Chinese antique large lobed bowl, made of heavy copper and enameled with raised repouse design of flowers and scrolling vines on the outside and with lovely yellow enamel on the inside. The enamel work on the flowers is delicately done with lovely colors on a yellow ground to match the inside of the dish. The stand is made of hardwood and intricately carved with elaborate details and long curving legs. 18th/19th century. Size of the bowl: 2 1/2" high x 15 1/4" long x 10 3/4" wide. Size o...

An Indian stone surahi expertly turned on a lathe from a single piece of black steatite, a variety of soapstone. It is beautifully made and very light, displaying the remarkable hollowing performed by the artisan. It relates directly to bronze and brass versions from the 18th century. With this flask is a turned alabaster bowl, also elegantly made, that has a curious slightly domed bottom. The bowl perhaps dates from the 19th century. Given the nature of the materials used these are both rare i...

Wonderful and large Chinese Bronze Buddha, mounted on an aesthetic wooden custom stand with the effect as if it was pending above the stand.

The buddha has a serene and meditating expression. The statue is hollow inside.

It dates from the 19th century, and the display stand was added in the middle of the last century by our family.

It is in very good antique condition with some traces of age. Smaller areas of the veneer have come off in a few places on the c...

Wonderful and large Chinese Medicine Bronze Buddha, mounted on an aesthetic wooden custom stand with the effect as if it was pending above the stand.

The right hand is held facing downward with fingers extended toward the ground, palm facing outward toward the viewer, a bowl of herbs rests in the left hand upon the lap. It is believed by the Tibetans that the Buddha was responsible for delivering the knowledge of medicine to the people of the world, and in fact the right hand fa...

Description:A beautiful and rare imperial famille-rose crane-medallion porcelain bowl and saucer, the bowl decorated to the exterior with seven roundels of crane-medallions in purple red enamel, between bands of crosshatched pattern around the rim and blue and green breaking sea waves above foot rim, centre of the bowl finely painted with a single peony flower and leafy branches enclosed within blue-circles. The interior of the saucer was decorated with the same patterns of the roundles. Both of...

Japanese antique isho tansu (clothing storage chest), made with chestnut wood drawer fronts and sugi (cryptomeria) wood frame, beautiful deep reddish brown lacquer finish on the drawer fronts and the sides and top of the chest, the frame on the front of the chest is lacquered black as is traditional with Fukashima area tansu. Iron hardware inlcudes large round lock plates and warabite shaped drawer pulls. The chest has four large drawers and two small drawers in the lower right hand corner....

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Mandalay Period, 19th Century
Measurement: Height 57.6 C.M. / Width 29 C.M. (size excluding stand)
Condition: Intact with original condition. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Thai wooden finial, used for decoration on top of temple's roof.
(Chofa is a symbol of bird which located on the center-top of temple roof, and used to protect from bad spirits)

Age: Thailand, Rattanakosin Period, 19th Century
Size: Height 202 C.M. / Width 31.5 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to its age including natural wears from age). Please refer to the enlargement photos for more details.
Shipment: W...

A superb and very rare Mandalay gilt Palace Lion Throne Woodcarving, ca. 1858, Burma. Intricate and detailed workmanship with high quality gilding. Disassembles into several pieces. Needs large space/wall for high impact display! Size: H.114" x W. 71" (290 cm. x 180 cm.). Photo shown is with inserted tinted mirror (optional). UNIQUE PIECE!

This extraordinary piece depicting two shishi guardian lions locked in playful combat, is done in fine white porcelain from the Arita region of Japan.

Guardian lions (alternately known as Shishi, Foo-dogs, or Koma-inu) were introduced to Japan in the 8th century and are often seen outside shrine gates or adorning rooftop shingles. When seen in pairs, one typically has its mouth open (the male) while the other’s is shut (the female). This is no coincidence, but rather Buddhist sym...

Japanese antique isho tansu (clothing chest) from the Sendai area, made with keyaki wood on drawer fronts, highly raised and incised black iron hardware including elaborate lock plates in the form of large peony blossoms and scrolling leaves. Moko shaped Iron drawer pulls incised with tiny flowers, 4 large drawers, 2 small exterior drawers. A safe box on the right side has beautifully ornate hardware in a peony motif. 2 small interior drawers also with keyaki wood and finished to match th...

A bridge and weeping-cherry (shidare sakura) draped over swirling eddies on this silver lidded Meiji period Koro incense burner on its original matching table. On the table a waterwheel is visible downstream from the same scene, tiny silver beads floating on the crests of the ripples. The incense burner has a silver lid and removable liner, with a nashiji gold-flaked bottom. It is 4-1/2 inches (11.5 cm) diameter and in fine condition. The table is 14-1/2 x 7 x 2-1/2 inches (37 x 17.5 x 6 cm)...

In China, the first mention of the Japanese Archepelago was in the historic text Book of Later Han, written in the year 57 AD. From that time forward, a great flow of Chinese cultural objects and ideas made their way to Japan—greatly influencing future developments there. This flow continued unabated until reaching a fevered pitch during the Chinese cultural revolution when—under Maoist reform—untold cultural relics and artifacts were destroyed by officials and enthusiastic supporters of t...

In China, the first mention of the Japanese Archepelago was in the historic text Book of Later Han, written in the year 57 AD. From that time forward, a great flow of Chinese cultural objects and ideas made their way to Japan—greatly influencing future developments there. This flow continued unabated until reaching a fevered pitch during the Chinese cultural revolution when—under Maoist reform—untold cultural relics and artifacts were destroyed by officials and enthusiastic supporters of t...

Large Chinese Qing dynasty Guangxu period bombe form censer (incense burner) with flared rim decorated in underglaze blue on a white porcelain ground with three horizontal rows of zhuanshu "shou" (longevity) ideographs extending around the circumference of the bulbous body. A key-fret border is above the calligraphy and a petal border is below it. Two underglaze blue concentric circles are on the recessed glazed base. The glaze extends up the interior of the unglazed foot rim. 6 1/4” diame...

This poem, inscribed with Rengetsu’s unmistakeable flowing calligraphic script, is set on a backdrop of colored washi paper decorated with gold flecks and intricate renderings of magical forest spirits. The spirits are drawn using “gofun”—a calcium carbonate powder obtained by heating and grinding oyster shells collected around the Inland Sea coast. Due to the luminiferous properties of gofun, the spirits seem to appear and disappear depending on the light and the angle of viewing—add...

A rare and well preserved short SHAN STATE "DHA" (Dagger) with Silver Collar and Sheaf as well as an Ivory handle. Good condition. Size: 7" (18 cm.). 19th Century

This lovely Ido-gata shaped chawan has very nice asymmetrical balance highlighted by extensive and skillfully applied kintsugi gold repairs. The inside bottom of the bowl is covered in a green glaze resembling a carpet of fine moss which stands out nicely agains the backdrop of the ashen-colored crackled glazing of the walls of the bowl.

Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the h...