This is a fine old Antique Chinese charger. It is done in a pattern rarely seen. Look close at the images and you will see the old orange peel surface texture. The charger has no cracks or chips. It does have a little wear to the gold but most of the enamels are fine. Overall it is in very good condition and in much better condition than most this age.. The Charger is heavily potted and weighs several lbs. Measures 13 inches across.

It is antique hand-spun and natural indigo dyed cross stripes cotton yogi kimono.It is a very good condition.It does not have a stain and the damage.cross stripesSlightly thick kimono yogi. size:Length 173cm (68.1") Width of the shoulder 78cm(30.7") sleeve to sleeve 153cm (60.2")

Indian demon chaser mask in bronze repousse from Karnataka in five parts: head, headband, ears and a tube within the head to permit the mounting on a pole. Backside with red paint. Please refer for a quite identical mask to: "Ritual Bronzes of Maharashtra and Karnataka" by Leo S. Figiel, M.D.: Fig. 7-65. Condition: traces of usage, back part of the head and headband with some dents. Dimension: 26.2 cm high.

We like to present you a 150 year old tea bowl made of Shino ware. It was made around the late Edo/early Meiji period.

White pottery is coated with white and light grey glaze. Very tasteful. It comes with a Japanese wood box (kiribako).

As you can check on the pictures, it is in good antique condition with no chips, cracks or repairs.

Size: 7,7cm height x 11,4cm in diameter.

Shipping included

This is a perfect plate painted in full flora pattern in the greyish blue color , definitely an authentic chinese Qing dynasty era plate , probably mid Qing era , very nice design !

We present a real rare item. A fantastic tea bowl by legendary potter Nin'ami Dohachi made about 180 years ago, during Japanese Edo Period. Take your chance to get it.

Nin’ami Dohachi (born as Takahashi Mitsutoki; 1783-1855) worked in Awata until he set up a kiln in Fushimi, near Kyoto, in 1842. Dohachi was specialized in tea ceramics and was famous for his recreations of other styles in stoneware and porcelain, especially his efforts to revive the Ninsei and Kenzan styles.

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Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting the actor Nakamura Shikan in a dramatic scene with a knife clenched between his teeth and his arm penetrating a Japanese paper folding screen. The date seal (4th month of 1861) and the signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) are at the bottom left portion of the image. The seal of the publisher Moriya Jihei is at the lower right. Standard vertical oban print measuri...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting the actor Onoe Kikugoro III as Mashiba Hisayoshi. This image is Station 55: "Kyoto" from the series "Actors at the Fifty-three Stations of the Tokaido" published by Tsujiokaya Bunsuke in 1852/3. Very nice impression quality and color. The date and censor's seals, carver's seal, and signature of "Toyokuni ga" (in a red cartouche with yellow snow) are at the left. Measures 14 5/8"V x 10"H. Very good overall ...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting the actor Ichikawa Danjuro VIII in the role of Daiku Yoshiro. This image is Station 45: "Ishiyakuchi" from the series "Actors at the Fifty-three Stations of the Tokaido" published by Tsutaya Kichizo in 1852/3. Very nice impression quality and color. The date and censor's seals, carver's seal, and signature of "Toyokuni ga" (in a red cartouche with blue snow) are at the right. The publisher's seal is at the...

DESCRIPTION: A fine 19th C. Chinese ink stone, crisply carved in the form of a bamboo node with leaves at the top and root knobs at the bottom. A deep water well has been carved into the upper section. Natural inclusions, called "eyes," are highlighted within the duan stone's design, with one eye at the top carved to simulate the moon, and the other incorporated into the stone's grinding surface.

ABOUT DUAN INK STONES: One of the four treasures of the Chinese scholar's studio, the in...

A rare and very unusual underglaze blue decorated Gu shaped Altar Vase with fine crackular glaze. This item was made in Southern China, probably during the second half of the Qing dynasty. Condition: damaged - with very old (possibly Chinese) double stapled and lead infilled repairs. 31cm (12 inches) high.

Wonderful Mishima chawan with irregular form, made around the end of Edo, surely during the early Meiji period.

The first mention of the Mishima style comes in Eiroku 8 (1565) in a tea diary. Yet the mi kanji recorded in this diary is that for "to see," while the city of Mishima uses the kanji for "three," its whole meaning being "Three Islands." Some scholars therefore believe that the Mishima for which the pottery is named is derived from an island off the coast of Yamaguchi call...

Dhyangro drums are usually separated from their phurba (ritual dagger) handles, and the handles are sold by themselves. This is a common occurrence with Nepali dealers. This is because the handles are easier to transport and sell. So it isn't very often that you see a completely intact, old Tibetan ritual drum. The drum is made of wood and animal hide, and has shaking balls inside for accenting the rhythms created by the shaman dancer. The handle is a wonderfully carved wood phurba (ritual dagge...

A Japanese sashi netsuke carved from stag antler, depicting the mythical Chinese fisherman Ashinaga with his long legs. Natural himotoshi (cord hole) between his right arm and chest. Condition: nice patina. Dimension: 13.5 cm long.

An underglaze blue and copper red bowl, with gold details. Scenery showing flower sprays and surrounded with symmetric patterns. Condition: Very good condition. Some wearing at the gilded details. Measurement: diameter 21.8 cm = 8.6 in

Please note! Customer satisfaction is our top priority. We guarantee 100% accuracy and correct information for each object listed on our website. We are happy to offer a one-time exchange only policy on the return of any object within 30 days of the...

A large sweets dish decorated with blossoms by Eiraku Zengoro XII (Wazen) enclosed in a custom made wooden box. The bold pattern is fitting this bold artist. It is 9 inches (23 cm) diameter, 4-1/2 inches (11 cm) tall and in fine condition.
Eiraku Zengoro XII (Wazen, 1823-1896) was one of the most influential potters of his time, setting the stage for the revival of and modernization of Kyoyaki, based on models by Koetsu, Kenzan and Ninsei. Although named Sentaro, he was more commonly ref...

Japanese Meiji period "omocha-e" (toy picture) woodblock print illustrating various kitchen and restaurant products and furnishings available in the late 19th century. Chefs and waitresses are demonstrating their use. The title and artist's name (unidentified) are in black ink at the top margin. The publisher's information and the date of Meiji 15 (1882) is in the lower right margin. Vertical oban print measuring 14 1/2"V x 9 5/8"H (image: 13 1/4"V x 9"H). Very good overall condition with ex...

Yokote Kasuri Yogi was used in the Akita region during the Meiji period. Dyed with natural indigo. In this regard, the cotton is hand-spun. The pattern is Urashima Taro. This pattern is extremely rare. Very good condition No stains or damage. Size 147cm x 140cm (57.8" x 55.1")