Antique Japanese calligraphy scroll painting by the Confucian scholar, poet, koto musician, calligrapher and artist, Ryū Kōbi (also called Ryû Sôro) (1714-1792). Sumi ink on paper. With three seals, one being his trademark Dragon seal.

This work is Waka poetry done in traditional 5-7-5-7-7 syllables or a 5-line wake poem. Which traditionally calls up an image of nature that then alludes to an emotion. This poem is one written long ago by the famous Chinese poet Zhang Ji (A...

Two very nice water droppers in a very good condition. Wear according to age, but no chips or restorations. Hight: 20 cm = 7.9 inch.

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Buddhist shrine containing a sculpture of Shichimen Daimyojin in sitting pose, one leg crossed over the other. She sits on the summit of mount Shichimen, one of her shoes by her side, holding a (golden) jewel in her left hand. In the right hand she hold another object, likely a key that is now missing.
Wood decorated with gold and mineral colors. Gilt metal mandorla behind her head, decorated with flaming jewels.
The baldachin above the figure is decorated with auspicious symbols in ...

Very unusual figure of the Kigyo Kishimojin, standing with a baby in her arms, holding up a pomegranate in her right hand. In this form she represents the protector of children.
Almost abstracted wooden figure with dark patina. The mouth painted red, the eyes inlaid with glass or crystal painted with gold in reverse technique, the pomegranate made of a red kernel.

This is a very rare appearance, a kind of in-between form between the child robbing and devouring monster and the transfor...

This is Japanese antique Hikeshi Hanten (fireman coat)used in the Edo period.( 1830-1850) of natural indigo dye cotton. It is a very nice cotton hand spun with warm hands. It is drawn with Tsutsugaki and with natural indigo dye. There are slight stains, but they are not noticeable. There is a slight rubbing mark. The state can be worn well. Length 93 cm / 36.6inch　Cuff to cuff, across the back: 127.5cm / 50.1inch Box.F

Buddhist shrine, or zushi. Inside stands Jizo bosatsu, holding a wish-granting jewel (hoju no tama) in his left hand and his staff in the right. Very elaborate wooden carving with thick layers of lacquer on top of which gilding. Unusual face with down cast eyes. Metal staff with moving rings.
Height 11.2 inches (29.2 cm).
Japan, Edo period, 18th century.

Jizo’s right foot and left hand repaired (old), vertical crack from his left shoulder down and from his right armpit dow...

A rare brushpot caved in coconut. On one side 1 temple surrounded by 1 dragon with a fish tail (Makara) and a fish. On the other side 2 dragons surrounding the sacred pearl which curiously has the shape of an inverted heart. We can see the same heart on a coconut box illustrated on page 96 of book 44 of the complete collection of the Palace Museum. A similar almost identical brush pot was sold in London on November 5, 2013 by christie's, lot 112 (see photos).The whole is covered with a thin laye...

A small Indian deity cast in bronze with a high copper content, depicting an athletic male deity sitting on a lotus throne holding his hands in anjali mudra and holding a kind of hack. Condition: signs of worshipping, base slightly bent, one underarm with a crack. Dimension: 6.5 cm high.

Burmese Shan style Buddha, the slender figure with a triangular face and broad forehead, arching eyebrows, elongated ears, and small hair curls covering a low ushnisha that is surmounted by a bud-shaped finial. The red lacquered wood figure with gilt highlights is seated on a waisted lotus throne plinth with relief deer carvings in bhurmisparsa mudra (“calling the earth to witness”). A plain flap of clothing is over the left shoulder. Separate wood stand. 14" high. 18th to 19th century....

Very large inro with 6 cases, black lacquer (roiro) applied with mother-of-pearl (aogaï) decoration of deer in light relief and a crescent moon in white metal (pewter or silver) inlaid. Early Edo period around 1700. The solid lacquer resisted well to impacts and the wear of time but the applications of extremely fine mother-of-pearl sheets are much worn or worn as can be seen in the photos. 155mm

The Kangxi(康熙）period is the day when the ceramic industry ruined at the last Ming dynasty had been rebuild, and many excellent pieces had been produced at both government kiln and folk kiln. This piece has picture of flushou (福禄寿）and the superlative seal mark of folk kiln on the back. Notable thing is the record in the box indicates it has had by Aixinjueluo Pujio(愛新覚羅溥傑),younger brother of the last emperor. Size: 19.5cm(D) 3.5cm(H) Accessary: box