Yuki-boshi (snow hat) made of weed and from Shonai region in Yamagata prefecture in Tohoku district. It is said it was worn by "matagi", a hunter. It has fragments of washi dyed with kakishibu (persimmon tannin) for waterproof. The second half of the 19th to early 20th century. In good condition. 45cm x 50cm

Arai Yoshimune
Pine Beach By Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s.
An early edition removed from its original matted presentation folder. Size: Chuban. Approximately 9.875 x 7.0 inches.
Publisher: Hasegawa
Condition: Faint matte line from original folder.
- A rarely encountered night scene design.

A rare Tausug sash made in tapestry weaving, raw silk with geometric pattern and zigzag design from the Sulu Archipelago near Mindanao in the Philippines. Provenance: old Swiss collection. Condition: faded, one narrow side maybe little shortened, patina, stained, discolored, few small thin areas and one selvage with small fraying. Dimension approx.: 36 cm x 275 cm.

A Korean lacquered box used to hold the ink stone and writing implements that were used during the Joseon Dynasty. Such a box was made by and for the common man or farmer and is a good example of Korean Folk Art. The box's lid fits over an inner tray where the ink stone and water dropper were kept. Below the tray would be stored ink sticks, paper and brushes. The box's finish is the original dark red lacquer, and the iron nails and straps are also original and hand made. The box measures abo...

A rare Tausug raw silk sash fragment woven in two pieces. Tapestry weaving with geometric pattern and zigzag design from the Sulu Archipelago near Mindanao in the Philippines. Provenance: old Swiss collection. Condition: slightly faded, one narrow side shortened, patina, little staining, a small hole. Dimension approx.: 33.3 cm x 228 cm.

A complete Tausug raw silk sash (kandit) with long fringes. Tapestry weaving with geometric and zigzag design from the Sulu Archipelago near Mindanao in the Philippines. Provenance: old Swiss collection. Condition: slightly faded, patina, little staining, a small thin area. Dimension approx.: 36.3 cm x 355 cm (with fringes).

Width approximately 11.4 cm (spout to handle). Width approximately 11.1 cm (spout to handle). Width approximately 11.6 cm (spout to handle). Width approximately 11.2 cm (spout to handle). Width approximately 11.5 cm (spout to handle). All of them are in good condition.

Height: 7.8 cm (3.2 in)
Width: 3.7 cm (1.4 in)
Depth: 2.1 cm (0.7 in)

Chinese cinnabar snuff bottle; finely carved, two main panels depicting individuals in rural settings; the sides show lotus scroll-work with a ruyi head border below the rim; bone spoon; early 20th century; very good condition

A sheer cascade of silver mist drops into the darkness beyond a golden outcrop harboring an ancient pine laden with blossoming wisteria vines. Togidashi, taka-maki-e and kirigane, this is a breathtaking box dating from the 19th to opening of the 20th century. Inside is elegantly decorated with drifting clouds of golden mist. Overall in excellent condition, enclosed in a period wooden box. It is 23 x 21.5 x 4.3 cm (9 x 8-1/2 x 1-3/4 inches).

A Japanese erotic ebony netsuke of Okame with ivory-eyed holding a large mushroom. Engraved Tomotsugu signature on the mushroom. Edo period 18-19th century Sizes: 4,5 x 3 x 2 cm Condition report: Good condition

These two saddle rugs, in knotted pile, are forming a pair and were used together: the larger piece with trapezoid ends served as a saddle cloth (makden), while the smaller rug was a saddle cover (masho). Both items are in their original condition, with a red trim and backed with a coarse beige fabric. Provenance: old Swiss collection. Dimension approx.: makden: 120.5 x 67 cm, masho: 82.5 x 66 cm. Condition: signs of age and wear, rims with partial discoloration, faded.

Vintage wooden stand made from boxwood .This was made circa 1950/1970. I acquired it from an expat estate in 1987. It was previously owned by an American executive who worked in Hong Kong from 1950s to 1970s. There is small bit of the tip missing- noted in 2nd enlargement, and the the upper part is a bit discolored due to being left in the sun for many years. L: 18cm/7in and H: 9cm/3.5in

Five matching boxes covered in black lacquer decorated with togidashi feathers in silver and gold enclosed in the original wooden box signed Shunji (active Meiji-Taisho period) and titled Hane-no-zu Maki-tabaco Shoshi (Feather decorated tabaco chest). Each faceted wood box has been covered in polished ink-black ro-iro lacquer, the diaphanous feathers then created on the surface with powdered gold and silver; then all is covered again in lacquer and polished through to reveal the design. An ard...

Old wooden stand acquired from a US expat estate in 1987, this was made between 1950 and 1980. The legs are inserted. Minor natural “check” in the top, and this piece is sort of shaped like Australia (no extra charge). 14cm/5.5in x 10cm/4cm and 4cm/1.6in.

A Japanese cloisonnè vase of unusual shape worked with ginbari technique using transparent enamel with floral motifs. Meiji period late 19th century Sizes: 15 x 10 cm Condition report: Good condition

A Japanese paulownia wood Kashi-ki “sweet box” with leaves and flowers motifs, decorate with kijimakie lacquer design and gold parts, mother of pearl inlays and lead foil. Edo period 19th century Sizes: 13 x 10 x 6,5cm. Condition report: Good condition

Shotei Takahashi (Hiroaki) (1871-1945)
Shotei catalog title: Plum Tree Takes a Boat Ride
Japanese title: Sakigake Bune
Date: Pre-1923.
Size: Approximately 25.9 x 12.8 cm. 10.25 x 5 inches.
Shotei seal at upper right.
Publisher: Watanabe Shozaburo.
Reference: S-135 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Excellent. Two pieces of white tape at top back margin.
- The blocks for this print were destroyed in the Great Kanto E...

Antique Japanese ceramic bizen ware sculpture of Ebisu and Daikoku, two of the most popular of the Lucky Gods. Diakoku, who is usually pictured standing on top of bales of rice, instead stands on top of a large ball. He is shown carrying a lucky mallet (Uchide no Kozuchi) and a bag of treasure which is thrown over his shoulder. He is the protector of agriculture, farmers, and rice merchants. Standing to his left on the side of the large ball is Ebisu, the protector of fish, fisheries, seafood...