Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 12 x 12 inches, 30 x 30 cm.

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware. Kim See Man's work has been exhibited at a long list of major museums, including the Asian Art Museum of San Francisco, Yale University Art Gallery, Freer/Sackler Gallery of Art, Indianapolis Museum of Art, Museum of Fine Arts in Bo...

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware. Kim See Man's work has been exhibited at a long list of major museums, including the Asian Art Museum of San Francisco, Yale University Art Gallery, Freer/Sackler Gallery of Art, Indianapolis Museum of Art, Museum of Fine Arts in Bo...

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware. Kim See Man's work has been exhibited at a long list of major museums, including the Asian Art Museum of San Francisco, Yale University Art Gallery, Freer/Sackler Gallery of Art, Indianapolis Museum of Art, Museum of Fine Arts in Bo...

Most attractive modern pewter elephant boxes with fine enameling. Size: 3.5 x 6 x 3.5 cm. Please specify color preference for enameling

Ceramic Sculpture by Cha Wa Sook. 18h x 16w x 4d inches, 46h x 40.5w x 25.5 cm.

Porcelain Cube Tower Vase in the signature geometric style of Korean contemporary ceramic artist, Lee Min Kyu. The body subtly tapers at the top and bottom. This vase makes a great set when combined with the Lee Min Kyu Porcelain Bowl (Stock #0388), as seen in the last photo here. Height: 15.5 inches, 39 cm; Circumference: 18 inches, 45.5 cm.

Porcelain Cube Bowl in the signature geometric style of Korean contemporary ceramic artist, Lee Min Kyu. The sides of the bowl seem to rise up straight, yet they flare outward ever so slightly. This bowl makes a great set when combined with the Lee Min Kyu Porcelain Vase (Stock #0387), as seen in the last photo here. Width: 9.5 inches, 24 cm; Height: 4.5 inches, 11.25 cm.

Contemporary 24K. fine Gold Earrings for pierced ears. Center comprises ancient Khmer gold piece. Exceptional and exclusive

Seo Byung Ho was the recipient of the top prize in the 2009 World Ceramic Biennale, the highest paid ceramic art prize in the world. With this lovely pair of sculptural vases, Seo has combined the shape of a traditional vessel with the form of a fish, a symbol of eternal vigilance because the fish never closes its eyes. For the same reason, the fish is also a symbol of diligence that has long been a source of inspiration for Korean scholars, and is a common motif employed in scholar's implements...

From our Southeast Asia Collection, a very striking contemporary Burmese writing box done in the "shwei-zawa" technique, with gold leaf floral designs known as "chupan" set against a shiny black lacquer ground, all done to very striking and dramatic effect. For those unfamiliar with this ancient Southeast Asian craft that began with the Thai in the seventeenth century, and is still practiced today mainly by the Burmese, Sylvia Fraser -Lu gives a simplified but useful explanation in Burmese Craft...

From our Southeast Asia Collection, a very attractive 5 piece Pagan-style lacquer hsun-ok (offering vessel) from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223. We had the honor, privilege, and education of watching artisans in this famous lacquer workshop creating modern masterpieces in the yun st...

From our Southeast Asia Collection, an extremely fine and very attractive dome-shaped, two-piece lacquerware box from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223. We had the honor, privilege, and education of watching artisans in this famous lacquer workshop creating modern masterpieces in the y...

From our Southeast Asia Collection, a stunning and large martaban-type lacquer jar from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223. We had the honor, privilege, and education of watching artisans in this famous lacquer workshop creating modern masterpieces in the yun style, an extremely labor i...

From our Southeast Asia Collection, a contemporary but very beautiful Burmese shwei-zawa wall hanging from Pagan, Burma, executed in brilliant gold leaf against a shiny black lacquer ground. The scene depicted is most likely something from the Jataka Tales (the stories of the previous lives of the Buddha), though we are not positive which exact scene is being portrayed. Nevertheless, this is a very fine and strikingly attractive example, and for those who understand how shwei-zawa work is crea...

Woo Jong Taek (born 1973) paints with ink and watercolor on both sides of the paper, combining the ancient techniques of Goryeo Dynasty Buddhist painting with modern techniques to create compositions that are deeply contemplative meditations on our modern times, casting the 21st Century everyman as Bodhisattva, offering us a thoughtful way to see our world. Woo is in touch with Korea's ancient history while he is also informed by the modern minjung 'people's movement' in art. His paintings are a...

Woo Jong Taek (born 1973) paints with ink and watercolors on both sides of the paper, combining the ancient techniques of Goryeo Dynasty Buddhist painting with modern techniques to create compositions that are deeply contemplative meditations on our modern times, casting the 21st Century everyman as Bodhisattva, offering us a thoughtful way to see our world. Woo is in touch with Korea's ancient history while he is also informed by the modern minjung 'people's movement' in art. His paintings are ...