date: 1910s - 1938.
Medium: Japanese woodblock print.
"Made in Japan" stamped on verso.
Artist's seal at lower right.
Publisher: Hasegawa Takejiro/Nishinomiya Yosaku.
Condition: Slight toning.

Kawase Hasui
Sacred Mount Fuji
Date: 1936.
Size: Koban. Approximately 7.25 x 4.875 inches.
Publisher: Watanabe Shozaburo.
Hasui oval seal at lower right.
Reference: Hotei #Hb-s12
Medium: Japanese woodblock print.
Condition: Back top corners have tape remnants.

Early edition Japanese shin hanga woodblock print titled "Boats at Shinagawa, Night" (aka “Shinagawa Coast”) from the series “Tokyo Views” (Tokyo Fukei) by Tsuchiya Koitsu (1870-1949) dated in the right margin "5th month of Showa 10" (1935). The black ink signature and red seal of the artist are at the lower right. The seals of the publisher Doi Sadaichi (used 1933-1945), carver Ikeda, and printer Matsushita are in the lower left margin. Indicative of an early edition, the blue series t...

A sashi (obi) made of plain weave silk with katazome design whose motifs are Edo Hikeshi (fireman) such as hanten (jacket) with brigade's marks, matoi (brigade's symbol) etc. Lining is twill weave black silk cloth. In excellent condition. The first half of the 20th century. 31cm x 4m12cm

A very attractive SUKKOTHAI BRONZE BUDDHA, late 19/20th Century. Very nice spiritual presence/aura, has a very serene expression, downcast eyes and the "Ohm" flame on the forehead. Beautiful curled hair and a flame finial. Position: Thursday, in deep meditation. Very good condition overall. Size: height 24" x width 16" x depth 8" (61 cm x 41 cm x 20 cm.). Magnificent Collector's Piece! Very heavy.

Nepalese house protective figure, beautifuly eroded by the elements and time.
Probably Jajarkot region. H : 39 cms. Cf pic.6 (JP Girolami) : Jumla region, chetri house

Sakiori sodenashi (vest) handwoven of strips recycled from old cotton cloth for wefts, and hemp yarn for warps. Sakiori hanten and sodenashi were made mainly in districts along the Japan Sea of the mainland, where they have much snow and cold climate in winter. Piping cloth is indigo dye cotton. In excellent condition. The first half of the 20th century. W:49cm, L:86cm

A wonderful translucent blue celadon vase done in the classic style of Song Dynasty Chinese pottery. This piece was made by one of the few great female Japanese potters of the previous century, Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852-1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873. From this point forwa...

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Fenghuang" (Hōu in Japanese). This deity, typically depicted with the body of a bird with characteristics of a dragon, is believed to have originated in the sun and is thought to symbolize virtue, wisdom, and grace. Made ...

A wood bowl used by a lacquer ware maker. It has layers of red and black urushi. It is used by a craftsperson of Aizu-nuri, from Aizu in Fukushima in Tohoku district. The first half of the 20th century. Diameter:15.8cm, H:6.5cm

A wood plate used by a lacquer ware maker. It has layers of red and black urushi. It is used by a craftsperson of Aizu-nuri, from Aizu in Fukushima in Tohoku district. The first half of the 20th century. Diameter:16.4cm, H:4cm

RITUAL TRAY

Korean traditional wooden ritual tray for offering foods, early-mid 20th century, approx. D 20.5 x H 8.5cm (8.07 x 3.34in), in fine antique condition, with expected deterioration due to aging as is.


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A pair of Chinese Pekinese dogs made of porcelain and glazed in the sancai palette. Condition: few tiny rim frits, one dog on the back with few small firing defects (please see photo No. 8). Dimension: c. 14 cm long x 9.5 cm high, weight: c. 480 and 580 g.

Beautiful Early Showa Period C.1935 ceramic Imari 'jubako' bento food container. Hand painted, very art deco motifs and design. Excellent condition. H:10" by W:6". Ask for shipping quote.

Japanese shin hanga woodblock print by Ito Yuhan (1882-1951) titled "Sailboats in the Sunset Glow" (aka Tsukuda Jima). This image is one of a limited number of woodblock prints by this artist that were published by Nishinomiya Yosaku in the 1930s. Signed in kanji at the lower right corner of the image. The publisher's seal is in the lower left margin in kanji and on the back in English. Paper: 15 5/8" x 10 5/8" (image: 14 5/8" x 9 5/8"). The painterly effect in Ito Yuhan's woodblock prints ...