Antique Chinese soapstone carving of a seated arhat. Likely Pindola Bharadvaja sometimes called Ajita. Binduluoshe Zunzhe, the Long Eyebrow Arhat, Changme Luohan. This Pindola is the leader of the 18 Arhats and his long eyebrows represent longevity, seniority and leadership. In this representation he is also holding a small pagoda which is similar to another arhat but the long eyebrows identify him. Carved with intricate details and wearing robes painted in blues and reds. With custom s...

A flawless and covered Japanese Mizusashi (cold water container/stoneware jug) for the tea ceremony from the early Edo period.

This antique Seto Mizusashi is designed with floral motives and Japanese poetry and comes with a dedicated tomobako wooden box.

Although the Japanese word for the tea ceremony, chanoyu, literally means “hot water for tea,” the practice involves much more than its name implies. Chanoyu is a ritualized, secular practice in which tea is consumed ...

An antique pair of Chinese Corbels carved as a male and female Fu Dog. Both are protecting spheres which represent. the world with the female watching over its young. Both have open mouths with their tongues out which represents them expelling evil. Hand carved from Elm.

Age: Ching Dynasty 18th C

Dimensions: 50" High by 13 1/2" Wide by 10" Deep

Lost wax cast bronze incense burner. It is formed by a large peach opening by a lid, the fruit is represented with its branch, its leaves and other smaller peaches. In total there are 8 peaches but on closer examination, it appears that in one place a little surface of the bronze was not well scraped and finished like everywhere else, which would indicate that there was an additional peach, today now broken and disappeared and that the presence of this one had prevented the tool of the craftsman...

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. The piece shown here displays an austere black glaze providing the perfect backdrop for the extensive and expertly applied gold repairs— making this antique tea bowl quite attractive, a pleasure to use...

Writing box in lacquer imitating an ink stone. Fun and very rare item. The box in the shape of a gourd with its stem, its leaves and its flower, it is in green, brown and golden brown lacquered wood. The interior has a small receptacle representing a red gourd. The details are of high quality as can be admired on the perfect execution of the leaves. It is a very rare object of which we do not know of any other specimen. Chinese work probably from the 18th century. No mark. Length: 144mm; Height:...

A pair of antique Rajasthan architectural fragments of warriors on horseback against foot soldiers. Hardwood mounted to a removable stand. Some loss to the carvings.

Age: 18th C

Approximate Dimensions Each: 9" Wide by 17" High by 4 1/2" Deep

Hard porcelain vase decorated with famille rose enamels depicting landscapes, antiques and flowers. Chinese work made for export, the style of the particularly slender drawn vases as well as the color palette lead us to think that it is a porcelain executed during the first part of the 18th century, during the reign of Yongzheng (1722-35) but it is not excluded that it was created earlier, indeed the significant presence of green enamels does not make impossible an earlier dating, either at the ...

Statue of a Taoist deity --- maybe a judge in Hell --- in mandarin attire, sitting on a throne, his hands in praying posture. Lacquered and gilt wood. China, Qing dynasty, 18th century. Height: 20.2 cm. Old woodworm attacks (no more danger) lacquering and gilding partly flaked, otherwise very good condition.

An antique Japanese Zushi (portable altar) with standing Amida Buddha within. Urushi lacquer over wood. Original bronze ornamentation features a large clasp with stylized arabesque Lotus blossoms on either side and the Dharma wheel above and below. Makie lacquer crossed feathers Mon (family crest). Opening the doors of the altar reveals the Buddha in its original patina and a hand painted upper apron with lotus blossoms.

Age: Edo Period (1750-1800)

Dimensions: 26" High by 9 1/...

Antique Japanese 2-panel screen painting. The right panel has a scene of a man and woman spending a leisurely day by a stream. Deep in conversation over tea, their wealth is evident by their richly patterned robes and picnic blanket. A robe thrown over knees to keep off the chill and the orange leaves of the maple tree suggest that Autumn is here. The left hand panel has another outdoor scene of a beautiful lady and a young girl out for a stroll by a small stream. Nearby are new pine bows and...

Antique Japanese six panel oshiebari style screen featuring six paintings in sumi ink and colors on gold leaf (kinpaku) applied paper. Collectively depicting an autumn landscape with ducks and songbirds on and above rolling hills beside a meandering shoreline. The scene punctuated with flowering bushclover (hagi), Chinese bellflowers (kikyo) and eulalia grass (susuki, alt. obana), with poem cards - both rectilinear tanzaku and squarish shikishi, with poems in scattered grass script (chirashi...

Tokunyu was born as the eldest son of seventh-generation master Chonyu. He succeeded his father at the age of 18, but was prone to illness, and when his father died, he passed the mantle on to his younger brother later known as Ryonyu.

As he was sickly from a young age, he was a Raku master only for nine years and the number of his remaining works is the fewest among all Raku generations.

Due to his youth, he didn't pursue his own unique developments, however, his tea bowls e...

18C Chinese domed jade plaque carved in low relief with Buddhist auspicious symbols. Color is a whitish pale celadon. It is carved very, very thin with two sets of small holes to the back edge. This may have been attached to clothing or fabric or, perhaps, attached to a large ruyi scepter. Condition is excellent and it is wonderfully translucent. Measures: 4" x 3.25".

Antique Japanese gray porcelain tea cup with crackle glaze. Decorated with delicate floral design in iron-rich dark brown/black glaze. Kyoto Ware.

Age: 18th century

Dimensions: 2 1/2" high x 2 5/8" wide

Provenance: From the personal collection of Frederic Cheever Torrey (1864-1935), partner of Vickery, Atkins & Torrey, interior design firm and art gallery founded in San Francisco in 1888.
The gallery, most famous for its role in helping to introduce Californ...

An incredible Mishima Chawan dating from the Edo period with a wide repair to the rim in dark lacquer decorated with golden grasses in gold maki-e lacquer designs. It comes in an ancient dilapidated silk pouch with cotton buffer enclosed in an age darkened kiri-wood box titled Mishima Chawan. The bowl is 5.5 cm (2 inches) tall, 12.5 -13.5 cm (5-1/2 -6 inches) diameter and in fine condition. Mishima ware refers to different types of imported and adopted Japanese pottery. Mishima originally ref...

Chinese miniature porcelain tea caddy with gold decoration. All the gold painting is intact and shows no wear which is pretty amazing. Dates mid to late 1700's, it is a fantastic little piece for the collector. In excellent condition, that is as originally made, the only imperfections are little pin pricks in the firing which is normal. This had a cork stopper which is inside the caddy. Measures 3" high x 2" wide x 1/2". Dates 2nd half 1700's.

18th century French engraving depicting Chinese palaces in a mountainous landscape. The scene is treated in the Chinese style and it is very likely that the draftsman was Chinese, however, the engraving is French and dates from the 18th century. Many details, beautiful print. No restaured Size about 40x60cm..