An unusual, sancai glazed stoneware caparisoned elephant form vessel. The larger opening on its back is suggestive of a lime pot (our best guess) with only traces suggested by an off white cast on the sides of the otherwise buff colored unglazed interior. The trunk, curled above the head, ends in a smaller aperture but not optimal as a kendi. The form, in the round, and the pleasantly crazed sancai glaze (cream, amber and a rare blue) suggest influence of the Cizao kilns legacy of Fujian (known ...

DESCRIPTION: A captivating pair of lacquered figural candle pricks, each in the form of a smiling attendant with hand on hip, wearing a banded hat and holding aloft a candle dish. The figures themselves are hand crafted of solid brown lacquer around a wire frame, while the flared bases are wood blocks covered in brown lacquer. This unusual, rare pair date from approximately 1750 – 1850, and are in remarkable condition with the expected age wear to the lacquered surface. DIMENSIONS: Each app...

The Katchushi style of this tsuba gives it an earlier look and feel. But it is probably an Edo period work (might expect more wear on the seppa-dai or more conspicuous tekkotsu on an older example.) The thin body nonetheless resilient. Strong, sparse, decorative file marks on the vertical add to character. Adept use of the file, thin plate and slight taper toward the rim could support argument a swordsmith may have made the tsuba. Genji style mon and two five petal blossoms in fine open work (so...

A very rare and large 18th Century AMARAPURA Wooden BUDDHA, Burma, seated on a Lotus flower base, subduing Mara. Beautiful gilding on black lacquer patina and inlaid with small colored mirror pieces. Good overall condition. Left side of base (not the Buddha itself) has an inconsequential fissure due to the considerable age and climatic conditions. Size: H. 115 cm. x W. 70 cm. x D. 46 cm.

A very rare THAI 18/19th Century Black & Gold Lacquered Bamboo container with scrolling and flowers. Top rim partially restored as can be seen in photos due to considerable age and climatic conditions. Gilding shows some wear. Overall in fair condition. Size: H. 12" x 13.5" diameter. Impossible to find in this era!

A nice Shakyamuni Marble Shan State Buddha touching the earth (subduing Mara) with nice detailed carving and some gilding, sitting on a lotus base. Condition very good, heavy object. Size: H. 18" x W. 11.5" x D. 7.5" (46 cm. x 29 cm. x 19 cm.) excluding stand. Comes mounted on a nice black stand.

This is a pair of antique rare dehua glaze type Foo dog or lion joss stick holder from Ming To Song period, apparently it is a pair of male and female foo dog, there is a hole on the back made for firing purpose, moulded. Its' glaze still intact and perfectly ok, no major chips on the foot rim edge except some tiny wear and tear, overall the body /form very much intact too, not broken, no crack or not repaired.....please enquire and ask for more photos before buying, thanks for looking Free ship...

This is Nobori-Paper used in a house in the Edo era. The pattern of this Nobori-Paper is Shoki. Shoki is an old Chinese soldier. This is made with paper. The rim of this Nobori-Paper is protected in hemp thread.� This is hardly left now. Most of left flags are textiles. This has many stains, damage, but there is value for a document very much. Size 223cmx 116cm (87.7 �g x 45.6 �g))

This is a japanese antique very rare Ramie( choma )child kimono used for edo in Kyoto. This is dyed in natural indigo plant and Benibana. This is colored the both sides into in Katozome. This hemp is spun by hand. This has five places of small stains, but does not stand out. There is no damage really. The state is complete. Size 123cmx 121cm (38.1 "x 38.9 ")

Very rare and unusual wood tiled village shrine from Dema - mura village in Mie Province. Dated the year of the tiger C.1818 the shrine houses gods and happiness. Signed on the back with the date and maker, Fujiwara Shokichi. Cypress wood with a bronze lock on the doors to the inner chamber. Remarkably good condition with minor wear on the back ridge of the roof. See Pictures. Ask for shipping rates.

This is Fukusa used in Kyoto for Edo period. As for this, two carps are expressed very boldly. As for this, a carp is expressed in a silver thread. This does not have a stain and damage. As for this, a state is complete.��Lining is a red silk. Size 74.5cm x 62.5cm (29.3 "x 24.6")

This is a child kimono of a merchant's family used in Shonai for Edo period. Probably this was used as a gorgeous kimono carefully. Put it on top of one another, and this was worn. This is a jacket. This does not have stain damage. The state is complete. Size 116cm x 108cm (45.6 "x 42.5")

A rare and finely carved Chinese Celadon Green JADE CHIMERA, 18/19th Century. Intricately detailed work with beautiful stylized wings. Very good condition, no repairs. Provenance: from an important Washington D.C. diplomatic estate. Size: 7.5 cm. (3"), 185 gr.

A genuine Bronze Opium Weight of a Mystical HINTHA Bird, 18th Century, Burma. Octagon base. Size: 50 mm. Weight: approx. 155 gr

A geuine large Bronze OPIUM WEIGHT of a Mythical CHINTHE Lion, 18th Century, Burma. Square base with horizontal lines. Size: H. 70 mm. Weight: approx. 329 gr.

A genuine Bronze OPIUM WEIGHT of a Mythical CHINTHE Lion, 18th Century, Burma. Square base. Size: H. 55 mm. Weight: approx. 155 gr.

This is good-quality Yogi of Tsumugi-Silk used in the Tohoku district at the end of Edo period. Yogi which it is polychromatic, and was dyed is an upper item. This is one of the upper wedding ceremony items. As for this, basics are dyed in indigo plant and Kariyasu. At first this is dyed in Tsutsugaaki, and 90% are finished, and a part of the tiger is pictured freehand carefully successively. All is natural dye and sumi, and this is produced. The state that this does not have a stain and damag...

This is the kimono which the child of a rich merchant's family wore for Edo period. This is dyed in local Yuzen dyer. Basics are dyed by 80% in Tsutsugaki, and be colored in a freehand drawing successively, and this is added. The Yuzen dyeing is very rare with the kimono for children. As for this, hemp yarn spun by hand is used. As for this, the part on both sleeves is sewed. It is because the balance of the pictorial representation of this child kimono was thought about. This has several places...