A Very Fine/Rare Korean Silver Inlaid Rectangular Iron Box with Cover-19th C.: Korea, Joseon dynasty, 19th century. Of rectangular shape box with four round supporters on the flat bottom, the cover inlaid with a large, stylized character “double happiness”- medallion with in bands of florets, key-fret work, the sides of the box inlaid with a deer, pine, fungus, cranes, bamboo and auspicious plants within medallion scrolls. It’s in very fine condition. Measurements: 8.5cm h. x 12...

Antique Japanese wood ranma (transom) with a black lacquer frame. The center panel is carved with a landscape scene of a bridge with pine trees and rock formations.

Dimensions: 73" L x 1" D x 13 1/2" Height

Antique betel nut box from the Philippines, composed of brass and nickel, with separate hinged compartments for the storage of various implements. The leftmost compartment is built up with slaked lime, which releases the alkaloids in the betel nut. The practice of betel nut chewing is common in many parts of South Asia. Slices of the areca nut would be wrapped in betel leaves and chewed, giving a mild stimulant effect.

19th century

Dimensions: 7: x 3" x 3 1/4"

A beautiful painting was done by the famous painter Su Turn-Jau.
It was kept very well in good condition and was newly framed.

Date: Qing Dynasty, 19th century.
Dimensions : 49.5cm x 41.5cm with frame.

A Chinese celadon-glazed porcelain vase with shape of an ancient cong, decorated with eight trigrams (bagua) on all four sides of the vase. A six-characters "Daqing Tongzhi Nianzhi" mark is inside the foot rim, and of the period. There are two long kiln cracks between the foot rim and the body of the vase (see photos #5 and #6), and three very short kiln cracks on the body. There is no damage to the vase other than these kiln faults. Additional photos will be provided upon request. Height: 11-1/...

Japanese Meiji period three-case boxwood inro carved on the front with two oni or animal creatures peering out from the trunk of a tree. The back holds a bearded man holding a sword or knife. All three have inlaid eyes. A wood ojime bead and a netsuke in the form of a smiling tiger is attached to the string. A two-character “Nissho” signature within a circular cartouche is embedded on the bottom. 19th century. 3 1/8” x 2 1/4" x 1 1/4." Very good overall condition with only minor imp...

A monumental pair of Chinese hardwood temple corbels, finely carved as a pair of fu dogs and their offspring. Each adult fu dog stands on their front legs with the rear legs pointed upwards, so that they would press against the ceiling. The front legs are balanced atop a floral xiu qiu ball, and a rambunctious baby fu dog clings by its claws to the ball. With small traces of pigments. Mounted for display on museum quality steel bases.

Early 19th Century

Dimensions: 20...

Antique Japanese choba tansu (merchant's chest) made of keyaki (elm) wood burl with heavy iron hardware. The upper most portion of the chest has a large full width drawer above a compartment with sliding panels. The middle of the tansu has a horizontal row of three small drawers. The bottom portion of the tansu has a series of three drawers stacked in a vertical row and held in place with a locking bar. The lower right has a safe box with with two small interior drawers and an exterior drawe...

An unusual Japanese Keyaki burl front bar tansu. The drawer faces are each labeled in Japanese kanji. The top "drawer" is actually a lift away panel. The middle two drawers are slightly recessed behind a vertical locking bar with ornate iron plates. The lowermost drawer face has a middle iron lock plate continuously below the locking bar. When the bar is removed, more kanji is written in sumi ink, possibly with the identity of the original owner. With iron kakute squared drawer pulls and iron ...

A pair of extremely rare small porcelain dishes decorated with "qianjiang cai （淺絳彩）”， depicting a scene of rice transplanting on one dish, and a scene of rice harvest on another. Qianjiang Cai was a kind of enamel similar to Famille Rose, it was favored by Chinese scholars in late Qing Dynasty. Some researches said it was created in Xianfeng period, others argued that the using of this enamel should be as early as Daoguang period. These dishes bearing the four character "Daoguang N...

Antique Japanese group of 6 tsuba (samurai sword hand guards), made of iron. Each tsuba is unique. From top left to right: suksahi tsube with aoi leaves and tiny inlaid gold details, sukashi tsuba with boat with sail in the mist and signed Masayoshi, sukashi tsuba with three gourds aubergine motif, sukashi tsube with boat and sail, sukashi tsuba with pine branch and mist, wangata tsube with two characters. Mounted on a custom antiqued bronze metal stand.

Early Edo Period (186...

Japanese two section futon tansu made with solid Keyaki (zelkova) hardwood. The top section holds a large open compartment behind two sliding Keyaki burl front panels with openwork carvings. Below are three drawers with mokko shaped iron pulls. The bottom section has another pair of sliding panels with horizontal slats. Behind the left panel are two large drawers and behind the right panel are two drawers and a small safe door with ornate iron plates, holding a third drawer inside. Beautiful or...

Stunning set of ten Japanese Ya (arrow) Yumi hawk feather and reed arrows with gold gilt lacquer and iron tips. Once used to shoot long distances by long bow primarily before the main introduction of firearms by the Portuguese in 1543. The "no" (shaft of the arrows are made from yadake bamboo and can have different shapes – straight, or tapering, these being straight.
Typically they use bamboo from the Kanto area. This is for a purely practical reason: bamboo will not grow fast enough ...

A large architectural Buddhist temple carving of a Dragon (Ryu), with reverse glass painted eyes. The dragon clutches a smooth clear quartz crystal ball in its 3 point sharp claws. The high relief carvings show the dragon's body coiled behind clouds of smoke and waves. Dragons are the powerful embodiment of yin and yang and are seen as a symbol of power, strength, and good luck for people that are worthy.
The myths about Emperor Jimmu descending from Toyatama-hime evidence the folklor...

Antique Caucasian Azeri runner rug, hand-woven all wool in repeating Shirvan motifs in navy blue and rust colors.

late 19th century

Dimensions: 4' 7" x 16' 8"

Antique Caucasian Azeri rug, hand-woven, all wool with Lesghi-styled pointed star medallions in navy blue and red tones against cream ground.

late 19th century

Dimensions: 2' 10" x 3'11"

Antique Turkish rug, hand-woven, all wool in bright red, green, navy blue, and cream natural dye colors. In rural areas, often times goat hair is incorporated in the weave along with sheep's wool. Motifs of praying arches and medallion repeats with tribal influences.

late 19th century

Dimensions: 3'3" x 4'10"

Antique Caucasian Azeri runner rug, hand-woven, all wool in repeating Shirvan motifs in navy blue and rust brown and cream colors.

late 19th century

Dimensions: 3'1" x 5'