Japanese framed print by Mayumi Oda (1941-present) of a crane, titled "New Year" and signed in pencil. Mayumi is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts, Boston, and more.

Size: (entire frame) 23" L x 28.5" H (print only) 15" L x 19.75" H

Japanese framed print by Yoshitoshi Mori (October 31, 1898 - May 29, 1992). Depiction of a beautiful geisha combing her hair with bright pops of color. Number 18/50, signed and dated 1978 in pencil.

Size: (entire frame) 17" Wx 24.5" H (artwork only) 10.5" W x 17.25" H

14 images spanning two pages each are sandwiched between the silk binding of this two sided accordion album by Zen Priest Inaba Shinden enclosed in the original storage sleeve. The images span from Mount fuji to the Daruma to Zen Circles, each annotated with some verse or Buddhist anecdote. It is in excellent condition, the album (closed) measuring 8-1/4 x 12 inches (21 x 30 cm).
Inaba Shinden (1906-1986) was an important priest of the Rinzai sect of Japanese Buddhism. Born in Aichi, h...

Japanese Pottery Gray and White Tea Bowl, 5" diameter-top rim, 2 3/4" high, with impressed mark on the bottom, 2" long glaze hairline on the side of the bowl.

Chinese carved Ivory Ram's Head clasp, consisting of Ram's Head and oval ring, 2 long 7/8" wide, 3/8" deep-Ram's Head, and 7/8" x 5/8" wide, 1/8" thick-oval ring, made in "Hong Kong" label, imported to US prior to 1980. The oval ring goes over the Ram's Head to close the necklace, connect with string to other side of Ram's head, there are two(2) holes to connect together and string the oval ring next to beads of your choice. The condition is good.

This striking chawan is a fine example of “Oni Shino” (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time blending with the molten as...

Original Japanese print by well known artist Mayumi Oda (1941-present), titled "Let Wisdom Arise Within Us" (Blue) , number 23/100, and signed in pencil along the bottom. Wonderful depiction of a goddess wielding a sword while riding on the back of a growling fu lion, surrounded by large bouquets of peonies, the flower petals blown around her by mystic winds.

Size: 19" W x 26" H

A large primitive robotic form by Morino Taimei in his iconic blue and gold dating from his experimental days in the early 1970 enclosed in the original signed wooden box titled Soji Shiho Kabin. It is 12 inches (30 cm) tall, 6 inches (15 cm) square and in excellent condition.
Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal University of Fine Art!). In 1960 he recei...

Square Philippine Ifugao basket with cover, known as a hu'up, used at meal time for steamed rice by the Ifugaos. Purchased in the Cordillera Region of Luzon island in the mid 1980s. Age of basket not known, but probably mid-century. 11.5"x 11.5"x 5" in height. In overall good condition.

Ifugao tribal wooden spoon from the Cordillera region of Luzon in the Philippines. Obtained in the 1980's. Eight (8) inches in length.

This fan painting was made in the style of the artist or attributed to Famous Qing era Artist Ren Yi @Ren Bonian dated 1881 Guangxi year

Calligraphy in the style of or attributed to Lu Yifei a famous calligrapher n painter

A fan painting painted in the style of or attributed to famous Chinese artist Zhu Zhiqan dated 1961

Contemporary Korean single section kitchen cabinet, made with bold elm wood (Keyaki in Japanese). This piece has an upper and lower set of sliding doors with attractive latticework over rice paper. The top and mid region have four small drawers across, with the very top middle drawers as hidden compartments. The bottom of the piece has two doors on hinges, and a middle lock to match the others.

Size: 37.75" L x 17.25" W x 65" H

This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama kiln, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time blending with the mo...

Japanese Late 20th Century (1995) porcelain charger by master ceramicist, Ono Hakuko (1925-1996). The charger has the design of fern leaves and blossoms done in Ono Hakuko's signature style with gold leaf underglaze. The charger is signed "Haku" on the bottom. The charger comes with TOMOBAKO, or original wooden artist signed storage box. The box is also signed by Ono Hakuko's son, Ono Jiro. It also comes with TOMOGIRE, or original artist stamped wrapping cloth. The charger measure 15 5/8" in dia...

The image of the brush-drawn circle, known most commonly as the “enso” of Japanese Buddhism, has long been a symbol of strength, elegance, and the simultaneous being and nonbeing (mu) of the universe. A closed enso is associated with the idea of perfection while an open enso represents movement, fluidity, and attainment in the corporeal world. In this composition by veteran Mino potter Takuzo Mizuno, we can see an open enso done in thick feldsparic glaze on a classic background of nezumi Shi...

Two(2) Chinese Hardwood Display Stand, round brown and nice open work stand, 2 7/8" diameter-inner top rim, 4 1/2" wide-widest middle area, 1 5/8" high, the condition is good.