This is an exquisite haori. Jackets of this quality, condition, and subject matter are getting increasingly hard to find. Made habutae silk a with brocaded or woven lining, it can be worn or displayed with either side facing outward. The outside is solid black with 5 mons (family crests) and includes the artist signature which appears on the front lower right panel. The inside back panel’s weaving includes the use of gold, silver, and copper-gold metallic lacquered threads. It is in excell...

A demure image of grace and youth; this is a fine full sized Bunraku theater puppet dating from the first half of the 20th century; one of two from a private collection we are currently offering. The eyes open and close, but are stiff, hands are flexible and fully operational. She wears a period red brocade kimono with kiku chrysanthemum patterns and a black obi featuring dragons and phoenix. A white silk lining and silver crown of flowers complete her outfit. The puppet dates from the first...

A beautiful and subtlety carved jade of Quanyin in a standing position holding her prayer beads.She is strung with a bead to be worn as a pendant. Size: L. 6cm. W. 1.8cm. Condition. No repairs or chips.

Japanese Fukagawa, Koransha baluster vase decorated in underglaze red with a leaping carp, on a shaded blue ground, Koransha orchid mark to the base, original wood box (13" x 9" x 9"). Dimensions of the vase are 12" in height and 7" in diameter (at the widest).

7 twisted gold pines shroud a seedling on the roiro ground of this fine togidashi suzuri bako writing box dated 1931 by Moriya Shotei enclosed in the original signed wooden box. The writing box contains the original suzuri ink stone and water-dropper. Inside the lid is the large character Kotobuki (fortune) followed by an inscription reading 88 year old man Bajo Kasho. The piece is signed Design by Hakuho and dated the fifth month of 1931, the box dated the following year, 1932, titled 8 pine...

A lacquered wooden box decorated in built up Takamaki-e with Tsuba and Kozuka by Heian Zohiko dating from the first half of the 20th century. Inside is fine even nashiji. The decorations rise quite high off the surface, almost as if genuine tsuba were lying atop the box. One tsuba is in the shape of a Mokugyo, a Buddhist prayer drum of hollowed wood culminating in two dragons. The second is one of the seven lucky gods (shichi-fukujin) Daikoku seated in front of a rice bale, smoking a pipe an...

A bronze vase of mountainous form by Nakajima Yasumi I patinated in his signature mottled red-brown and enclosed in the original signed wooden box. The vase is 9-1/2 inches (24 cm) tall, 8 inches (20.5 cm wide and in excellent condition. Nakajima Toyoji, (d. 1950) first came to notice in 1908, receiving an award at the Senkatsu Kinen Exhibition. He was a consistent exhibitor with the Teiten-Nitten national exhibitions, He was also quite active abroad, being prized at the 1931 Belgian Expositi...

A finely carved Chinese wood emaciated monk; skeletal figure with a kindly spirited realized expression. H: 5” with some cracking. $65.00

Japanese baby's first formal kimono (miyagi), hawk on a pine tree hand painted in sumi-e (black ink) on silk, 32 1/2" W x 41" L.

This type of kimono is used during a newborn's first visit to the shrine. The ritual takes place about one month after his birth. Traditionally, the kimono was sent by the mother's side of the family to their daughter's new family, bearing the family crest of the husband's side. The newborn will be held in the arms of his mother-in-law and accomp...

An elegant ceramic obidome (obi clasp) with silver mount (guaranteed) formed as a leaf, glazed in mottled tones of red and blue, with a hand woven silk cord dyed in the same colors; all contained in original box from Matsumasa, Kyoto. Taisho/early Showa period.

The actual colors are gentle; red in blue/purple tint with a soft blue color. What did not show in the photos are the exact matching colors of the ceramic leaf and silk cord. It is a work of art from the Kyoto area; ceramic possib...

This is a large Japanese samurai doll, "Kato Kiyomasa” (a warrior from the 16th century warring period) mounted on a horse. The quality is excellent. The dimensions of the box (assembled with wooden pegs): 19 1/4" x 21" x 9 1/4" deep. The condition: There are a couple of very faint hairlines (almost non-visible) between the eyebrows. The surface of this area is smooth in touch. The doll is sitting on an original cushion (very well-made) but a saddle (which would been hidden under his armo...

A Japanese bronze vase with red splashed green patination with gold powders, the squat body with tall everted neck, signed on the base Shiho; signed tomobako. Taisho/early Showa period. Height: 7 1/2"

Artist: Oda Hironobu [signature and seal]
Descrption: Mountain scene
Date: 1930s
Size: Oban, approximately 15.5 x 10.5 inches
Publisher: Maeba Han (oval seal)
Condition: A thinning area at the upper left. Crease at left. See verso photo of small tape/pencil notes.
- Oda Hironobu was born in 1888. His prints were produced in very small quantities and are rare. The colors in the hills would be at home in a California/Western woodcut.

Cranes symbolize fidelity. They are known for not leaving their spouse’s side after their partner’s death. When pine needles fall, they fall as a pair and the color is evergreen. A pair of cranes under an old pine tree signifies the union of a couple. It is a perfect wedding fukusa (gift cover). The design is beautifully drawn here in Sumi-e black ink style on Shioze silk. Circa, Taisho to early Showa period, 1930-1940. Dimensions: 25 5/8" x 29"

Large stoneware jar with multi-color dripping glaze over a creamy white crackled glaze. The green is the traditional green of earlier Shigaraki ware, the blue as well, but a variety of brown, red, pink and black have been added to the palette. Inside and bottom covered in brown glaze with yellow spots. Japan, early Showa, 1920-1930s.
Height 17 inches (43.2 cm), diameter at shoulder ca. 17 inches (43.2 cm).
Mint condition.

Japanese sosaku hanga woodblock print depicting a pavilion on Peony Point (Botan-dai), Pyongyang, Korea and is No. 28 from the series "One Hundred Views of New Japan" by Hiratsuka Un'ichi (1895-1997). The artist's red ink Hiratsuka Un'ichi seal is at the lower right. The black ink title and artist's red "Un" seal is at the upper left. Known to date to 1940. Paper size: 9 7/8" x 12 5/8" (image: 8 7/8" x 11 7/8"). This print was never framed and is in very good overall condition. The upper right...

A wonderful kabuki Isho Ningyo of the actor Ichikawa Danjuro IX performing as the lion dancer in the performance of Shukyo Kagami Jishi in March 1893 at the Kabukiza Theater in Tokyo. He wears the traditional flowing red wig. Beautiful details abound here with handsome, sumptuous brocade. The pose and high quality of this dramatic masterpiece indicates it was done by an important Ningyo master. Height: 17 inches, 43 cm.

A very special early 20th century version of the Japanese interpretation of a Western doll, probably inspired by the Friendship Doll Exchange in 1929, when the United States gifted Japan with several hundred western dolls. This doll is very rare and a great find for the serious doll collector. She holds a wonderful stylized dog and makes a charming impression along with her great detailing. An important period piece. Doll Height: 20 inches, 51cm; Case Dimensions: 27.5h x 11w x 9d inches, 7...